列克

Winckelmann, the spokesman for philhellenism, extolled Greek art and dismissed all Roman art as derivative and Virgil as second rate and incapable of understanding true beauty.

亲希腊的代表温克曼鼓吹希腊艺术，他贬低所有的罗马艺术都是希腊的模仿产物，维吉尔也属二流之列，并无法理解真正的美为何物。

This eschatological element is professedly derived from a book written by Enoch eg, Levi, x., xiv., xvi.; Judah, viii.; Simeon, v., etc.

这末世的因素是表面来自一本书撰写的伊诺克（例如，列维，十，十四。

These personal judgments can be generalized as an expression of values. According to the contradictions of Pugin's values, the fusion of Ruskin's values, and the relative importance of Viollet-le-Duc's values, we can infer the ideology of the theorists who encouraged the Gothic Revival.

理论家个人的价值判断可以被归结为价值观的呈现，普金内心的价值观呈现机能与形式的矛盾现象，罗斯金内心的价值观呈现美感与象徵意义的融合，维奥列-勒-杜克内心的价值观呈现工程技术至上、历史文化次之的轻重之分，我们可以据此推论理论家推动哥德复古的心路历程，并给予历史的评价。

Pugin considered that the meaning of the Gothic Style is religious symbolization. Ruskin considered that the meaning of the Gothic Style is a perfect combination of beauty and human nature. Viollet-le-Duc considered that the meaning of the Gothic Style is the rationality of construction technology.

藉由个人论述的拆解，三位理论家的观点异同顿时浮现，普金认为哥德样式的内涵在於宗教的象徵意义，罗斯金则认为哥德样式的内涵是美感与人性精神的完美结合，维奥列-勒-杜克则强调哥德样式的内涵在於构造技术的合理性。

Pugin, Ruskin, and Viollet-le-Duc are representative of the Gothic Revivalism theorists who gave impetus to the Gothic Revival by their work. A review of the literature shows that the superiority of the Gothic Style derived from different kinds of interpretation, such as religious spirit, social reform, esthetic taste, practical function, economic considerations, and construction technology. These interpretations originated in different kinds of values. The main reason why these theorists promoted the revival of the Gothic Style came from personal factors. Their differences in personal values illustrated that the Gothic Revival was the result of various motive forces which gathered together.

普金、罗斯金以及维奥列-勒-杜克(Viollet-le-Duc)三位建筑理论家是十九世纪推动哥德复古的主要代表人物，三者均利用个人的著作传达他们对哥德样式的支持，根据相关文献的探讨，哥德样式的优越性来自於个人的诠释观点，具有代表性的包括：精神信仰、社会改革、美学品味、实用机能、经济考量与工程技术，不同的诠释方式来自於不同的价值观，这说明了理论家鼓吹哥德样式的主要因素是来自於个人因素，个人价值观的差异性也说明了哥德复古邉拥漠a生是各种推动力量汇集折冲的结果。

"Put no trust in the benefits to accrue from early rising, as set forth by the infatuated Franklin …"- Mark Twain

"提出不信任，在利益累积，从年初上升，所列由迷恋富兰克林……"-马克吐温

Roque Junior and Nesta will alternate in the defence.

罗克和Nesta将在本场比赛中上场，至于博列洛，我还没决定是让他首发还是替补。

Common to both his illustrations and his independent paintings.and lurking below their rumbustious surface,is a sympathy for the vulnerability of the ordinary human beingChristopher Andreae

他的插图和独立图画的共同点是藏在欢闹的表面下，有一种对于普通人的脆弱的同情心克里斯托弗·安德列亚

Thus, the Roman abbey, the philosophers' church, the Gothic art, Saxon art, the heavy,round pillar, which recalls Gregory VII., the hermetic symbolism,with which Nicolas Flamel played the prelude to Luther,papal unity, schism, Saint-Germain des Près, Saint-Jacques de la Boucherie,--all are mingled, combined, amalgamated in Notre-Dame.

这样，罗曼教堂，炼金术教堂，峨特艺术，萨克逊艺术，使人回想起格列高利七世时代的那种笨重柱子，尼古拉·弗拉梅尔创先于路德的那种炼金术象征，教皇帝国的统一，教派分裂，圣日耳曼—德—普瑞教堂，屠宰场圣雅各教堂，所有这一切巴黎圣母院兼收并蓄，统统将其熔铸、组合、揉和在它的建筑中。

He continued to work with various magazines as illustrator and designer, and gradually entered into the world of set and costume design, working together with Diaghilev of the Ballets Russes, as well as Ida Rubinstein, among others he designed sets and costumes for: Cleopatra, Le Festin (1909), Le Carnaval, Scheherazade (Rimsky-Korsakov), The Firebird (1910), Les Orientales, Narcisse Le Spectre de la Rose, La Péri (1911), Thamar, Le dieu Bleu, L.

他继续与各种杂志Illustrator和设计师，并逐步进入世界的设定和服装设计，一道列夫的芭蕾Russes ，以及艾达鲁宾斯坦等集和他设计的服装：克利欧佩特拉，乐Festin （ 1909年），勒狂欢节，舍，火鸟（ 1910 ），法国东方，纳西斯乐幽灵玫瑰，香格里拉期（ 1911年）， Thamar ，乐德迪厄艾迪布尔，研究。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。