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This chapter deals with the following points: the origin of the historical plays by actors and their subjects' trends; people's value judgment and actors' historical playwriting; people's aesthetic value and actors' historical playwriting; the extreme growing of stylizing in actors' historical playwriting.

本章主要探讨艺人历史剧源流及其主题倾向;大众价值观念与艺人历史剧创作;大众审美价值与艺人历史剧创作;类型化倾向在艺人历史剧创作中的极端发展。

In recent years, the cartoon color design of China has made great progress, in which the creators could absorb and draw from all kinds of other creating elements, such as the color elements of the films, the Chinese paintings, the shadow plays and paper cut. And our creators also study from advancing foreign experience of the color design and transplant the mature creating models to serve our own cartoon creating.

大内容摘要:近些年来,我国的动画片色彩设计有了长足的进步,表现在创作者能够吸收和借鉴各种创作元素,比如电影中的色彩元素,国画中的色彩元素,民间皮影、剪纸中的色彩元素等,而且我国的动画创作者还能大胆学习国外先进的色彩设计经验,移植国外成熟的创作模本,来为我国的动画创作服务。

In recent years, the cartoon color design of China has made great progress, in which the creators could absorb and draw from all kinds of other creating elements, such as the color elements of the films, the Chinese paintings, the shadow plays and paper cut. And our creators also study from advancing foreign experience of the color design and transplant the mature creating models to serve our own cartoon creating.

内容摘要:近些年来,我国的动画片色彩设计有了长足的进步,表现在创作者能够吸收和借鉴各种创作元素,比如电影中的色彩元素,国画中的色彩元素,民间皮影、剪纸中的色彩元素等,而且我国的动画创作者还能大胆学习国外先进的色彩设计经验,移植国外成熟的创作模本,来为我国的动画创作服务。

In recent years, the cartoon color design of China has made great progress, in which the creators could absorb and draw from all kinds of other creating elements, such as the color elements of the films, the Chinese paintings, the shadow plays and paper cut. And our creators also study from advancing foreign experience of the color design and transplant the mature creating models to serve our own cartoon creating.

内容摘要:近些年来,我国的动画片色彩设计有了长足的进步,表现在创作者能够吸收和借鉴各种创作元素,比如电影中的色彩元素,国画中的色彩元素,民间皮影、剪纸中的色彩元素等,我国的动画创作者还能大胆学习国外先进的色彩设计经验,移植国外成熟的创作模本,来为我国的动画创作服务。

In recent years, the cartoon color design of China has made great progress, in which the creators could absorb and draw from all kinds of other creating elements, such as the color elements of the films, the Chinese paintings, the shadow plays and paper cut. And our creators also study from advancing foreign experience of the color design and transplant the mature creating models to serve our own cartoon creating.

近些年来,我国的动画片色彩设计有了长足的进步,表现在创作者能够吸收和借鉴各种创作元素,比如电影中的色彩元素,国画中的色彩元素,民间皮影、剪纸中的色彩元素等,而且我国的动画创作者还能大胆学习国外先进的色彩设计经验,移植国外成熟的创作模本,来为我国的动画创作服务。

In recent years, the cartoon color design of China has made great progress, in which the creators could absorb and draw from all kinds of other creating elements, such as the color elements of the films, the Chinese paintings, the shadow plays and paper cut. And our creators also study from advancing foreign experience of the color design and transplant the mature creating models to serve our own cartoon creating.

内容摘要:近些年来,wo国的动画片色彩设计有le长足的进步,表现在创作者能够吸收和借鉴各种创作元素,比如电影中的色彩元素,国画中的色彩元素,民间皮影、剪纸中的色彩元素等,还我国的动画创作者还能大胆学习国外先进的色彩设计经验,移植国外成熟的创作模本,来为我国的动画创作服务。

It discusses the creation characteristics and aesthetic tendency of the art songs of that period.

本文阐述了艺术歌曲在我国产生和发展的历史文化背景,初步介绍和分析了我国20世纪20-40年代期间一些有代表性的音乐家创作的艺术歌曲及其各自的创作风格,探讨了这一时期艺术歌曲的创作特点和审美倾向。

It's an experimental creation period from "Boatman's Elegy" to "Sirius" during which the performance of poetry's perception and the knowing are not mature/Under the influence of the west modernism art, his poetry has been experienced from the new moon romantic to the modernism. It's his mature period from "Lotus's Association" to"Separates the Water Goddess of Mercy". During this time his poetry's intellectuality and sensibility tends to be mature. Through the reconsidering of the westernization, the poet starts to inaugurate a new sky, and the poetry displays a bright neoclassic principle characteristic, then penetrates into the traditional nationality culture;and the "Bestows on from Cercis chinensis" is the deepened time until now which the poet displays for all kinds of practical styles, which includes multiplex characteristic.In his poetry, the intellectuality blends with sensibility, the sensation combined with logos.

从《舟子的悲歌》到《天狼星》是诗人创作的实验期,这一时期诗歌的感性和知性的表现还不成熟,其间由于受西方现代主义艺术的影响,其诗歌经历了从新月浪漫派到现代主义的变化;从《莲的联想》到《隔水观音》是诗人创作的成熟期,这一时期诗歌的感性和知性表现趋于成熟,诗人通过对西化的反思开始&浪子回头&,诗歌表现出鲜明的新古典主义特征,进而深入到民族传统文化之中;而自《紫荆赋》至今是诗人创作的深化期,表现为兼容并蓄的写实风格,并具有多元取向的特征。

Cao Wenxuan's children novels are one of children's literature creation harvests in the last few years .He pursues the classic writing , which makes his novels to be in a special class . the publication of three novels -----"grass house""red tile" and "root bird" about growth has received readers and commentators attention. experts and readers appreciate them highly.

曹文轩的儿童小说是近几年来儿童文学创作收获之一,本文从曹文轩儿童文学创作观的角度入手,通过&美&、&永恒&、&民族性格&几个方面分别论述,提炼了曹文轩的几个创作观:对自然的诗意刻画;对&苦难&的优美抒写;追求瞬间和成长的永恒;塑造儿童民族性格,结合曹文轩小说的内容进行分析。

The poetics of Haizi is a very important part of his works. It not only has very high study value, moreover to understand Haizi poetry creation in particular epic creation.

海子诗学是海子创作体系中的一个重要组成部分,它本身不仅具备很高的诗学价值,而且对理解海子的诗歌创作尤其是长诗的创作意义重大。

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