创作作品

However, Ai Jing's Love series of works get their own special features. She indites with the spiritual essence of art; she makes music and painting infiltrate into each other; meanwhile, seeing from her attention for society and the sensibility of her works, she has admirable humanism angles of view for modern art.

然而，艾敬的&Love&系列作品却拥有其独特之处，这不仅表现在她使音乐与绘画两种艺术形式相互渗透，运用艺术的精神本质来创作，同时作品本身所表达的情感和对社会的高度关注，也是当代艺术中极其可贵的人文视角。

However Ai Jing's Love series of works get their own special features. She indites with the spiritual essence of art; she makes music and painting infiltrate into each other; meanwhile seeing from her attention for society and the sensibility of her works she has admirable humanism angles of view for modern art.

然而，艾敬的&Love&系列作品却拥有其独拓之处，这不仅倍粗在她使音乐与绘画两种艺术模式相互渗透，运用艺术的精力本质来创作，同时作品本身所表达的情感和对社会的高度关注，也是当代艺术中极其可贵的人文视角。

The author of this thesis holds that Chi Li"s early works tend to pursue a "fresh poetic life." From the mid-80s to mid-90s, in a series of works including A Life Full of Troubles, she presented the true life of the ordinary citizens in minute details. Thus "intoning the troubles of life became the motif of her works.

池莉早期创作有对清新&诗意人生的寻觅&。20世纪80年代中后期到90年代初中期，作家在其《烦恼人生》等系列作品中，细微地刻画了市民日常生活的原生态，&烦恼人生的咏叹&成为其作品的母题。

The common thread of these works is ink – not the only medium that the artist is skilled and imaginative in manipulating, but one that he is most fluent in working with and which is gradually becoming his trademark.

墨戏》所选取的作品命题依照艺发画廊新址，位于常德路4层英式小洋楼的室内空间而定——风景与物化，行为的申诉，中国和艺术。这些作品都以墨为串联元素。其实，墨并非是戴光郁的智慧和想象力赖以操控的唯一媒介。但墨汁是戴光郁使用最多的艺术元素，以致逐渐成为戴光郁的&创作品牌&。

The piano cycle The Children Scene, created in 1838, was Schumann's unique works. He richened greatly the piano's expression techniques by various music images and stood the line of the greatest piano masters. His works was full of passion and poetic mood, whose style was flexible and free.

总之，《童年情景》(Op.15)是舒曼创作的比较有代表性的钢琴套曲作品之一，他用多样化的音乐形式，极大地丰富了钢琴的表现手法，作品生动形象，具有典型的浪漫主义特征。

This work was created during the resident artist exhibition in Colorado of US to extend the creative perspective from the works of territory series, taking the shape of Taiwan map as the butterfly wings and airplane, missile, bullet and naval vessel as the butterfly body that creates the pattern of butterfly-like illustrated handbook and highlights the international situations Taiwan is in face of; known as "Kingdom of Butterfly" in early days, Spaniard called Taiwan as Formosa, meaning "Beautiful Island," and the export of butterfly was one earlier major means to earn foreign exchanges for economic development in Taiwan, as if having the beautiful things sold that produces a sense of feeling of reluctance to give up and having no alternative.

此作品延续版图系列作品的创作观点，以台湾地图的造形为蝴蝶的翅膀，以飞机机身、飞弹、子弹、船舰…为蝴蝶身体，组合成有如蝴蝶图鉴般的形式，突显台湾现实环境下所处的国际情势；台湾早期有蝴蝶王国之称，西班牙人称台湾为福尔摩莎，意思为美丽的地方，输出蝴蝶标本是台湾早期国际贸易赚取外汇的手段，犹如将美好的事物贩售出去，让人有种不舍又无奈的感受。

The whole piece described the character of ancient Chinese young women who are very emotional and prone to mood swings, and also as having been sickly and prone to illness.

三是演完之后好坏都要以平常心对待，不管是演出效果好还是不好都不要骄傲或悲伤，因为过去的已经过去了，一个作品的演出也意味着下一个作品创作的开始，所以我们应该再接再厉，继续努力。

Although working in a variety of media, Gilbert and George referred to all their work as sculpture. Between 1970 and 1974 they also made drawings (referred to as Charcoal on Paper Sculptures) and paintings to give a more tangible form. to their identity as 'living sculptures'.

虽然他们的作品包括了各种媒介，但是吉尔伯特与乔治仍然把自己所有的作品都称作雕塑。1970至1974年间，他们也创作了木炭画（被称作&纸上雕塑的木炭画&）和油画，突出表现了他们&活体雕塑&的身份。

Although working in a variety of media, Gilbert and George referred to all their work as sculpture. Between 1970 and 1974 they also made drawings (referred to as Charcoal on Paper Sculptures) and paintings to give a more tangible form to their identity as 'living sculptures'.

虽然他们的作品包括了各种媒介，但是吉尔伯特和乔治仍然把自己所有的作品都称作雕塑。1970至1974年间，他们也创作了木炭画（被称作&纸上雕塑的木炭画&）和油画，突出表现了他们&活体雕塑&的身份。

This paper chose the Taiwanese local artist Lee Ming-Tse for the discussion of the relation between Taiwanese art and Taiwanese ideology. From Lee Ming-Tse's series of three pieces, namely "Gentleman Plays around" in 1993,"Emerging Desire and Ideas" in 1995, and "Hei, hei, hei" in 2005, the author analyzed the literators' breath, fantastic worlds, and ceremonial analogy presented in these works. On the one hand, the author meant to demonstrate the different stages of Lee Ming-Tse's compositional styles. On the other hand, the author tried to decipher all kinds of fascinating signs and symbolic systems, which wait for further interpretation, beyond his form style.

而本论文选取当代台湾本土艺术家之一例──李明则，作为台湾艺术与台湾意识关联性论述之探讨，就其三个系列作品：1993年《公子出游》、1995年《起心动念》、2005年《嘿嘿嘿》中所蕴意的文人气息、奇想世界及作品中彰显出的仪式性加以剖析，一则希望指出李明则本人不同时期创作风格的转变，另则是希望解读其形式风格背后，引人入胜并等待诠释的种种符号与象徵系统。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。