创造的

Here I'd like to emphasize that surrealism at first was definitely not a taste, style or aesthetic, but a form of creative kinetics. Guillaume Apollinaire said,"When man wanted to make a machine that would walk he created the wheel, which does not resemble a leg.".

我想顺便强调的是，超现实主义最初并不是一种趣味、风格或者美学，而是一种创造动力学，为此，阿波利奈尔说，"人当初企图模仿行走，所创造的车轮子却不象一条腿。"

In order, for new scientific creations to be available and created.

在秩序，创造的新的科学可以创造。

Faire Angel, thy desire which tends to know The works of God, thereby to glorifie [ 695 ] The great Work-Maister, leads to no excess That reaches blame, but rather merits praise The more it seems excess, that led thee hither From thy Empyreal Mansion thus alone, To witness with thine eyes what some perhaps [ 700 ] Contented with report hear onely in heav'n: For wonderful indeed are all his works, Pleasant to know, and worthiest to be all Had in remembrance alwayes with delight; But what created mind can comprehend [ 705 ] Thir number, or the wisdom infinite That brought them forth, but hid thir causes deep.

美丽的天使啊，你的心愿，想要去见识一下上帝的工程，借以歌颂光荣伟大的创造主，这样的心愿不能说是过分而遭到非难。其他天人满足于耳闻，而你却要求亲眼目睹，竟为此远离天界，独自来到这里，这样的愿望，愈被认为过分，愈值得称赞。因为神的工程确实是奇妙，见识它确是赏心悦目之事，而且这一切值得高兴地永记在心！但是，有哪一个被创造的心，能知造物总数？或了解深藏无限智慧中的创造原因？

As people create history, folk singer, poets and readers create a history of poetry.

历史是人民创造的，诗史是民间歌手、诗人和读者创造的。

After that, the article expounds how the social labor value theory overcomes the theoretical hard nuts in the financial accountings:(1) it has solved the issue of conformity between the production domain and accounting domain by holding that the social labor creates the value, which decides that the domains of production and accounting should be extended to cover the tertiary industry;(2) it has solved the issue of the valuation standards in the economic accounting by holding that the theoretical value should be converted into the actual value and that only when the price of production is used as the valuation standards can the financial accounting and economic accounting have a true valuation basis;(3) it has solved the issue of creation and distribution of surplus value and explicitly points out that the power of science and technology determines that the surplus value comes mainly from the materialized labor. Only when we have a clear understanding of this point and have realized that the value of product is created jointly by the materialized labor and the laborer can we straighten out the relationship in the distribution of earning inside the enterprise and understand that the distribution on the basis of contributed capital is a reasonable choice at present.

其次，着重阐述了社会劳动价值论如何解决经济核算中的理论难题：一是解决了生产范围与核算范围的统一问题，认为社会劳动创造价值，决定了生产范围与核算范围都必须扩大到第三产业；二是解决了经济核算的计价标准问题，认为必须从理论价值转化为实际价值，用生产价格作为计价标准，才能使会计核算和经济核算真正具有计价基础；三是解决了剩余价值的创造与分配问题，并明确指出，科技的力量决定了剩余价值主要来自于物化劳动，只有认清这点，承认企业的产品价值是物、活劳动共同创造的，才能真正理顺企业的利益分配关系，才能理解按资分配是现实合理的选择。

The essence of ideorealm creation lies not simply in a fusion of feelings with scenes, but more in creating "images beyond images", which can provide readers with a vast imaginary sphere.

意境创造的实质并不仅仅在于情景交融，更在于创造"象外之象"，能够把读者带入一个广阔的遐想空间。

Imagination is creation of lead first, arrive creation from the mimicry of stairs.

想象是创造的先导，是从模仿到创造的阶梯。

You can become wealthy by creating wealth or by appropriating wealth created by other people.

你可以通过创造财富或掠夺他人创造的财富而致富。

I settled for recreating the wounds I'd received myself, so many centuries earlier in London.

我满足于重新创造出几个世纪前在伦敦在我上创造的伤口。

If it all works, we'll have contraptions that help people live and be creative, and people who help the contraptions live and be creative.

如果一切都能实现的话，我们将拥有协助人类生活和创造的精巧机器，而人类也将协助机器生存和创造。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。