创造性

Secondly, based on the study of creative teaching structure and process and environment, the paper has analyzed extremely important factors by idea of teaching theory and culturology.

其次，从创造性教学的结构、过程和环境考察了诸多影响创造性教学模式构建的因素，主要从教学论和文化学的视野，对重要因素进行了详细的分析和阐述。

Inspiration is the outcome of consciousness and subconsciousness, the handiness combination among the ability of creative thought and the ability of creative imagine as well as the ability of mencory.

灵感是显意识活动和潜意识相结合的产物，是创造性思维能力、创造性想象能力和记忆能力的巧妙结合。

The inspiration thinking mode is a kind of instantaneous and original cognition in the cerebra with the characteristics of creativity , saltation , and instantaneousness .

灵感思维是大脑瞬间产生的一种创造性的认识，具有创造性，跳跃性，瞬时性等特点。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族"血性"的传承方面。

Our country firstly put forward such design principle of Qinghai-Tibet railway engineering as "lower temperature actively, reduce the heat into the subsoil, and assure the heat stability of frozen earth for the quality stability of construction", creatively adopt such corresponding measures of frozen earth construction problem as: for the poor frozen earth developing section, line should avoid as possible;for the geology of ice at high temperature and unstable frozen earth zone, the method of bridge instead of subgrade shall be adopted;in subgradeconstruction, such facilities as heat stick, rubble ventilation subgrade , rubble ventilation berm, ventilation pipe subgrade and laying heat preservation board etc shall be adopted to raise the stability of frozen earth subgrade;during the excavation of bridge, culvert , foundation pit and scouring prevention trough, creatively adopt single-tooth knapper and solve the problem of frozen earth excavation;during the construction of bridge and culvert, durable concrete and three-step maintenance method are adopted to assure the outside and inside beauty of structure.

我国在世界上首次提出"主动降温、减少传入地基土的热量、保证多年冻土的热稳定性，从而保证修筑在上面的工程质量的稳定性"的青藏铁路工程设计原则，创造性地采取了解决冻土施工难题的相应对策：对于不良冻土现象发育地段、线路尽量绕避；对于高温极不稳定冻土区的高含冰量地质，采取"以桥代路"的办法；在路基施工中采用了热棒、片石通风路基、片石通风护道、通风管路基、铺设保温板等多项设施，提高冻土路基的稳定性；在桥涵基坑、挡水埝基槽开挖中，创造性地应用了单齿破碎器，解决了冻土开挖难题；在桥涵工程施工中，采用了耐久性混凝土，采用了三步养生法，保证了结构物内实外美。

Creative Implicit Theory is about experts and laypeople ' conceptions of creativity, that is to say, how they think of the creative people' psychological attributes and structure.

创造性内隐观是指专家和外行怎样看待创造力这一概念，即他们认为具有创造性的个体有什么样的心理特点和心理结构。

From the perspective of philosophy, this paper absorbs and draws, the experience from the former research finding on the basis of realities to deeply probe into the basis of creative thinking generative mechanism and basic methods in an all-round way. For the purpose of laying a solid foundation of Marist philosophy on studying and cultivating creative thinking.

本文从哲学的角度，立足于现实，吸收和借鉴了已有的研究成果和经验总结，对创造性思维的涵义和主要特征、基础、生成机制和基本方法进行全面深入的探讨，为研究、培养创造性思维奠定坚实的马克思主义哲学基础。

Even if both the creative accounting phenomenon and accounting fraud appear in companies with financial difficulties and are aimed to misreport, there has to make a difference between them: creative accounting represents the manipulation of the accounts according to accounting regulation and the law, while the techniques that break the law are considered accounting fraud.

即使双方的创造性会计与会计舞弊现象出现在经济上有困难的公司，并旨在错报，有使他们之间的区别：创造性会计代表对账目操纵按照会计制度与法律，而技术，被认为是违法的会计欺诈行为。

Even if both the creative accounting phenomenon and accounting fraud appear in companies with financial difficulties and are aimed to misreport, there has to make a difference between them: creative accountingrepresents the manipulation of the accounts according to accounting regulation and the law, while the techniques that break the law are considered accounting fraud.

即使双方的创造性会计与会计舞弊现象出现在经济上有困难的公司，并旨在错报，有使他们之间的区别：创造性会计代表对账目操纵按照会计制度与法律，而技术，被认为是违法的会计欺诈行为。

Based on existing and extensive results of cognitive psychology and neurophysiology, the inner process and features of creative thinking are discussed fromthe point of view of nonlinear dynamics, in particular, from the point of view of chaos dynamics.

对所提出的"创造性思维中可能性构成空间理论"模型给出了符合淮地动力学原理的论述。在此基础之上提出了一种"创造性思维过程是复杂的混饨动力学系统的演化过程"的新的学术观点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。