创造世界的

The history of Bp is petrolic of development of the exploration inside limits of an alive bound adventurous history, it is a creativity about the person and struggling history, it is whole new oil industry falls in the condition of extremely hard pinch, development conceal is in the phylogeny of subterranean fortune.

bp的历史是一部在世界范围内勘探开发石油的冒险史，是一部关于人的创造能力和奋斗的历史，是整个新的石油工业在极其艰难困苦的条件下，开发掩藏在地下的财富的发展史。

By means of the figures and the surroundings in my oil paintings, I try to express the feelings, which may be somewhat sorrowful implied in the raptures, or somewhat a sense of yearning hidden in the calm atmosphere, or some uneasy sense shown unawarely from the red colour overflowing with enthusiasm, or, some saddish feelings depressed under the bright sunshine......

对于一个画家来说，我的作品，其实就是我要说的话。我有心创造一个模糊的情感世界，一种用油画语言建立起来的场景。这种语言已经被历史长河中无数艺术大家所证明：那是一种有别于其他文艺门类的艺术语言，按照这种独特的、不可替代的形象逻辑，油画拥有一个极大的表现空间，并且因此而具有非凡的艺术魅力。

I have supported you for 17 long years Icefrog, 17 years, ever since you took the DotA-Development Matrix from Guinsoo's dying hands by his hospital bed 3 years ago promising to uphold the tradition of excellent development as his winded breath wheezed a promise that was only half finished before his gentle head slumped into the creamy hospital bed pillow and then tears streamed down your mottled face as you screamed why into the sky and beat upon Guinsoo's corpse in uncontained rage and anger towards God and the unfair world he created dooming the most cherished to die first.

我已经支持了你17年啊冰蛙，17年，（下面是第1个高潮，请做好准备），想当年你在已住院3年的Guinsoo垂死的手中接过DotA开发矩阵，并在他的病榻前约定以后仍然延续精英型开发的传统。但他才喘息着说出约定的一半时，他的温和的脑袋就已经跌落在病床那乳白色的枕头上了，然后眼泪从你班驳的脸上倾泄而出你对着天空大喊为什么，然后失去理智般地狂打着Guinsoo的尸体并对着上帝怒喊道为什么他所创造的世界老是让最值得珍藏的东西先死。

Like the Arcanum they pursue, such mages tend to be subtle, owing much less (despite what others might think) to bad horror movies and heavy metal than to a pervasive, cold and clinical outlook on Creation, one in which they have already perceived the destiny of everything and flensed away their fear in the crucible that is the knowledge that all things must die in time.

象这样的奥秘他们追赶，这种法师往往的狡猾的，由于更少到惊骇电影和重金属比普遍的，寒冷和临时想法在创造，一个在他们之中的人已经察觉万物的命运和剥夺他们的恐惧在严酷的考验中就是说那知识告诉他们世界上的万物都必须死去在时间到了的时候。

In a restricted sense magic is understood to be an interference with the usual course of physical nature by apparently inadequate means (recitation of formularies, gestures, mixing of incongruous elements, and other mysterious actions), the knowledge of which is obtained through secret communication with the force underlying the universe God, the Devil, the soul of the world, etc.

在一个神奇的限制意义上被理解为是一种干扰正常过程中的物理性质显然是不够的手段（背诵formularies ，手势，混合不协调的因素，以及其他神秘的行动），知识是通过与保密通信根本的力量宇宙（上帝，魔鬼的灵魂世界，等等）；这是企图创造奇迹而不是由权力的上帝，无偿传达给男子，但通过使用隐藏的力量超出人的控制。

Stately and magnificent jade ware, richly decorated lacquer ware made with special skill, elegantly molded and painted earthenware and most delicate embroidery from the southern districts of the Yangtze River reflect the glistering wisdom of Chinese masters of works of art, who created superb art treasures with outstanding craftsmanship and versatile skill and added a splendid page to the record of the history of world culture.

雍容大方、富丽华贵的玉石雕刻，工艺独特、装饰华丽的漆器，造型典雅、色彩别致的陶瓷，繁缛精美、华丽纤巧的江南织绣，无一不闪烁着中国工艺美术大师们的智慧之光，他们用自己卓越而丰富的表现技巧，创造了一个又一个传世珍宝，为世界文明史册增添了辉煌的一页。

While world records already exist for oddities like the longest handcuffed swim, biggest handcuff collection and fastest escape from a set of handcuffs, no one has apparently attempted mass handcuffing -- at least not in public.

据路透社1月16日报道，尽管在此之前已经有人创造出了多项与手铐有关的稀奇古怪的世界纪录，诸如最长距离的戴手铐游泳、最大规模的手铐收集以及在双手被铐住的情况下最快速的逃生等，但很显然还没有如此众多的人敢于尝试在同一时间内集体戴上手铐。

And then I am happy. Because coming 26 hours away of flights, plus 7 hours of waiting in various airports, and then adding 11 hours of time differences, then seeing the Bird Nest, and Usain Bolt explode the World Record of the 100 meters, makes anyone happy.

但是同时我又感到高兴，因为在经过了26个小时的长途飞行，外加途中换乘所耽误的7个小时，还有11个消失的时差的煎熬之后，我一切不好的心情在见到鸟巢的那一刻便烟消云散，还有博尔特突破人类极限创造的新男子百米世界纪录也令我欣喜若狂。

Liu Qingyuan has marched forward in his own way from the start. In such a snobbish and superficial world, the fact that Liu Qingyuan did not follow a certain "successful" or "popular" mode, but chose the local Chinese culture in his black and white woodcut world, and to continuously make images that stimulates and inspires, is truly a remarkable individuality, as well as a quality a true intellect shall have.--Ma Yongjian, Art Historian

刘庆元始终坚持以自己的方式在前行——在今天这样一个功利和浮躁的社会，刘庆元能够不去追随某种&业已成功&或者&流行&的模式，而以一种知识分子的心态去在他的黑白木刻世界中关注中国本土的文化情境，不断创造那些能够刺激我们心灵，引发我们思考的形象，这不能不说是一种个性的体现，也是一种艺术家所应该具有的知识分子情感的体现。

It had carried into the world two ideas which old Europe had found it very hard to accept: first, that a revolution may be an act of justice and help to create justice; and second, that a constitution which tries to give "rule" to the people, and which had always been regarded as an unsafe form of constitution because it meant putting power into the hands of ignorant or bribable voters, could under certain conditions be a safe way for a State to be organized without losing its effectiveness or its justice as a government.

它给这个世界带来了两个观念，而古老的欧洲是很难接受的：第一，革命可以是一桩正义的行为，并有助于创造正义；第二，美国的政体试图让人民进行&统治&，这种政体一直被认为是一种不可靠的政体形态，因为它打算将权力交到那些无知或可以轻松收买的选民手中，但在特定条件下，它却是一种组织国家的安全办法，作为一个政府，既不失去其效率，也不失去其正义。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。