分针

The big minute hand did not move. We

那根巨大的分针不动了。

We are chronically aware of the moving minute hand, even of the moving second hand.

我们慢慢地感到分针甚至是秒针在移动。

A clock usually has two hands,a minute hand and an hour hand.

钟通常有两个指针，一个分针和一个时针。

Crown's function is adjust watch's hour hand, minute hand, second hand, and adjust ringlet,what's more, it have Unlink function.

把的是用往调节表的时针、分针、秒针，及调节表外面大圈的作用。借无就是上链的罪能。

To create the "minute hand" section of the clock, all that you need to do is duplicate the "second hand" portion.

创建"分针"部分的时钟，所有你需要做的就是复制"二手"部分。

A vb series with the procedure, you can use the visual clock calculated day clock anti-clockwise and looked coincidence of the moment.

一个用vb编的程序，可以用时钟直观的算出一天中时钟的时针和分针重合的时刻。

The greatly stupid clock to it is huge is well-known, the bell completed in 1859, was the English biggest clock The tower has 320 feet high (approximately to be equal to 97.5 meters) at least, the minute hand long has 14 feet (approximately to be equal to 4.27 meters), the greatly stupid clock with the artificial spiral spring, Congress holds a meeting the period, the clock personally meets sends out the ray, each a hour reports time time.

大笨钟 以它巨大的钟面闻名，大钟于1859年建成，是英国最大的钟。塔起码有320英尺高约合97.5米），分针有14英尺长（约合4.27米），大笨钟用人工发条，国会开会期间，钟面会发出光芒，每隔一小时报时一次。

That's why the minute hand has to work less, as the second hand does most of the running around.

这就是为什么分针走得少、秒针走得多的原因。

Both watch and strap are dark grey with gold glitters inside.

时针和分针造型纤长，反射着金属的光芒。

I have defined enumerations for both of these styles which is used to determine the value of the rotation.

我已经定义为这些是用来确定旋转价值型两种枚举。&/页&//画分针

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。