创作

This paper holds that Thea Astley's writing as a man has something to do with the then society. And it is this change of writing angle that makes Thea Astley a sharp satirist against the bad social habits.

本文认为，西娅阿斯利之所以从男性的视角进行创作，是与她那个时代的社会背景分不开的，而正是这种视角的转换，才使得她可以通过文字阐述自己的思想，抨击社会的种种陋习。

Ataraxia are a few Italian artists who explore and create music, poetry, theatre and photography and who have dedicated their lives to art. We feel like pilgrims deeply influenced by our geographical and spiritual voyages in places still owning the nobleness of centuries.

组建于1985年的Ataraxia从事音乐创作的根本动力来自他们对古老年代的痴迷，无论是东方玄学、地中海文明或者是北方凯尔特文化，也无论是音乐、绘画、宗教、科学、哲学、数学、建筑学甚至是魔法巫咒，凡是与古代文化相关的一切都能让他们着迷。

Chapter one briefly introduces the author\'s writing process and gives a summary of relative research, and the theme of athanasia was determined as the target of this research for this theme hasn\'t got the attention that should have deserved from the critics.

第一章简要介绍了作家的创作历程，对相关研究成果进行了综述，确定以金作品中未得到评论界应有关注的"永生"主题为研究对象。

"Good for you, A.J", she said. You're experimenting in atonal composition s.

"这对你有好处，A.J，"她说，"你是在尝试创作无调性的曲子吧。"

His early works are in a late Romantic style, influenced by Richard Wagner and Gustav Mahler, but he later abandoned a tonal framework altogether, instead writing freely atonal music — he is often reckoned to have been the first composer to have done so.

他的早期作品属于后浪漫风格，受瓦格纳和马勒所影响，但稍后他放弃了这一套路，转而进行无调性音乐的创作——这种作曲法被认为是他的首创。

It is based on an ideal, existentialism, from German philosopher, Martin Heidegger. The musical materials of the composition are inspired by the musical languages between the western tonality and atonality at the end of 19th and begin of 20th century.

主要是以德国哲学家海德格之「存在主义」为理念出发，结合十九世纪末二十世纪初，西方音乐中调性与非调性之间，新旧交迭所产生的和声语法为题材创作。

His creation of songs was based on the deep attainments on linguistics and the combination of rhythm and songs.

他的语言学造诣很深，能切入声韵与词曲的结合，作为创作歌曲的基础。

Nevertheless,or exactly for that reason,it is the place that is still full of extreme neglect and even hostility toward the noise's aesthetic and political possibilities ,only the lives of every samll and minor activity that has its own aural qualities could not be accumulated and sustained here;the condition for listening to the sound of the collectives of the 'small poeple' and the 'tiny machines',under or maybe beyond the threshold of audibility ,dosesn't seem to be secured sufficiently.surely,this kind of problem is not confined in the particular locality like seoul,or south korea.anyway,this tension and the sense of the absence of condition,together,have been the main source of the two koren resident noise-making.

然而，或许更是因为，这是一个对噪音美学与政治的可能性充满轻蔑与敌视的地方，在这里，那些有自身听感氛围与质量的小众活动不能够集聚起来并很好的持续下去；对於那些倾心于此类音乐并集合在一起的"弱小个体"们和那些"微型机器"，必然是早就远离或超越了肤浅的旋律性和可听性的门槛，看起来并不能稳定地被安置，当然，此类问题不只被局限在一个小的局部，首尔，韩国，无论在哪，这一切产生的张力连同其状况本身，反复地显现在我们眼前，交织在一起，构成了两个韩国人创作原生噪音的来源。

"Interactive" is key component in digital art, through interactive, artists asked participants through the active or passive, hands or body to control interface, driven objects, video and audio response, to complete the works.

互动」是数位艺术创作中重要的表现手法，透过互动，艺术家要求观者透过主动或被动的行为，以手或身体操控装置介面，驱动物件、影像与声音的回应，来完成作品。

Studying at Jen-ai school is her leaning's another step and it is also the cradle that arouses her talent of writing. In order to improve her own ability, she tries every hard even she is on a wheel chair. She used her only-left hearing ability to listen to class carefully. During the three years in school, there are often friends surrounding her. Some ask her for homework, some talks to her open heart and she always listen quietly and then use augmentative and alternative communication to answer them.

到仁爱学校读书是馥华学习的延伸，也是激发他创作的摇篮，为了提升自己的能力，馥华努力学习，坐在轮椅上，他用仅剩的听觉认真的听课，三年来，他身边常围绕著同学，有的同学向他请教功课，有的同学向他倾诉心事，而馥华总是静静的倾听，然后用沟通板拼答来帮助他们。

I can not make it blossom and suits me

我不能让树为我开花

When temperatures are above approximately 80 °C discolouration of the raceways or rolling elements is a frequent feature.

当温度高于 80 °C 左右时，滚道或滚动元件褪色是很常见的特征。