创造世界的

Further ahead, by a combination of the great wealth this new age will bring and the technology it will provide, the construction of a vast, man-created world in space, home to thousands or millions of people, will be within our power.

再往前发展，如果把新时代创造的巨大财富与它所提供的技术结合起来，在太空建造一个巨大的人造世界，为几千甚至几百万人人提供住所，将是我们能够做到的。

S 29. Further ahead, by a combination of the great wealth this new age will bring and the technology it will provide, the construction of a vast, man-created world in space, home to thousands or millions of people, will be within our power.

再往前发展，如果把新时代创造的巨大财富与它所提供的技术结合起来，在太空建造一个巨大的人造世界，为几千甚至几百万人人提供住所，将是我们能够做到的。

Further ahead, by a combination of the great wealth this new age will bring and the technology it will provide, the construction of a vast, man-created world in space, home to thousands or millions of people, will be within our power.4 Q9 S* '; g/ t2 w; A0 s

再往前发展，如果把新时代创造的巨大财富与它所提供的技术结合起来，在太空建造一个巨大的人造世界，为几千甚至几百万人人提供住所，将是我们能够做到的。！

On June 12, Dayron Robles from Cuba, one of the last national true believers, set a world record of 12.87 seconds.

在今年春天的时候，刘停止了比赛并躲到了电视屏幕后面。6月12日，来自古巴的丹尼尔罗伯斯——最后的忠诚的国家信徒的一员，创造了12.87秒的世界纪录。

Human beings always have infinite reveries and endow gorgeous color to a magical world that created by fine arts.

对于艺术创造的魔幻世界，人总是为其平添无尽的遐想，赋予斑斓的色彩，其内在的理性构造，是符号组合完整出的空间，让人惊异。

Human beings always have infinite reveries and endow gorgeous color to a magical world that created by fine arts.

前言对于艺术创造的魔幻世界，人总是为其平添无尽的遐想，赋予斑斓的色彩，其内在的理性构造，是符号组合完整出的空间，让人惊异。

Of this commission, Festival Director Alex Poots said, The aim is to create a near-perfect visual and sonic environment for the audience to experience some of the world's best-loved chamber music.

&这个委员会，艺术节总监亚历克Poots说：&我们的目标是创造一个近乎完美的视觉和声音的环境观众体验世界上最受人喜爱的室内乐。

The wealth of the whole world is not well-distributed .

世界范围的财富并非均匀分布的，而大都在一些被称为&经济马赛克&的块状区域内创造，而支撑这些&经济马赛克&的正是其境内的产业集群。

To be clear, I'm not saying that it is atheism, but that it sounds oddly like it in this sense: that it is so bound to a this-worldly focus that we really do not hear anything about God himself-his character and works in creation, redemption, or the resurrection of the body and the age to come.

必须澄清的是，我并不是说这是无神论，但从这个意义看却像无神论：它受限于一种今生属世的专注，以致我们听不到任何关于神自己的事-祂的本性和祂创造，救赎之工，或是身体复活和未来的世界。

Using his heart and soul, he has created a system that reproduces live music with magnificent huge sound stage, dynamics and details.

用他的心和灵魂创造了一个活灵活现的音响世界，有着完美的巨大的声场，动态和细节。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。