出洋相

I am tone-deaf,so i don't want to fool myself to sing in front of the whole class.

我五音不全，可不想在全班同学面前唱歌出洋相。

I'm a tone-deaf,soI do not want to sing in front of our classmates to fool of myself.

我五音不全，可不想在全班同学面前唱歌出洋相。

I'm totally a tone-deaf,and i don't wanna screwed up on my classmates' faces......

我五音不全，可不想在全班同学面前唱歌出洋相。

The first time she drank too much, she was embarrassed when she awoke the next morning with a splitting headache and an awful memory of singing "Bonnie Blue Flag" all the way back to the hotel, through the streets of New Orleans, in an open carriage.

她头一次喝醉的时候，坐着敞篷马车，穿过新奥尔良的大街小巷回旅馆去，一路上高唱《美丽的蓝旗》。第二天清早醒来以后，头疼得像要裂开一样，想起头一天晚上那样出洋相，感到很不好意思，她以前连女人微有醉意也没

Whether to ride to-morrow to head-quarters and challenge that conceited adjutant, or whether really to let the matter drop, was the question that worried him all the way.

他明日是否到大本营去向这个出洋相的副官挑战，抑或是真的放弃这件事？这个问题使他一路上感到苦恼。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。