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For several reasons the first of these tales is preferable: it would not have been possible for him to have died in prison immediately after the creation of the Athena Parthenos on the Acropolis, as he made the Zeus of Olympia after his involvement with the Parthenon.

由于多个原因,第一种说法应当是故事:他不会有可能立刻死在监狱,因为他在创作了雅典卫城的雅典娜parthenos后,又创作了奥林匹亚的宙斯。

Symbol, partial tone, trope etc are often used in designing pattern. In essence, the pattern can gain a luckiness atmosphere, express peoples' desire to pursuit the happiness and health. The Mongolian Pattern is unique of the model, composition in drawing, color.

创作思路上,常用象征、谐音、借代、组合的方法创作图案;图案的实质是以营造吉兆环境为目的,以此寄托祈福求吉心愿的实用装饰设计;图案的造型,构图方式,色彩的运用和表现技法独具特色。

At the same time, Younga cooperates with APAN (Association pour la Promotion de l'Artisanat de la Nature) in Cameroon to create lots of plant-printed and natural material made products. With operation in the mode of fair trade and green free design, Younga hopes APAN can obtain more funds to practice in education and community refurbishment. Besides, to make human and earth well is also a dream of Younga; that is, Younga really appreciates your support and welcome your participance.

洋嘎」与非洲克麦隆的自然手工艺推广协会APAN(Association pour la Promotion de l'Artisanat et de la Nature)合力创作植物染与天然素材的生活小物,除了推广公平交易与自然创作的理念,也可以让APAN协会有更多的经费运用在教育与社区改造的项目里,因为您的支持认同,让地球与人类都更加美好。

Depending on the music noumenon analysis - the main clue, the thesis makes a carefully thorough research on these two Partita. From this, the creation characteristics, music style as well as the creation technique in the two works are induced. The corresponding prompt is also made for the performance technique involved in the works.

本文主要以音乐本体分析为主线,对祖宾斯基的这两首帕蒂塔进行深入细致的研究,由此归纳出这两首作品的创作特征、音乐风格以及创作手法,并对作品中所涉及的演奏技法做出相应提示。

Hence, through this Partita, we experience Bach's creativity based on traditional classical suite structures, along with bold applications of fugue and imitation, harmonizing innovative suite content and selections, and transitioning from early English Suites, which unifies into his own unique music representation.

因此,在此组曲中,体验到巴哈在传统古典组曲结构与大幅使用赋格与模进之创作手法下,融合创新之组曲内容与选曲,经由早期英国组曲至此组曲中之创作演变,以自己的语法巧妙的合而为一。

They are:1 Max-Reger's biography and creation synopsis2 A summary of the structure of Partita and Fuga3 Synopsis of Chromatische Polyphonie4 Creation background of(op 132)5 Linearity writing technique of(op 132)6 Partita inheriting with innovation and Parts analysis7 Fuga melody analysis

本文将分七个部分予以陈述,分别为:一马克思-雷格尔生平及创作简介二简述变奏曲与赋格及其它赋格音乐套曲结构三半音复音音乐简介四《莫扎特主题变奏与赋格》(op 132)的创作背景五《莫扎特主题变奏与赋格》(op 132)线性写作技巧六变奏手法的继承与创新及各变奏乐章分析七赋格曲分析

However, in her novels, the female awareness she showed was narrow, her spiritual patricide was one - sided and her "female solicitude" was non -ultimate. So in Zhang s novels, her female awareness took on the shape of her internal deficiency.

但是,张爱玲在其小说创作中所表现出来的女性意识是狭隘的,她的"精神父"是片面的,并且她的"女性关怀"是非终极的,因此,在张爱玲的小说创作中,作家的女性意识呈现出了其内在匮乏的形态。

The consciousness of space in the contemporary era is an energy field created by pure vision and perceptivity. It is also a key element in the making of abstract works of art. As viewed from the traditional art approach it is quite hard to apprehend the consciousness of space of the time. With the individuality and having various emotional attachments, consequentially artists' consciousness of space are not the same.

当代艺术的空间意识,是以其纯粹的视知觉创作出的能量场,也是抽象艺术创作的主要元素,以传统艺术表现来理解当代艺术空间意识是很困难的一件事,在艺术家不同的艺术个性和不同的情感世界里,在无意识的生命状态中必然有着不同的空间意识感受。

The course of the percussion timbre edit is a creative one, and creation is endless.

打击乐音色编辑的过程是一个创作的过程,创作是无止境的。

Ticism of the characters-carelessness,feebleness,perfunctoriness and compromise-and the townspeople's unique culture among the townspeople in old Beijing,which had expressed the author's deep feeling and the responsibility of the times.

长篇小说《离婚》,在老舍一生创作中占有重要地位,是其创作趋于成熟的标志。从思想深度和艺术风格两个方面分析这篇杰出作品,其思想意义在于作者以敏锐的洞察力对旧北京市民阶层苟且、软弱、敷衍、调和的市民性格和独特的市民文化做了形象的表现和有力的批判,传达出作者深沉的情感和时代责任感。

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This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

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双标记神经干细胞的增殖、分化活力与未标记神经干细胞相比无改变。