创造世界的

The reason included five aspects:①the effect of physical environment: the open geographical environment and barren soil urge the Greeks to look for development outward while the close geographical environment and advantaged condition for agriculture shaped the Chinese conservative thought and obstructed their steps of going out.②the advancing and blocking of the economic: the frequent trade offered an abundant living supply and open view while the self-sufficient agriculture with restraining trade rigidified the thought.③ the difference in politic institute and situation: the democracy polis of ancient Greece is exclusive in the ancient world. It shaped the atmosphere of freedom, democracy and adversary. While the monarchy in ancient China pursued the "united country" and shaped the atmosphere serving for politic and consolidating thoughts.④the guiding of traditional culture: the Greeks pursued freedom and wisdom and were curious about nature while the Chinese adored ancestor and obeyed the authority and prefer to pragmatism.

出现这种关系的原因本文从以下五点进行分析：①自然环境的影响：古希腊开放的地理环境和贫瘠的土壤种植条件促使古希腊人向外寻求发展，而古代中国封闭的地理环境和优越的农业环境阻碍了中华民族外出的脚步和开放的思维；②经济条件的推动与束缚：工商业发展的农业经济和自给自足的小农经济所创造的物质条件和对思维影响的差别是很大的；③政治制度和政治形势的差异：古希腊民主城邦制在古代世界是独树一帜的，它所营造的自由、民主的氛围和古代中国追求&大一统&的君主专制下为政治服务、思想趋向统一的氛围截然不同；④传统文化的引导：古希腊人在长期的城邦生活和参与海外贸易的生活中形成的开放、自由、对自然充满好奇、追求智慧等民族文化传统与中国保守崇古、讲究实用的文化传统形成了鲜明的对比；⑤思想家本身目的不同：古希腊思想家为了变得智慧而获取知识，享受知识带来的乐趣，而古代中国思想家的一切动机都是为了&成化天下&、&以政裕民&服务。

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花，突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果，把中国的传统绘画、书法技艺与陶瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界，并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们采用极其潇洒的手法和高超精湛的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色，对国内及世界陶瓷产生了深远而巨大的影响，成为声震古今、享誉中外的一代名窑。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。