创作作品

This dissertation aims to apply structurist narratology to conduct textual analysis on these"miniature epics,"and by making comparisons between traditional epics and panoramic literature, to discover their new features in narrative techniques, and therefore discuss some laws in the development of the art of novel.

评论界将这些作品称为"小型史诗"，认为它们代表了当代小说创作中史诗综合的新倾向。有些研究者甚至将它们比作八十年代苏联文学发展的指路标。

My guiding light is the charm and stupefaction I feel in front of a great work of Art, the trembling of my body when filled by the germs of someone's inspiration, and the emotion, the challenge of creating, of pulling out of myself the Unknown.

引导我前进的光芒是当我站在一件伟大的艺术作品面前所感受到的魅力和彻底的震撼；那他人灵感的细菌和情感侵入我躯体所带来的战栗；那种将未知和可能性从自我中发掘出的创作的挑战。

N, and some parts of thiswork become the omen of later works.The thesis has 3 parts: the composer's career, the muiscal age ofwhen he lives, the main character of his symphonies will be given a brief account in the first chapter. The creative stye, character and the specificanalysis of symphony no.4 will be given a brief account, and his musicalcharacter will be expressed from his concrete works in the secondchapter.

文章分三大部份：第一部份概述作曲家的简要生平及所处的音乐时代背景，作曲家音乐的总体特点以及做为其音乐主体的交响曲的特点；第二部份概述《第四交响曲》的创作风格、特点以及对《第四交响曲》的具体分析，从具体的作品中呈现作曲家的音乐特点；第三部份提出问题，即布鲁克纳的音乐为何。。。

Because imitation, symbolization and suggestiveness of music are very abstract, there is spacious room for interpretation among composition, performance and appreciation: different people could have different understanding and interpretation of a musical work.

而对解释者来说，音乐表现的形象、营造的意境和表达的感情则是不具体的、抽象的，这样，便在创作、表演和欣赏之间留下了极大的解释空间：在对待同一音乐作品的时候，不同的人有不同的甚至相反的理解和解释。

This text mainly discuss Coleridge\'s poetry theories,combining his poetry work to carry on analytical,combing with analysis it\'s supernaturalism theories of the contents, commentting the relationship with nature and supernatural,imagination and supernatural, and from his three chief poems further concretely discussing the relationship of its creations of supernaturalism and philosophy,European literature tradition and west theology,so we can get the value of supernaturalism theories,and announce to the future generations of the influence and the meaning.

本文主要从柯氏诗歌理论出发，结合他的诗歌作品进行分析，试图对其超自然主义理论的内容进行梳理和分析，评析关于自然与超自然，想象与超自然的关系，并进一步从他的三首长诗入手具体论述其创作中所体现出的超自然主义与德国哲学、欧洲文学传统以及西方神学的关系，从而认识到他的超自然主义理论的价值，并最终揭示其对后世文学的影响和意义。

Since the time he became the editor of the semi-monthly magazine Virgin Soil, he published lots novels, such as Zi Liu Jin, Hai River is Flowing, Swift Current, Swim with the Tide; collection of short stories, such as Xi Fen Fei, Friends and enemies; the biography The Seven General of Balujun, the essay My Hometown.

自1926年筹备编辑《荒岛》半月刊开始，王余杞积极投身于文学活动在中，创作发表了大量文学作品，如长篇小说《自流井》、《海河汩汩流》、《急湍》、《浮沉》，短篇小说集《惜分飞》、《朋友与敌人》，人物传记《八路军七将领》、随笔连载《我的故乡》等。

These works all provided evidence that Chinese symphonic music had embarked on a road of healthy development.

这些作品标志着我国交响音乐创作走上了健康发展之路。

These works all provided evidence that Chinese symphonic music had embark ed on a road of healthy development.

这些作品标志着我国交响音乐创作走上了健康发展之路。

This trend of westernisation persisted into the Taisho era (1912-26), the period when Mizoguchi was making his first films.

这股西化浪潮在大正年间（1912-1926）得以延续，此时沟口健二正在创作其第一批作品。

Most importantly, he emphasized the presence of lines. Anekawa Taku believes that although we use thread in our daily life, we did not fully express the appeal of thread.

很多人都把姉川たく误认为刺绣艺术家，但是使用线条只是他艺术创作上的一个工具他作品，以丝质背景与刺绣方法结合，营造三次元世界的拼贴感，重点在於强调线条的存在姉川たく认为虽然我们日常生活中使用线，但多数人并没有把线的魅力充分的表现出来。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。