出神

When the count thought Franz had gazed sufficiently on this picturesque tableau, he raised his finger to his lips, to warn him to be silent, and, ascending the three steps which led to the corridor of the columbarium, entered the chamber by the middle arcade, and advanced towards Vampa, who was so intent on the book before him that he did not hear the noise of his footsteps.

当伯爵觉得弗兰兹已看够了这一幅生动的画面时，他就用手在嘴唇上按了按，示意他不要出声，然后走下那通入墓穴去的三级台阶，从中间的那座拱门进到了房间，向万帕走去，后者正看书看得出神，以致竟没听到他的脚步声。

The irrepressible Bloom, who also had a shrewd suspicion that the old stager went out on a manoeuvre after the counterattraction in the shape of a female who however had disappeared to all intents and purposes, could by straining just perceive him, when duly refreshed by his rum puncheon exploit, gaping up at the piers and girders of the Loop line rather out of his depth as of course it was all radically altered since his last visit and greatly improved.

布卢姆简直克制不住自己了。他机警地怀疑，这个老手兴许是被女人这一对抗物所吸引而出去做了一番军事演习的。然而这时那个女人实际上早已消失得无影无踪了。他定睛一看，才勉强辨认出那个灌了一肚子朗姆酒、精神随之而振的水手，正毋宁说是出神地仰望着环行线的陆桥桥墩和纵梁。当然自从他最后一次踏访，这里已大大地改建，面目一新了。

Once the Cultist is enlightened enough, she can achieve her transcendent state without outside help.

当教徒足够醒觉，她就可以不借外力达到出神的状态。

That fact that 10,000 square meters of Rocherfont's faade was repainted to make this film is a strong proof of Demy's meticulous use of colours.

基利的客串演出神彩飞扬，而丹美要求制作指导把一万平方米的广场重新涂油再再显示了他对色彩的精密考量。

Can you find out the depths of God?

11：7 你能查出神的深奥麼？

The most important were two oratorios. The first, Moyses Deus Pharaonis (RV 643) is unfortunately lost.

最主要的有两出神剧，第一出「Moyses Deus Pharaonis」（RV643）不幸已遗失。

However, this instrument would benefit from rest from the trance state for this diurnal period.

无论如何，这个器皿离开出神状态后，在日间的休息对她会有帮助。

She sat at the window gazing dreamily into space.

她坐在窗旁，出神的凝望远处。

He had simply slipped on a long nightgown with an insertion front, a pair of worked drawers and the dressing jacket, which was a long cambric garment trimmed with lace.

接着，她跑到每口井边，望望井底，她又掀起一个木头架子，看看下面有什么东西，只见一只硕大无朋的南瓜，她出神地看了一会儿。

We have here an ever-living gospel, as full of vitality as when it first came from the lips of God; as strong to convince and convert, to regenerate and console, to sustain and sanctify as ever it was in its first days of wonder-working.

我们所传的，就是历久弥新的福音，它仍然像当日主亲口所传讲的，那样铿锵有力，那样的活泼有功效，那样地扎人内心，叫人悔改，那样地显出神迹奇事的能力！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。