创作

Making both the flower mandala and the sea/sky images feels, to me, like I am in wordless conversation with natural elements far more profound than anything I could create myself.

创作曼陀罗与海天的图像对于我而言感觉是与自然元素在无言地对话，其深奥优美远远超过我自己的其它的创作。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

And present to his composing characters of music from classicality composing skills, folk melody, characteristic percussive acoustics and mode-chromaticism.

从古典创作技法、民间音乐曲调、富有特色的敲击性音响效果以及调式半音体系等方面阐述巴托克的音乐创作特征。

Her literary creation is indispensable for carrying on the tradition of folk culture in our nation; furthermore, it can also serve as a reference and source of inspiration for contemporary folk culture creation.

她的创作不仅对我国市民文学传统的延续和伸展有着不可磨灭的功绩，并且对当代市民文学创作有一定的启示和借鉴意义。

They created an indispensable status and influence of Yangzhou on the history of literature and art in China , and promoted the highly prosperous of the Qing Yangzhou's art and formated powerful, elegant, popular, such as the diversification of the aesthetic characteristics.

社会其他场域对于文艺场域的影响也必然是从主体的身心情智逐渐深入到文艺的创作过程中，也就是说，文艺场域中主体成为联系创作与接受这两极世界的纽带。这是贯穿本文的一个中心。

Through researching the composition skill of Debussy's """"g Minor String Quartet"""", this paper is trying to explore the diversity of composer's composition style in this quartet.

本文通过对德彪西《g小调弦乐四重奏》创作技法的研究，试图探讨在这首作品中所反映出的德彪西创作风格的多样性。

On the other hand, language is the working material of literary creation and literary creation is the practical application of language.

语言是文学创作的原材料，文学创作是对现实生活中语言的实际运用。

This dissertation focuses on the narrative strategies of the "Spirit of May 4th", that is, how "May 4th" is described. With the comprehensive examination of the fluctuations of Ba Jin"s thoughts and writings in over seventy years of his career, I tend to explicate the complex relations between such fluctuations and the narrations of the "Spirit of May 4th", in the course of which the headways of times and the strata of thoughts are both unfolded. This case study renders to clarify the influences of the different narrations of "May 4th on the literary progress, along with on the creations and practices of writers.

本论文以对&五四精神&的叙述策略即&五四&是怎样被叙述、又是如何被叙述的考察为线索，以巴金七十余年的思想、创作的变化流程为考察对象，从不同时间的推移和多层次的思想层面展开等纵横两个方向，全面梳理了巴金的思想变化与五四精神不同叙述之间的复杂关系，从而通过个案研究来探讨关于&五四&的不同阐释对于文学发展进程、作家创作和人生实践的影响，并藉此返观五四精神在二十世纪中国思想文化进程中所发挥的历史作用及对知识分子的重要意义。

They are Song and Dance Ensemble, Mongolian Drama Troupe, Ethnic Symphony Orchestra, Mongolian Youth Chorus, Mongolian Ensemble, Wild Horse Horse-head Fiddle Ensemble, Center for Films and TV Plays, Stage Art Production Center, Artistic Creation Center and Performance and Exchange Center.

内蒙古民族歌舞剧院内设歌舞团、蒙古剧团、民族交响乐团、蒙古族青年合唱团、蒙古乐团、野马马头琴乐团、影视剧中心、舞美制作中心、艺术创作中心、演出交流中心等12个职能机构，有国家一级演员51人、国家二级演员140人，主要任务是从事民族歌舞和蒙古剧的创作和演出，促进交响乐、蒙古族合唱艺术和以马头琴为代表的民乐等各类民族艺术的全面繁荣和发展。

This article analyze the creation background and characteristics, that are the two ma jor aspects of "Six Chapters of a Floating Life", so as to capture the two main line of thinking: The real life attitude and the surpassed quality of philosophy.

本文是从《浮生六记》的创作背景和创作特点两个大的方面进行解读，从而捕捉到贯穿整个文本的两条思想主线：本真的人生态度和超越的哲学品质。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。