创作

This article is divided into four parts: The first part is introduction, summarizing the avant-gardeliterature's ideological trend,context backgrounds and the emphatical andenergetic atmosphere. From this we grasp his creations, the specialcharacteristics, combing around his two times in the theme and the stylestyle.This period is "the false form", entering the later period of "thereality ".

本文共分四部分：第一部分引言，着重简述先锋文学思潮的时代背景和精神氛围，由此把握余华小说创作的精神特质，并梳理出他前后两个时期在创作主题和风格上的风貌及其变化，即告别前期&虚伪的形式&，进入后期&现实的生活&。

The text is being divided in four chapter to introduce the research of CAI courseware oncostume physical design.First chapter Exordia:The purpose, meaning and research content of this topic.The second chapter Multimedia PC assistance teaching:The correlation knowledge of Multimedia PC system, CAI and Multimedia packages.The third chapter The introduce of multimedia instruction software flash five:The flash fives notion and interfacial function.

本文分四个章节来介绍服装结构设计CAI课件的研究，第一章绪论：讲述了本课题提出的目的、意义及课题的研究内容；第二章多媒体计算机辅助教学：讲述了多媒体计算机系统、计算机辅助教学和多媒体课件的相关知识；第三章多媒体教学软件Flash 5的介绍：讲述了Flash 5的概念及界面功能；第四章服装结构设计CAI课件的创作过程：这是本文重点部分，详细地介绍了服装结构设计CAI课件的创作过程。

This thesis is to probe into the mature of the dramatic technique through meticulous study on the symbolic and expressionistic writing techniques and the interrelations of them in The Glass Menagerie and A Streetcar Named Desire.

文章通过详细地比较《玻璃动物园》和《欲望号街车》中象征主义和表现主义创作手法的运用及其交融的程度，来考察其&诗化现实主义&的创作方法的成熟这一特定阶段。

In the feministic perspective,her criticism,irony and subversion of the patriarchal social system are quite obvious in the theme,motivation and effect of her fiction writing.

一、范妮·伯尼的小说创作主题范妮·伯尼一生共创作了4部长篇小说，记叙的都是年轻女性的坎坷经

In production psychology, they can all enter into a free and fetterless state of relaxing and self-obliviousness; in production process, they all use pens and paints boldly and same plain lines to express their strong affection from the bottom of heart.

从创作心态上说，他们都进入了一种轻松忘我没有羁绊的自由境界；从创作过程看，他们都使用同样大胆的笔墨，同样朴实的线条，同样表达发自心底的强烈情感。

This sort of creation and the deep encounter with one's filmic subjects that it entailed was an important experience for him.

这种创作以及创作中与被拍摄者的认识、磨合阶段对于导演蒋志来也是一次体验。

With my knowledge and understanding of Traditional Chinese elements, and the statements on the experience and usage of those elements made by the oil painters both from home and abroad, with the combination of what I have learned and understand about the national and local creation, I appropriately blend traditional Chinese elements into my artwork of oil painting, reflected on the images and colors, and manage to be more suitable formatively and spiritually.

通过对中国传统元素的认识和理解，以及对国内外画家借鉴和运用中国传统元素的阐述，切入到自身对油画民族性和本土性创作的感悟和理解，在实践中即是通过画面中物象和色彩将中国传统元素恰倒好处的融合在油画创作中，力求在形式和精神上更为贴切。

He inherited literary tradition from ancientry to "May 4th movement" and absorbed some trend of literary thought and creative skill of fremdness and formed compatible and implicit style.

他的创作，继承了古代直至&五四&以来的文学传统，并吸收了某些外国文艺思潮和创作技法，形成一种兼收并蓄、蕴藉和谐的风格。

Second, using traditional texturing method, the author pointed out application of texturing method in Wanganyi" s novels, transferred it to narrate level , analysed changes in distance, narrating stop, rhythm speed that texturing method brings in novels, analyse the strong points and weak points further, especially the weak point, namely narrow, close space of novel, the poverty of the inner world of character , and bias of author" s values and ideology.,Third, from novel language and way of narrating , the author point out characteristic of authority narrates in Wanganyi s novels, analysed individualized inclination of authority narrate, compared with Chenran, Linbai and Hainai and point out that the essence of its authority narrates is the fictitious authority

二、借用绘画传统技法&皴&，指出王安忆小说中皴法的运用，并将之引申到叙述学的层面，分析皴法的使用对小说在时空距离、动静结合、叙述停顿、节奏速度等方面带来的变化，进一步分析皴法的优缺点，重点分析不足之处，即小说相对空间的狭窄、封闭，人物精神世界的贫乏，以及作者价值观念、意识形态的偏颇。三、从小说语言和叙述方式入手指出王安忆小说权威叙述的特点，分析权威叙述体现出的女性个人化创作倾向，将之与陈染、林白、海男等女性个人化创作比较，并指出其权威叙述的实质是虚构的权威。

With the collection of literature and analysis of ideas examined in the first three chapters, this creation will clearly illuminate the idea and expression of this creation. The themes, ideas, stories, styles in Chapter IV and V are analyzed and interpreted by the iconographical approach. The final version culminates 32 pages of sketch production, coverage, copyright page, title page, and content pages.

经过以上三个章节的资料搜集、文字整理与理念分析，更确立了本创作所要传达的理念与表现方式，在论述的第四、五章进入主要创作的主题、理念、故事、风格等相关论述，并透过图像学等学理基础，对作品进行详尽的内容分析与诠释，最终总计完成三十二页的插图绘制，及封面、扉页、版权页、书名页、内页等版面编排设计。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。