创作

Musical expressions in Missa Solemnis: By following the cycle of five texts in the mass—the Kyrie, Gloria, Credo, Sanctus, and Agnus Dei—the relationship between lyrics and music is further explored.

此部分首先介绍贝多芬之生平、创作、声乐作品之风格与弥撒曲之沿革，同时探讨「庄严弥撒曲」的创作由来与内涵。

In his early fictions, Yu freed his imagination to search the true souls with the help of new forms and painted a picture full of violence and death, which we may call " the darkness of the world". Then Yu transformed his fictions from subjective imagination to reality by exploring not only new forms but adventure into souls as well. Furthermore, Yu turned to the indigenous culture, that is, the sapience of his people, to seek "the light of the existence", from which the first-class fictions BE ALIVE and THE STORY OF XU SANGUAN.

从早期先锋创作凭藉形式发现让想象力重获自由，以强劲的想象重构心灵真实的童年体验，创造出一幅充满暴力和死亡的"世界之夜"心灵图景，到转型期形式探索与心灵探险的双重掘进，余华在超越想象的心灵探险中向人的现实生存境遇掘进，实现从想象时空体到生命时空体的转变，并在回归本土文化的存在探询中寻找民间生命智慧的"存在之光"，从而创作出《活着》和《许三观卖血记》这两部诗与思交融的优秀注文本。

After seeing and getting inspiration from the large paintings made with various materials by famous American artist Julian Schnabel who is now on exhibition at Zendai MoMA, participators can try their own hand in the making of the their own art.

无论是艺术材质的处理，还是创作理念上的大胆奔放，艺术家都给予观众丰富而强烈的感官刺激，甚至是灵感启发，让潜伏在每个人体内的创作细胞蠢蠢欲动。

In New life, his own life crisis became the subject matter of his confession, making the novel a perfect harmony of both its form and its content. With Toson, self-confession was both a literary idea and a form of expression.

在藤村文学那里，自我告白作既是一种文学理念，也是一种创作方法；既是一种创作动机，也是一种表现形式，还可以作为主题和内容来体现。

Colorful. People walked through the beginning period of radical modernism last century, entering into the classic、 romantic、rebelling、 self-contradicting late_industry period. From the icy cold mold、 concept、 regulation, starting the humanization、 characterization、 aiming at the individual work. From shock of the new art, rapidly arrived to the period of making people the center thoroughly , the realm of a little crazy modernism style, developped the person's individuality to extreme achievement, in the aspect of culture or art or architecture neither do not display the notional value in individuality.

人们走过了上世纪初现代主义的激进，进入了带有古典、浪漫、反叛、矛盾的后工业时期；从冰冷的模数，概念、规律，开始了人性化、个性化，针对个体的创作；从新艺术给人们心灵带来的震撼，急进到了彻底的以人为本的，带有点疯狂的后现代主义风格领域，将人的个体性质发挥到了极致，在文化、艺术、建筑的创作上无一不显示出个体观念的价值。

Also, the strong influence of "John Cage's shock" and the "afresh discovery" and cognition of his self-culture promote composer to actively and deeply think about aesthetic of traditional Japanese music and absorb it to his own music language.

此外，武满彻中期创作还经历了"凯奇冲击"的强烈影响和对自身文化的"重新发现"和认识，促使他主动和深入地思考日本传统音乐的美学和吸收传统音乐元素，并反映在创作实践中。

In the photographic works, the individual's self-feeling in the whole creative process and evaluation of the impact of a work of the most important factors.

在摄影创作中，个人的自我感受是整个创作过程中影响与评定所创作品的最重要的因素。

After his moving to Xiamen, he again devoted wholeheartedly to landscape paintings. His works like the Flower Season Series, the Landscape of Xiamen University series, the Eastern Coast series, the Dream Garden series, and the Semitropical Wind series, all reflect his great efforts and experiment in landscape painting.

而在他南下来到厦门后，更是几乎全身心地投入了风景画的创作之中，诸如《花季》系列、《厦门大学风景》系列、《东海岸》系列、《梦花园》系列、《亚热带风》系列等等，无不透射出他在风景画创作中注入的心力。

The introduction deals with these pieces composed before Beethoven so as to get the conclusion about the historical background of how specific color of C minor came into being. Chapter One studies three C minor piano pieces composed by Beethoven (Sonata No.5, Sonata No.8, Piano Concerto No.3), analyzes these first movements in detail from the perspective of the binary conflict, dotted rhythm, diminished seventh chord and the use of repeat notes. Chapter Two focuses on the similar backgrounds concerning compositions, general idea, theme design, heroic characters, etc. All of these characters could explain that how Beethoven understood and used the to...更多nality of C minor.

随后选择贝多芬1800年之前创作的三部C小调钢琴作品(《第五钢琴奏鸣曲》、《第八钢琴奏鸣曲》、《第三钢琴协奏曲》)进行研究，并着重第一乐章，从二元冲突、附点节奏、减七和弦、重复音的运用等方面进行具体分析，归纳三部作品在创作背景、总体构思、主题设计、英雄性格等方面的相似之处，从而解释贝多芬对C小调调性的理解与运用以及这三部作品对贝多芬英雄主义风格形成的影响。

The paper analyses the "Tristram Shandy" from the narrative theory together with the writer\'s philosophy idea, and mainly studies its unrestrained and modernist narrative art forms. It can make readers appreciate the great experimental novelist\'s wonderful achievements from the novel\'s creation techniques.

本文拟从叙事学的理论视角结合作者的哲学思想对《项狄传》进行文本分析，重点研究其无拘无束而又具有超前性的叙事艺术形式，使读者能从小说创作技巧的角度领略这位伟大的实验小说家在文学创作方面的卓越成就。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。