创作

I will start from Koan drama, the history of law shows, and describe its present conditions of development in short, and divide law shows into such three types as police TV, anti-corruption TV, and law court TV for expedite argumentation, find its problem. Then I will point out playwright had better possess social responsibility because of popular communication characteristic, fully considering the responsibility in social influence and commercial factors, playwright of law and police shows will finish a good works of art that merges common sense, artistic quality and legal principle into an organic whole. By doing so, more and more law and police shows which can be succeeded in both economic profits and effect upon society.

我将先从法制题材电视剧的历史渊源——公案戏说起，然后会简要描述法制题材电视剧发展的状况，为了便于论述，我将法制题材电视剧分解为公安剧、反腐剧、和法庭剧三种类型；并指出其存在的问题，之后再从电视的传播特性探讨法制题材电视剧编剧的社会责任，以及因此法制题材电视剧编剧在创作时最好能在充分考虑到电视剧作品的文化商品属性的基础上，做到作品情理、艺理、法理的有机结合，从而创作出经济效益和社会效益取得双赢结果的法制题材电视剧作品来。

Performing the dvorak violin concerto in the fall and the korngold concerto in the spring, and a return to tucson to perform chamber music under the auspices of the arizona friends of chamber music, who commissioned a new work for ...

作为一个土生土长的加州人，roach为了音乐的创作的灵感来源居住在tucson， arizona之外的sonoran沙漠附近，作为少数以电子音乐为基础的大师roach不知疲倦的创作了20多个年头的音乐，他的身影出现于从美国，加拿大，欧洲的各大剧院一直到canary islands和。。。

The value of Blooming of Lantana lies in the characteristics of its thick woman creation and inspecting life with the view full of motherhood to taste life, furthermore in its peculiar narrative word and embodies woman to create with "white ink".

马樱花开》的价值也就在于其浓郁的女性创作特征，在于用充满母爱的眼光去观察生活，去聆听生命；还在于其独特的叙事话语；体现出女性用"白色墨汁"倾心创作的意味。

This paper attempts to extract cultural blind spots in the local novels written at the turn of 70s and 80s,in which the criticism of the leftism and radical political trend of thoughts are widely manifested.

在20世纪七八十年代之交，像《蒲柳人家》、《大淖记事》等展示乡风民俗的小说并不太多，像《黄河东流去》、《人生》那样在比较开阔的文化视野中描写乡村生活的作品也少见，这些作品与当时的创作主流有着一定的距离，在整体创作格局中暂时处于边缘地带。

Chapter TwDeeds and creations of Rakhmaninov's lifeThis chapter has introduced the great artist and his composition career and showed people the artist's amazing legendry and romantic life as well as his symphonic writing gathered with romanticism and national character as a Russian.

从拉赫玛尼诺夫的人生经历和音乐创作生涯中我们会发现：他是一位用灵魂来创作的音乐家，把浓郁的。。。

Nabokov is a writer of multiple identities——not only a talented latecomer in "the first wave" of Russian emigrant literature, but also a forerunner of American postmodernism literature; not only a novelist, but also a critic, a translator, and a poet writing in Russian and English; furthermore, apart from his distinguished contribution in literature, he is also an expert in lepidopterology——which make Nabokov's works particularly appealing to from three perspectives, that is, postmodernism, comparative literature and Russian emigration literature.

纳博科夫是一名多重身份的作家，他既是俄罗斯侨民文学第一次浪潮中的后起之秀，也是美国后现代主义文学的先驱；既是一名小说家，也是评论家、翻译家、诗人；既用俄语创作，也用英语创作；既在文学领域内纵横，又在鳞翅目昆虫学方面颇有建树。他的这些跨越性特征使他同时出现在后现代主义研究、比较文学研究以及俄罗斯侨民文学研究的视阈内。

Dealing with his special character formed from his childhood and the influences of sentimentalism and romanticism on him, the first part,"The Formation of the Author's Unique Creativity", lays stress on the great effect of his life in exile on the speciality and depth of his psychological description in his later works. Next,"Tradition and Succession"mainly expounds and proves that he was actually turning from Gogol to Lermontov and Pushkin in psychological research.

第二章的四节中创作个性形成这一节，除作家从幼年开始形成的独特个性以及受感伤主义与浪漫主义文学流派等的影响外，突出他的流放生活对后期创作中心理描写上的特色和深度所起的巨大作用；在传统与继承一节，则主要论证在心理探索上，他也确实是由果戈理走向莱蒙托夫与普希金。

Some artists seek innovation from tradition, some use color and light as a creative element, and some pursue speed and energy to show creative new life.

有些是从传统中寻求创新，有些是以色彩与光当作创作元素，有些追求速与能展现创作新生命。

TIAN Jihui（Southwest University for Nationalities,China）: The Study on Creative Feature of LinGa People's Funeral Song around the Hinterland of Wuling Mountains

田级会（西南民族大学文学院，中国：在生与死之间创作——武陵山腹地廪嘎人的丧堂歌创作特点研究

The conclusion that Jin Ping Mei represents a morphologically earlier version of shuihu stories both in terms of its verses and in its plot and characters poses a challenge to the view that the novel was written by some literatus who only borrowed the Wu Song story in Shuihu Zhuan as a framework but otherwise created the novel highly autonomously, but it does not directly prove that Jin Ping Mei is a product through generations of accumulation in the shuohua tradition.

金瓶梅》在其与《水浒传》交叉的韵文、故事情节与人物形象上的形态都比今传《水浒传》早的结论，对认为《金瓶梅》是采《水浒传》中武松故事为框架进行高度自主的创作而成的文人创作说是一个挑战，但并不能直接地证成《金瓶梅》成书的世代累积说。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。