创作

The thesis is written on the theme of the nationalized accordion creation characteristic of Li Yuqiu, taking several of his representative works as the point of tangency. The thesis also integrates its creating background, analysis and inducts the special creating methods of Li Yuqiu and his individual art philosophy view point expressed during his creation, and exposes the special contribution Li Yuqiu made to the constructing of the accordion music system of Chinese national characteristic. The thesis has the aim of guide the coming generations to make efforts for opening the expressing method of accordion national style and creating the accordion music with Chinese aesthetic ethos.

本文以李遇秋的民族化手风琴音乐创作特色为主线，以他具有代表性的几部作品为切入点，并结合其创作背景，分析归纳出李遇秋独特的创作手法及其在创作中表现出来的独具个性的艺术哲学观，揭示李遇秋为建立具有中国民族特色的手风琴音乐体系所做出的特殊贡献，旨在引导后人为开拓手风琴民族风格的表现手法，创建具有中国审美格调的手风琴音乐而努力奋斗。

The troupe has been committed to carrying forward the art and culture of east Tibet ever since its inception. With a view to serving the society with its artistic expertise, it has presented a variety of inpressive performances. Many of its plays, songs and dances have claimed honors in the Tibet Autonomous Region and in the country at large. Its prizewinning works include the play The Red Detachment of Women (1975), dances A Triumphant Return (1984), Saltpan Girls (1984), Sparkling Mind (1984)and Greeting Spring With Drums (1998), and songs Qamdo Girls (1984), Auspicious Storks (1992) and Heavenly Fairics(1996).In 1996, the troupe went on a performance tour to Japan under the arrangement of the Department of Culture of the Tibet Autonomous Region. Some of the artists in the troupe also gave performances in Europe and the United States along with the Tibet Song and Dance Troupe.In the past 30 years, the troupe has maintained close contact with the grassroots Tibetan communities, thus drawing inspiration from them.

在30多年的文艺历程中，全团演员坚持文艺为人民服务的原则，弘扬发展藏东文化艺术，写就了一曲曲动人的艺术篇章。1975年创作的舞台戏《红色娘子军》，创编的双人舞《僜人与喇叭花》，歌曲《马查拉工人志气大》，分别在西藏自治区获一等奖；1984年创作的舞蹈《凯旋而归》、《察隅河畔我的家》、《盐田姑娘》、《闪亮的心灵》在自治区汇演分别获一等、二等、三等奖，创作的歌曲《昌都姑娘》、《阿若康吧》均获自治区二等奖；1992年创作歌曲《吉祥的仙鹤》获北京五洲杯歌咏赛三等奖；1996年创编的舞蹈《康鼓报春》获自治区"珠峰杯"最高奖及全国首届少数民族"荷花杯"三等奖。1996年自治区文化厅组团出访日本演出，部分演员又随同自治区舞蹈团出访欧美各国演出。

In this paper, I studied autolysis in the self-portrait of artist, the tendency to using individual symbol to prove self-existence compulsively , and self-complacence in the art composition. All these studies demonstrated the universality of narcissism of artists in art composition.

本文通过对艺术家自画像创作这一自我解读过程，反复用个人符号证明自身存在，以及艺术创作中投入的状态等方面的研究，指出艺术家艺术创作中的自恋情结，及其对艺术创作带来的积极意义。

This article analyses that Wu Mingshi persevere in spirit independence in writing through scanning the opus and make individual orientation for Wu Mingshi.

通过对无名氏创作的分期俯览，论述无名氏创作中对精神独立的坚持及这种坚持对其创作的价值和影响，从而对无名氏创作进行个体性定位。

As a major nineteenth century English novelist, Thomas Hardy occupies an unusual and prominent position in the age of literary transition from realism to modernism His structure of narration illustrating itself in "square dance","coincidence"and symbol of the four seasons in his novels,could be regarded as his great invention, a new writing approach which has enriched the writing style of novel The unusual structure of narration has endowed Hardy 's novels with a special charm and distinguish...

英国 1 9世纪小说家托马斯？哈代生活于小说创作的现实主义和现代主义交界时期，他以独特的创作手法在英国文坛上赢得了一席重要的地位。叙事结构可谓是他的一大独创，为小说创作提供了崭新的创作手法。这种结构具体体现在"方阵舞"的阵型、"巧合"的运用和四季的象征中，赋予了哈代的小说一种独特的魅力，也使他迥异于 1 9世纪英国其他的小说家。

Create a poem; Schoenberg created twelve-tone music; Picasso created Cubism; Auden made verses.

创作一首诗；创作一段音乐；创作一篇小说；创作一幅画。

Learning, thinking and creating will be exhibited, including his important sketches as well as literatures about his inspiration and actions at each critical juncture of mindset transformation. This part will be organized according to three key clues: the changing times in China and its great impact on personal existence; the influence of Mr. Fang's experience in such an era on his art creation, and how he has developed his self identity; discussion of the "process" and "back end" of his art creation, revealing his observation of and reflection on the era, his in-depth thoughts about art, and unquantifiable language changes, etc.

展览包括两个部分，一是文献部分，展览精选了艺术家在不同阶段，如学习、积累过程和创作实践中的关键资料，全面介绍和展示艺术家重要的创作手稿，各个思想转折点上的作品构思和行动的重要文献；此部分的内容将按照三条重要的线索进行：即中国面临的时代变迁的巨大背景和时代对于个人生存的深刻影响；时代境遇对艺术创作的影响和艺术家自我身份的建立进行梳理和展示；旨在讨论艺术家创作中的"过程"和"后台"——在其中隐现着的艺术家对时代的观察和思考，对艺术的真知灼见以及不可量化的语言变化等等。

At the same time, This part elaborate detailedly his transformation of his poems style, from simulate to mature, which relates to his vagabondage .

同时，这一部分对其各个时期诗风的转变进行了详细的阐述，从最初的模拟之作到最终走向成熟，无不与其漂泊的人生有着密切的联系；第三部分对汪元量诗歌创作进行成因分析，揭示出蒙元统治是汪元量诗歌创作的政治动因，宽松的文化环境是他诗歌创作的契机，而"宗唐得古"风尚，则是汪元量诗歌创作的温床；第四部分对汪元量研究中存在的"宋旧宫人诗词真伪"和汪元量仕元两个问题进行了更加全面、更加科学的论述，揭示出王国维先生提出的宋旧宫人诗词为伪作这一观点不能成立。

Digital painting and design make it possible to display architecture environment in multidimensional way, to vivify the fresco design ideas in a clear way, and to show the aesthetic impinge of the material and texture in an effective way.

数码设计与数码绘画使建筑环境的展示多维化、壁画创作的意识形态化、材料质地的美感效应化，而且，这些均可在计算机上进行整合协调，互换重构，既可以激发创作灵感，深化和优化创作主题，同时也可以提高创作的效率和精度。

Later by chance he was exposed to the more alternative world of music including John Zorn, Tom Waits as well as the disbanded local group The Box, that opened up his ear to a greater music language. For the last 10 years he had been more inclined in exploring sound for media such as theatres and video art until early 2003, with the help of a friend, he released his first solo CD "Stuck in Traffic" and since then he became more focused on making songs and music that he could "play on stage".

在1993 年，曾创作及演出首个个人音乐会"热壼仔音乐故事"，作为当年艺穗节节目之一；于95年，曾与本地作家小西及朗天合作，创作"给阿米巴节信"——一个结合舞台，音乐及动作之剧场；在97年，曾与另一本地音乐人潘德恕合作，举行多媒体音乐舞蹈剧场"极乐世界一九九七"，并邀请日本编舞者松岛诚进行创作，曾亦於此演出中同时以乐手及演员身份出现，於年末，其音乐部份亦以 CD 形式公开发行。98年初曾再度参与艺穗节，并进行其第二个个人音乐创作剧"卵石屋之歌"，并请来本地录影人卢燕珊负责视像及服装设计；由'00年至'02年间，曾亦3度被澳门石头公社邀请，参与当地之街头文化活动。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。