创作

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

音乐结构上，通过作品曲式结构与古典协奏曲典型曲式结构的对比，总结作品对古典主义协奏曲结构的沿袭和民族风格的个性化创新，展现了肖邦在协奏曲创作的继承和创新精神；旋律上，主要围绕作品旋律的歌唱性和色彩性进行论述，充分展现肖邦在旋律创作上独特的艺术风格和鲜明的浪漫主义特征；节奏上，通过对第三乐章的节奏分析，展现了贯穿整个乐章的具有典型波兰民族特色的玛祖卡节奏，阐述作品的民族特色，并追溯特征节奏的原形，进一步揭示肖邦创作的民族本质和素材来源；和声上，从半音化的线性和声思维、突破传统的反功能和声进行、功能延伸式的和声手法、音阶化的转调模进手法、离调和弦的色彩魅力等几个方面入手，分析和总结了作品在和声运用上新颖、鲜明的浪漫主义特色。

His songs have been awarded for JinZhong cup of Chinese supreme honour and the "mose favorite songs of Chinese" for three times .This dissertation research on Luzaiyi"s art songs with his eight representative ones ,analyzes his ideas and skills of creation from different aspects ,and draws a conclusion that contemporary of subjects conciseness of themes ,racialism of melodics popularity of lyric, and imagination of accompaniment reflected from his art songs should be regarded as the mainstream to day"s music creation in China.

本文以陆在易艺术歌曲作为研究对象，以他八首具有代表性的艺术歌曲作为分析蓝本，对其创作思想、创作技法进行宏观与微观、横向与纵向的分析，并得出结论：陆在易艺术歌曲所折射出的题材时代性、主题简洁性、旋律民族性、歌词通俗性、伴奏意像性等特征应为中国当代雅俗共赏艺术歌曲创作的主流。

Monteverdi was a master of both, producing precisely styled madrigals that extended the forms of Luca Marenzio and Giaches de Wert.

蒙特威尔第同样是一个牧歌创作的大师，他创作出精细风格的牧歌，拓展了Luca Marenzio 和 Giaches de Wert的创作形式。

During later 19th century more and more merchants collected art from foreign artists and even became trend-setters. The most interesting rooms within the exhibition are the collections from the Shchukin and Morozov families.

在此展中，最引人注目的艺术创作来自两位具有纺织业家庭背景之收藏家Shchukin及Morozov毕生收藏之画作，而这些创作为俄罗斯收藏品市场掀起新浪潮，并藉由委托画家创作来激励艺术的发展。

Was born in Leipzig, the Leipzig University .1831 harmony and counterpoint .1833 Wurzburg, he became head of theater and opera chorus,"demons." In 1842 his opera "Leith Qi" in the performance a big success, this served as the command .1849 Dresden Royal Opera House, joined in May failed to escape the riots caused by Zurich refuge .1854 began brewing four years, in conjunction opera "Nibelung root Ring "and complete the opera" Tristan und Isolde,"the creation of .1860 years, returning in 1864 to be King Ludwig of Bavaria invited to Munich perform" Tristan und Isolde." In 1876 to build on thanks to the Opera .1877 Pruitt began work,"Parsifal," 182 years to complete because of illness drag .183 years, died of a heart attack in Venice.

生于莱比锡。1831年莱比锡大学学习和声与对位。1833年任维尔茨堡剧院合唱团团长并创作歌剧《妖魔》。1842年其歌剧《利思齐》演出大获成功，为此荣任德累斯顿皇家歌剧院指挥。1849年参加五月暴动失败逃致苏黎世避难。1854年起开始酝酿四联歌剧《尼伯龙根的指环》并完成歌剧《特里斯坦与伊索尔德》的创作。1860年回国，1864年应巴伐利亚国王路德维希之邀去慕尼黑演出《特里斯坦与伊索尔德》。1876年于拜鲁伊特筹建歌剧院。1877年开始创作《帕西法尔》，因病拖至182年完成。183年因心脏病逝世于威尼斯。

He wrote 14 styles of piano music, thereinto, nocturn is one of the most delicate one.

他一生共创作了14种体裁的钢琴作品，其中夜曲创作又是他所有创作中最精致的体裁之一。

He created14 styles of piano writings in his lifttime, and nocturn is one of the most

他一生共创作了14种体裁的钢琴作品，其中夜曲创作又是他所有创作中最精致的体裁之一。

He created14 styles of piano writings in his lifttime, and nocturn is one of the most delicate styles in all his creations/ writings.

他一生共创作了14种体裁的钢琴作品，其中夜曲创作又是他所有创作中最精致的体裁之一。

During the second ten years of Chinese new literature (19281937), novelette grew up due to epochal needs and self-improvement. Not only did the amount of creation increase and a lot of influential fiction appear, but the fiction became mature in ideological content and artistry, and was perfected in its norms of aesthetics. So the novelette saw its first period of prosperity in modem Chinese literature, and laid a solid foundation for later continuous development of novelette creation.

中国新文学发展的第二个十年（1928—1937），中篇小说在时代需要和自身发展中趋于成熟，不仅创作数量明显增多，出现了一批有影响的好作品；而且在思想内容和艺术技巧上都显示出趋于成熟的实绩，并在自身的美学规范上逐步完善；由此就形成了现代文学史上中篇小说创作的第一次繁荣期，并为此后中篇小说创作的持续发展奠定了坚实的基础。

The procedure of his artistic creation, characterized with stability and permanency, is in accordance with that of the general practice.

从创作角度看，沙耆的绘画不是病理作用的产物，他的创作过程符合普遍的创作规律，具有恒常性和稳定性

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。