创作作品

The full article divides into four parts. The first part is focusingon Shang De Yi, the composer's whole life and his achievementintroduction. The second part carries on the analytical research to hiswork's characteristics, including his work's theme choice characteristics,the cantus personality characteristics, several ...更多counterpoint skillmethods characteristics, the song type structure characteristics andthen several aspects of coloratura special features. The third partmainly investigates the esthetics values from analyses the work Thelast part summarizes the composer's creations experiences and theauthor's feelings and enlightens

全文共有四部分，第一部分，作曲家尚德义的生平及创作成就介绍，第二部分对他的作品特点进行分析研究包括他作品的题材选择特点、旋律性格特点、多声技法特点、曲式结构特点和作品的花腔特色几方面进行分析研究；第三部分主要是从分析其作品来考察其所体现的美学思想和原则，第四部分结语，总结作曲家的创作经验及写作本文的感受和启示。

He created "frescos concerto" that for bayan, chamber orchestra and percussions in 2003, which is one of his large works that have important meaning in recent years.

在他创作的作品中，于2003年完成的为巴扬手风琴、打击乐和室内乐创作的《壁画协奏曲》是他近年来创作的具有重要意义的大型作品。

Starting with the developments of the author\'s creation, the dissertation follows up the scent of the occurring of his novels and the\'track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner\'s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner\'s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author\'s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American\'s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方(来源：A6c8cBC论文网www.abclunwen.com)特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

Starting with the developments of the author"s creation, the dissertation follows up the scent of the occurring of his novels and the"track of his psychology of creation, holding the opinion that there exists an intuitive psychological tendency in Faulkner"s creation which the author is not aware of. It is the autonomous complex that leads the author to go beyond his limitations and to reflect a deeper collective unconsciousness.Faulkner"s novels and their respective themes are closely connected with the inferiority complex caused by American culture, the author"s physique and his living conditions. They are the results of his inferiority complex that accumulates into some kind of superiority complex.Because of the southern American"s special history and politics and his sufferings Faulkner is deeply absorbed in the southern wasteland and invented Yoknapatawpha County, making it a place where he can do whatever he wants to do to counteract the lack in his real life. He concerns himself not only in the description of the Southern spiritual wasteland, but also in mining the aesthetic meaning of the wasteland, both to him and to the human beings.

本文首先从作者创作的心理动势出发，对作者的创作发生及其创作的心理轨迹进行跟踪，认为，福克纳的创作中有一种不为创作者的自觉意识所完全控制的直觉领悟的心理倾向，正是这种自主情结引导作者超越个人的局限，遨游于个人利害的范围之外，反映了超个人的、更为深邃的集体无意识，从而创作出了具有永恒艺术生命的作品和崇高的美学景象；福克纳的小说创作及其相关主题的发生，在一定程度上与作者由于在文化、形体以及生活环境等方面的劣势而产生的难以排遣的自卑情结密不可分，是自卑情结积聚成优越情结，进而过分补偿的结果；同时，由于美国南方特殊的历史、政治及福克纳的生活遭际等原因，福克纳在几十年的创作生涯中，情系荒原，创造了约克纳帕塔法县这个精神王国，使之成为自己的精神浪游之地、欲望宣泄之乡和心灵托付之所，其创作动因在于既关注对南方人们精神荒原的描绘，也着眼于挖掘这个荒原世界对自己、对人生的美学意义所在。

And then to discuss the relationship within individual art works and Cosmopolitism from the art works of my university period (1996-1999) to graduate school (2006-2008). The thesis is based on gay affections and awareness in activities of daily life. It also combines different art forms such as Literature, Design and Sculpture, attempting to find new creative notions, inner affections and pressures of social morality.

并探讨作者之作品与自我追求「大同」世界的关系，并从大学时期(1996~1999)至研究所时期(2006-2008)的作品，论述个人创作与情感的关连，主要探讨创作中的同志感情与生活的体认，并结合各种艺术形式，例如文学，设计与雕塑，试图从各种艺术找寻新的艺术创作理念，同志艺术家内心的情感，与社会道德赋予个人的压力。

The process of Lu Xun's literary creation is guided by a prodent mind accompanied by subjectivity. Since the reality lost its validity and substantiality in his view, it turned to be an absurd and grotesque world. So he rejected this reality with the very reality in which he lived. Lu Xun also employed various ironies in his works; so both in spiritual essence and creative practice, Lu Xun was an ironist.

鲁迅的创作过程是审慎的过程，创作主体意识时刻在场，因而其作品呈现出高度的创作者的主体性；鲁迅身处的现实在他眼中已经完全丧失了有效性、实体性，现实对他而言已成为一个荒谬怪诞的世界，鲁迅以他所身处的现实来反抗这个现实本身，因而他对现实的否定是彻底而绝对的，这正是反讽的人生态度；鲁迅在作品中大量地使用了各种反讽手法，所以无论从精神本质还是从创作实践来看，鲁迅都是一个反讽者。

The series of seven polonaises published in his lifetime (another nine were published posthumously), beginning with the Op. 26 pair, set a whole new standard for composing and playing the music and were rooted in a passion by Chopin to write something to celebrate Polish culture — after the country had fallen back into the Russian grip. The A major polonaise Op. 40 No. 1,"Military," and the polonaise in A flat major Op. 53,"Heroic," are among Chopin's most beloved and played works.

他有生之年出版的7首波兰舞曲（另外9首是他死后出版的），从作品26的一组开始，为创作和演奏这类乐曲制定了全新的标准，这些乐曲的创作是出自肖邦在波兰再次落入俄国的掌控后想要赞美波兰文化的激情。A大调波兰舞曲作品40第1号"军队"，和降A大调作品53"英雄"是肖邦最钟爱也是最常弹奏的作品。

Chapter five: the conclusion, it will use the the Linkou county's slip yuteki tenmoku glaze in one's own art works and plan design of the exhibition, finally by exhibiting in way that to present this achievement of this research, I hope to transmit individual's artistic expression on the creation in the slip yuteki tenmoku glaze through the performing and appreciating of the works, set up my own art practice and connect with local ly.

第五章结论，将针对林口尼将可烧出的油滴天目釉、应用泥浆釉於自己的创作与展览的计画设计，最后藉由作品展览的方式来做为这个研究的成果发表与林口泥浆釉之运用的心得，希望透过作品的展演与欣赏能传达个人於泥浆油滴釉与个人创作上的艺术表现，建立自己的创作风格与并当地互动与连结。

I square up to the configuration of my works, materials physical property and how to exteriorize my thought in whole my creation of narrative from

这一切，关於我个人整个一贯脉络的创作叙事，一种既能正视作品的造形基质与材料自身的物理性质，又能具体展现个人思维与作品背后意义的创作，就在这篇「『拉玻兹』细胞：社会化异化过程中寻找自我承载体的创作论述」里展开。

The series of seven polonaises published in his lifetime (another nine were published posthumously), beginning with the Op. 26 pair, set a whole new standard for composing and playing the music and were rooted in a passion by Chopin to write something to celebrate Polish culture — after the country had fallen back into the Russian grip. The A major polonaise Op. 40 No. 1,"Military," and the polonaise in A flat major Op. 53,"Heroic," are among Chopin's most beloved and played works.

他有生之年出版的7首波兰舞曲（另外9首是他死后出版的），从作品26的一组开始，为创作和演奏这类乐曲制定了全新的标准，这些乐曲的创作是出自肖邦在波兰再次落入俄国的掌控后想要赞美波兰文化的激情。A大调波兰舞曲作品40第1号&军队&，和降A大调作品53&英雄&是肖邦最钟爱也是最常弹奏的作品。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。