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This thesis rationally generalized the developmental sequence of Erhu music creation from a historical point of view, dissected the factors of Erhu art winning excessive development in 20century, summarized the creative feature of successful works, analyzed the contentious issues of current Erhu music creation, looked into the development trend of Erhu art, and inquired into the prospect of Erhu art and even national music.

本文用历史的眼光理性地概括了二胡乐曲创作发展的脉络,剖析了20世纪二胡艺术获得大发展的因素,总结出其成功之作的创作特征,并分析了当今二胡乐曲创作中存在的问题,展望二胡艺术未来的发展趋势,即探讨二胡艺术乃至民族音乐发展的前景。

Meanwhile, with a re-reading of Gogol's thought and literary ideas as evinced in this book, I attempt to reexamine the whole course of his literary creation within the context of his religious and moral exploration throughout his life.

本论文作者以果戈理的《书简》为切入点,试图从其创作的外部语境、本文、创作的内部语境及读者接受四个方面,对《书简》的整个文学创造活动进行综合分析,给果戈理的后期创作以应有的、恰当的评价。

He masters in Chinese language and can use Chinese language and language inKazakhstan to carry on literature creations in the meantime, It obtains with the novel ofChinese language creations with the our country coetaneous and excellent equalstrength achievement of the Chinese language writer and the position, is the bilingualwriter of the national minority that the junior high school state language altar has resultsto show a merit in 80s last century.

他精通汉语,能用汉语和哈萨克语同时进行文学创作,其用汉语创作的小说取得了与我国同时代的优秀汉语作家旗鼓相当的成就和地位,是上个世纪80年代初中国文坛卓有成绩的少数民族用双语创作的作家。

They can obtain more freedom in indite .

数字化技术不仅传承了传统艺术形式而且为艺术创作带来了新的创作方式和艺术语言,为设计师、艺术家甚至包括非专业的美术爱好者提供了发挥才能的工具,使他们在艺术的创作中获得了更大的自由。

On the creation of animation script, a number of animation scriptwriters do not understand the particular situation of animation story's creation, so they can't indite good animation stories that can really move the hearts of the audience.

在编剧创作上,很多动画编剧还不了解动画独特的创作情境,从而也就很难创作出真正打动人心的故事。

Secondly, to some extent, Tu Fu"s poem inditement use for reference from the comparison in the works of Qu Yuan,ut his technique has further development more than Qu Yuan"s creation in the tactics of revitalizing in Tu Fus poem .

其次,杜甫的诗歌创作对屈原创作中的比兴手法有所借鉴,但杜甫诗歌中比兴手法的运用较屈原的创作有了更进一步的发展,也更加成熟。

In the piano music creation in his lifetime, only Op.10, Op.76, Op.116, Op.117, Op.118 and Op.119 use the "Intermezzo" However, in terms of time, these creative works, ran through the Brahms'career life.

在勃拉姆斯一生的钢琴曲创作中,只有Op.10、Op.76、Op.116、Op.117、Op.118和Op.119中运用了"间奏曲"这一体裁。但从时间上来讲,这几首作品的创作,贯穿了勃拉姆斯一生的创作生涯。

The process of Lu Xun's literary creation is guided by a prodent mind accompanied by subjectivity. Since the reality lost its validity and substantiality in his view, it turned to be an absurd and grotesque world. So he rejected this reality with the very reality in which he lived. Lu Xun also employed various ironies in his works; so both in spiritual essence and creative practice, Lu Xun was an ironist.

鲁迅的创作过程是审慎的过程,创作主体意识时刻在场,因而其作品呈现出高度的创作者的主体性;鲁迅身处的现实在他眼中已经完全丧失了有效性、实体性,现实对他而言已成为一个荒谬怪诞的世界,鲁迅以他所身处的现实来反抗这个现实本身,因而他对现实的否定是彻底而绝对的,这正是反讽的人生态度;鲁迅在作品中大量地使用了各种反讽手法,所以无论从精神本质还是从创作实践来看,鲁迅都是一个反讽者。

The thesis are divided into four parts: chapter 1 is telling the background of La Traviata and the composer"s mentality; chapter 2 is telling how to perform Violetta on the basis of the musical and dramatic factors; chapter 3 is telling the greatness and tragic of the character Violetta; chapter 4 is telling unitarily the artistic charm of the character Violetta,, and her artistic value to the opera La Traviata and even to Verdi"s other opera works.

全文共分为四大部分:第一章主要交待《茶花女》的创作背景和创作心理;第二章主要从音乐和戏剧两因素分析作曲家如何对薇奥莱塔人物形象进行塑造和演唱者如何进行二度创作;第三章,主要从美学角度分析薇奥莱塔形象的"崇高"和"悲剧性"审美价值;第四章,从"薇奥莱塔"歌剧形象看威尔第歌剧的独特艺术魅力。

Chopin"s music creations have a lot of related with his living environment and the process of his growth.So in this part, we look of Chopin"s life firstly, then we will discuss the romantic and the revolution of realism characteristics with his several stages of life. and the change of his creations style from the earlier period grace, gorgeous to the more deeper emotion. The second part carried on more detailed treatise to Chopins creations background and art characteristics of various form in music work just like Mazurka, Polonaise, Waltz, Etude and so on!

肖邦的音乐创作与其生活环境、生长历程密切相关,因此在这一部分首先回顾了肖邦的生平,然后结合他成长的几个阶段从纵横两个方面(按年代先后次序和按体裁的分类)探讨了肖邦音乐创作的浪漫主义和革命的现实主义相结合的特点,及其创作风格从早期优雅、华丽但思想深度较浅逐渐向情感更深刻、气势更磅礴、爱国主义思想更成熟的转变。

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