刀具

BLUE CLASS Staying true to blue, the Blue Class represents the heart of everything that is Benchmade.

蓝色级：停留在蓝色级的真实中，蓝色级代表了蝴蝶刀具的的核心。

Cutters arrangement on cutter disk of a full face tunneler is a key technique in TBM design.

全断面隧道掘进机刀具在刀盘上的布置是掘进机设计中的关键技术之一。

Twist drill is the tool often used in machine process.

麻花钻是机械加工中使用量较大的一种加工刀具。

Two dimensional and three dimensional mathematical models for surface roughness and appearance are established.

建立的模型综合考虑了切削用量、刀具几何参数以及系统振动情况的影响，应用建立的模型进行了仿真。

This paper presents design and calculation of Mixshield cutting system and other major systems of the shield, focusing on discussion of technical problems concerning type selection of disk cutter and soil condition adaptability.

论文介绍了复合型切削系统和其他盾构主要系统的设计计算，重点论述了刀盘刀具的选型和地层条件的适应性的技术难题。

Knives of any type, including box cutter and X-ACTO?

任何形式的刀片，包括切箱刀具和X-ACTO削笔刀

Based on the analysis,advance a method of designing and processing modification spiral bevel gear and design a new type of cutter are put forward.By the local synthesis method,the mesh quality of the modification spiral bevel is researched.

在此基础上，提出了一种修形弧齿锥齿轮的设计加工方法，并设计了新型加工刀具，此外，还借助于局部综合法，研究了修形弧齿锥齿轮的啮合质量。

C type cutter compensation method is also studied here, including analyses of detailed path transit situation, transit vectors and the whole process of establisment, implement, and finishing of C type cutter compensation.

本文同时还论述了C功能刀具半径补偿的实现方法，给出了详尽的C刀补轨迹转接情况分析和各种C刀补转接矢量的计算公式，并对C刀补的建立、进行和撤销过程进行了具体分析。

To sum up, in addition to UCS, E and μ should be taken into account in TBM cutter design.

除了单轴抗压强度外，刀具设计还应综合考虑变形参数μ和E。

So, it is possible to create toolpaths which go ug e unless you are very careful.

因此，除非你非常小心很可能会产生过切的刀具路径。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。