创作

The second chapter summaries the literature inditement activities of litterateurs who are in Chengdu.During this period, as the need of tendentious and instigation,earthliness literature and drama literature come on to development;there comes a lot of excellent fictions,such as "Tianmo dancing","Long night"; there also come a lot of essay,no matter scribble,reportage or good articles which describing Chengdu.Chengdu,at that time,as the most important place to create poesy,lead a high tide of poesy creation.

第二章详细清理抗战时期文人在成都的文学创作活动，这一时期，由于宣传性、鼓动性的需求，通俗文艺和戏剧运动发展最为兴盛；小说创作方面出现了《天魔舞》、《长夜》等一批优秀作品；散文创作不论是杂文、报告文学还是描写成都的抒情美文，都留下了相当丰富的篇章；而这时的成都，更成为诗坛重镇，掀起了诗歌创作的高潮。

Chapter I expounds the research purpose, goal and methodology, in attempt to give an initial overview of the entire creation. Chapter II examines the relevant literature concerning the sketch book with the iconographical approach. Chapter III selects some works by four sketch book maestros and then, compares and analyzes their style of content.

本创作论述在第一章详细的阐述了创作动机、目的与方法等，使对本创作有一个初步的轮廓认识，第二章中整理说明了「绘本」的相关文献，并将图像学的学理基础做出诠释，而在第三章则是挑选出影响了本绘本创作的四本名家作品，并对其内容风格做了严谨的比较与分析。

Chapter 4, established the vein of photographic work from the elaborative creation idea, translated the 3D stereoscopic vision into the 2D plane image, such image-writing reflected the creative form and the content, and practical creative thought by the straight photography. Showed each photographic work in the photography process with analyze the significance innermost feelings myself, which produces to the work attempt, as well as give a demonstration of perusable image in esthetics, society and cultural significance.

第四章从论述创作理念建立摄影作品的脉络，将3D的立体视觉转译成2D的平面影像，反映图像书写的创作形式与内容，并以实际的直接摄影表达创作的思维，说明每一幅摄影创作的拍摄过程与分析自己内心对作品企图产生的意义，以及显示影像在美学、社会与文化意义之阅读。

Therefore I want to analyze the characters of the composing techchnique of poly-phony in Bruckner"s "The 3rd Mass in this article,researching the sit-uation of compo-sing the western sacred music in 19~ century, emphasizing on the situ-ation and the rel-ationship of the creating technique between sacred music and polypho-ny music after 19~ century, and demonstrating the western polyphonous composing te-chnique help in developing the sacred music and the influence of sacred music on the western polypho-nous composing technique .

因此，笔者希望通过本文对布鲁克纳在其第三弥撒曲中的复调创作手法特征的论述，初探十九世纪西方宗教音乐的创作状态，并着重讨论十九世纪及其后的宗教音乐与复调创作手法之间的状况和联系，以期论证西方复调技法对其宗教音乐的发展，以及宗教音乐对复调技法创作的影响。

This paper tries to grasp Chopin"s creation methods of his four works from macroscopic angle, and discuss his creation thoughts concretizing scherzo"s creation characteristic from microscopic angle, and last hold the profound contents of these works from performance, based on the analysis of the following aspects: expanding of scherzo by Chopin, works creation and performance.

本文从肖邦对谐谑益的拓展、作品的创作和演奏三方面，尝试先从宏观角度去把握肖邦这四首作品的创作思路，继而从微观角度具体到谐谑曲的创作特征来展开论述肖邦创作思维，最后从演奏实践去进一步把握这些作品的深刻内涵。

Volume 1 introduces the history of accordion , Volume 2 is about the preliminary spread of accordion in China . I dug into great amount of concerning historical data of four aspects, they are the early accordion textbooks, the accordion activities happened in Shanghai, Haerbin and Yanan, which veritably resurges the development of accordion art in China before 1949. Volume 3 reveals the development of Chinese accordion art from after 1949, I focused on five aspects, namely the production, education, performance, theoretical study and communication between China and foreign counties, in time order. This part comprehensively shows the plenty fruits of accordion art in around 50 years after the foundation of China. Volume 4 mainly concerns the development of Chinese accordion music composing. It reviews the history in four periods. Meanwhile, this part also analyses in detail the nationalization pursuit and the utilization of performance skills in composing.

第一章是对&手风琴历史源流&的介绍；第二章是&中国最初的手风琴艺术传播&，本人挖掘出大量的相关史料，从&早期的中国手风琴教科书、上海、哈尔滨和延安的手风琴活动&四个方面进行了研究，真实地再现了1949年以前的中国手风琴艺术发展；第三章是&新中国成立以来的手风琴艺术发展&，分别从&乐器制造、手风琴教育、表演、理论研究与中外交流&五个方面按时间顺序进行了论述，全面反映了手风琴艺术在新中国成立后50余年所取得的丰硕成果；第四章是&中国手风琴音乐创作的发展&，论文将手风琴音乐创作分为四个时期进行了历史的回顾，并对创作中的民族化追求以及手风琴演奏技巧在创作中的运用作了具体分析。

This thesis, which consists of four chapters, is an attempt in this regard. Using the three rhapsodies as examples, it analyzes and discusses, on a systematic basis, the significance of Wang's Erhu compositions in the development of Erhu Art from four aspects: the conception and music characteristics of his compositions, the characteristics of his composition techniques and style, the combination and development of his Erhu composition and playing skill, and the necessary preparations to be done to grasp his compositions and perform them well.

本文正文分为四个章节，拟以三首二胡狂想曲为例，从王建民二胡创作理念和音乐特质；王建民二胡创作的技术与风格特点；王建民二胡创作与演奏技术的结合与发展；准确地把握和演奏好王建民二胡作品的必要准备这四个方面入手，通过较深入系统地分析和研究王建民的二胡创作对二胡艺术发展所具有的意义。

The first chapter,"Petersburg's importance in Bely's works" describes the whole writing career of Bely, and then under this background investigates the main characteristics of his writing, points out the status of Petersburg in his whole creation, and analyzes the inheritance and innovation of the plot beyond the tradition.

论文主体部分共分四章：第一章&《彼得堡》在别雷创作发展中的地位&，主要描述别雷的整个创作历程，并以此为背景考察别雷的主要创作的特点，指出《彼得堡》在他全部创作中的巅峰地位，并分析《彼得堡》在艺术构思上对传统的继承和创新。

The second part is a study of his 12 etudes. The first part describes three phases of his music career, i.e. music composition in his early life, the first and the second turning point in his career.

第一部分包括两个方面，一方面叙述了希曼诺夫斯基的三个音乐创作阶段：早期创作生涯、创作生涯的第一次转折、创作生涯的第二次转折。

It consists of three parts which are as the followings: th" first part, from a double angles of the literature and history, dwells on Wang Meng"s as a writing subject, choosing his writing way and persisting in his art individually. The second part, from the style of the language and rhetorical tractics, proves formal features and meanings of Wang Mengs fictions. The third part, from the perspective of the cultural heart and fictional writing, deals with the balance or incline between his traditional emotion and the modern reason, among the temple, square and folk.

本论文分三个部分论述了王蒙的小说创作：一、从文学与历史的双重维度，论述王蒙作为创作主体对于艺术个性的坚守及其小说文本的意义；二、从语言风格和修辞策略的角度，论述王蒙小说的形式表征及其内蕴；三、从创作心理与文化心态的角度，论述王蒙及其创作在传统与现代、庙堂与广场、民间之间的平衡与倾斜。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。