创造世界的

Generally outside of work, I try to experiment with different styles, or to polish and furnish a personal universe. I have a lot of fun thinking up creatures belonging to this world of my creation, and the particular character I'm talking about in this 'making of' article belongs to the "Sang Bleu" series – a mix between "metabaron" and "moebius".

通常在日常工作之外，我尝试各种不同的风格，来搭建一个私人的世界，我有很多有趣的角色设想是属于我创造出来的这个世界，在这篇教学文章里描述的角色是属于"Sang Bleu"系列的，一个"男爵"和"莫必斯"之间的混合体，。

One of the ceaseless wonders of the world.

在这个世界上，微笑是一种能够不断创造奇迹的力量。

You can build your own view world by using every sorts of contemporaneous graphic sources with it.

利用这个集成软件，可方便地利用已有的各种图形资源，创造自己的视景世界。

I want to know how God created this world.

我想知道上帝是如何创造这个世界的。

For myself, I believe that chance creates order in the world.

就我个人而言，我相信机会创造了世界的秩序。

Because of dissatisfaction with the reality that he is committed to creating their own fairy-tale world.

因为对现实不满，他致力于创造自己的童话世界。

He had hoped to set a new world record, but was frustrate d by bad weather.

他本希望能创造新的世界纪录，但因天气恶劣而未果。

Create your own style and get used to the imitators.

创造自己的生活，习惯被世界模仿。

Zheng He's voyages from China to the "western seas" between 1405 and 1433 stand as one of the greatest feats in navigational history. 600 years ago during the Ming Dynasty.under Zheng He's command, a huge fleet consisting of more than 200 ships and 20,000 crew set out from China's east coast, traversed the island-dotted South China Sea and the Strait of Malacca, crossed the Indian Ocean and finally reached the remote eastern coast of Africa.

郑和下西洋是中国人创造的海上奇迹，它是世界航海史上最伟大的壮举，也因此而改变了世界的历史。600 年前，在郑和的率领下，这支来自明朝，由两百多艘船只和两万余人组成的庞大船队，以当时各国航海者无法想象的气势，穿越岛屿众多的南海和马六甲海峡，完成了横跨印度洋的壮举，并且抵达遥远的非洲东海岸。

I believe that fable structure constituted the most popular writing style among left-wing writers. They created new totem myth with re-gard to nature and human themselves by means of life coding and re-explanation of nature included in their own description coding system, which is a common characteristic of radicalism.

我认为，寓言式的结构是左翼作家普遍喜欢的创作体式，通过对生活的码化处理，通过对描写之物的编码将世界纳入自己的编码系统进行重新解释，从而创造新的关于世界和人类自身的图腾神话是激进主义文学的普遍特征。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。