创作

Based on the black circus, the study aims to understand the self-reflection within the creative process, by analyzing the related literatures and various works. After determining the prankish intention, four series of works are sub-divided in the study: unreasonable fairy tales, the clownery of a famous brand, funny cartoons on TV or in film and the overwhelming of ingrained responses to classical painting.

藉由此创作过程、相关文献探讨、与作品呈现的分析研究下，在恶搞文化下的自我省思本创作以「黑色马戏团」为中心，探讨相关的恶搞文化，进而发展「不合常理的童话故事」、「知名品牌的小丑化」、「影视卡通的戏谑滑稽」、「经典名画的颠覆性」为主题的四个系列创作作品。

The second chapter "literature discussion", discussion of affiliation watercolor painting unique esthetic sense and value and the light shade description, analysis water color landscape painting connotation and performance pattern, and by China and the West landscape painting famous expert's work, analysis discussion localization esthetic sense special characteristic, Again separately from the date according to the time and the early days of the restoration Taiwan water color artist work's style, the theme, the artistic vocabulary and so on with the scenery drawing related subject, explores the ponder direction which the author creates, and analyzes romanticism water colorist Tyner, understood that its creation style and the skill, take advantage of this define clearly the author the image which must transmit in the drawing, and because of artistic creation's practice, the idea and the skill fusion, the time can display the self-style the work.

第贰章「文献探讨」，藉水彩画独特的美感与价值与光影描写之探讨，分析水彩风景画的内涵与表现型式，并以中西风景画名家的作品，分析探讨本土化的美感特质，再分别从日据时期及光复初期台湾水彩艺术家作品的风格、题材、艺术语汇等与风景绘画相关的议题，探索笔者创作的思考方向，并分析浪漫主义水彩画家泰纳，了解其创作风格与技巧，藉此厘清笔者在绘画中所要传达的意象，并藉由艺术创作的实践，将理念与技巧融合，期能表现出自我风格的作品。

Personality is perhaps essential to many artists; however to ADO, it is less important in a team work practice. They prefer collaboration to individualism. A response to surroundings is more crucial than a domination of the entire environment. Having a complementary view to space, ADO considers art as transformations without damaging existing elements or characteristics of a particular place.

个人色彩对许多艺术家来说非常重要，然而，对於ADO他们，创作并非单求强调个人，他们重视群体合作和配合，不喜欢以纯粹感性作为创作手段；个人色彩固然是每件艺术品的灵魂，以公共艺术而言，更重要是创作人对环境的回应，如何以不破坏原有结构的原则下，对空间再创造，因此，他们对整体性的追求，不祗限於群体合作，亦显示於其艺术个体与整体环境的互补融合，这点表明了他们从「补足」的意念来看公共艺术。

And then to discuss the relationship within individual art works and Cosmopolitism from the art works of my university period (1996-1999) to graduate school (2006-2008). The thesis is based on gay affections and awareness in activities of daily life. It also combines different art forms such as Literature, Design and Sculpture, attempting to find new creative notions, inner affections and pressures of social morality.

并探讨作者之作品与自我追求「大同」世界的关系，并从大学时期(1996~1999)至研究所时期(2006-2008)的作品，论述个人创作与情感的关连，主要探讨创作中的同志感情与生活的体认，并结合各种艺术形式，例如文学，设计与雕塑，试图从各种艺术找寻新的艺术创作理念，同志艺术家内心的情感，与社会道德赋予个人的压力。

In Joyce's opinion, the artist, who wants to reach the highest stage and to gain the insights necessary for the creation of dramatic art, should rise to the position of a godlike objectivity; he should have the complete conscious control over the creative process and depersonalize his own emotion in the artistic creation.

在乔伊斯看来，艺术家而要达到的最高阶段，赢得必要的真知灼见戏剧艺术创作、要崛起为一个神圣的客观性；他应该彻底自觉控制自己情绪的创作过程和人格化的艺术创作。

The spatial narrative structures in Calvino's fictions can be divided into three types :"the building of two worlds "is the main way in the earlier writing phase of Neorealist and Fairy tale .Dimidiation and mergence is the art feature .It signs that the sense of the world and the creative ideas of the writer start to form;"Synchrony and Juxtaposition "and "Crystal pattern "are the prominent characteristics during his Postmodernism writings phase. The writer takes the complex and diverse form of space art, such as segments、juxtaposition、defamiliarization、crystal's combination and derivatives, ect. to represent the essence of the world, and to exprsee the writer's confusion and efforts to understand and build a sense of it.

卡尔维诺小说的空间叙事结构具有阶段性，可以分为三种不同的类型："两个世界的构建"是早期新现实主义和童话寓言创作阶段的主要方法，二分和弥合是其艺术特点，标志作家世界感和创作观念开始形成；"共时并置"和"晶体模式"则是后现代主义小说创作时期的突出特征，作家以片断、并置、陌生化、晶体组合衍生等复杂多样的空间化艺术形式来表现世界的本质以及自身理解世界、构建意义的困惑和努力。

January 19, 2006 - by Summer LiuAmerican-born Taiwanese pop star Lee Hom Wang's new album, Heroes of Earth, was released at the end of December. Using the standard hip-pop look on the cover, Lee Hom is a dishy combination of charm and talent. His intention was to create a very Chinese album with a smattering of traditional sounds that has international market appeal. The release of this album marks a new stage in Lee Hom's career.

似乎从Hip-Hop在台湾流行以来，近年来的创作歌手就一直在摸索以及创作Hip-Hop歌曲，而到了现在的阶段，似乎是有志一同的把中国风味的音乐元素加进自己的音乐中极力创作出属于自己的风格，陶喆从他的第一张专辑开始就会在专辑中放一首东方风味的歌曲，周杰伦在自己的唱腔中融入了京戏唱腔，王力宏从上张专辑《心中的日月》也开始作此一尝试，如果说《心中的日月》是在摸索他所称之为Chinked-Out风格的曲风，那这张专辑《盖世英雄》就是趋近成熟的成品了。

"Earth in living, ash after death"—it was a dissertator of my creation in 2004 to 2007. The dissertator can be divided into three aspects as following: perspective of creation, material of using, exploration of molding.

中文摘要「生土死灰」—是我自2004到2007年的创作论述，我的创作论述可分成三方面进行探讨，分别是创作的观点、使用的媒材、造形的探索三个方面。

From four aspects: the adolescent circumstances, the pain of growth, regression themselves and the inner changes, the survival form and the compose way of writers who were born in 70's is discussed in this thesis. At the same time, I consider their produces carefully in order to find the value and the shortage in their works. So, it can give collective, particular and evenhanded judgments to this creative phenomenon.

本文从青春境遇、成长之痛、回归本身、内部流变四个方面对"70年代出生"作家的生存与书写方式进行了阐释，试图对他们的创作做一个细致的梳理，以发现他们创作的价值，找出其不足和缺陷，对这样的一种创作的现象，进行一个总体的、细化的、公允的评价和价值判断。

The ballads of Franz Schubert (1797-1828) and Carl Loewe (1796-1869) were both inherited from Johann Rudolf Zumsteeg (1760-1802). However, compared to Loewe's sustained ballad compositions and his leading position in this field, Schubert was nearly unknown. Were it not for the popularity and controversy of Erlk?nig (D 328), we might have difficulty in associating Schubert with ballads.

舒伯特(Franz Schubert， 1797-1828)与洛威(Carl Loewe， 1796-1869)之叙事曲虽皆传承於村史提克(Johann Rudolf Zumsteeg， 1760-1802)，但是相对於洛威的持续创作且於此领域中拥有重要地位，舒伯特在叙事曲的创作中却几近默默无名，若非《魔王》受到欢迎以及引发评论者对其的争议，时至今日，我们或许仍难以将舒伯特与叙事曲的创作联想在一起。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。