凯西

Cathy: You're the perfect person for the job.

凯西： 你是这个工作的最佳人选。

Cathy: He was my friend long before you.

凯西：他是我的朋友，早在认识你之前就是。

K:I want to check through my things.

凯西：我想检查一下我的东西。

Hey, Julie, can we send a case of Chianti over to Larry Cash?

嘿，茱莉，帮我送一箱红酒给赖利凯西

Kacey reveals that she's a child prodigy when it comes to cards and gambling.

凯西展露了自己在玩牌和赌博方面的天赋，证明自己

Iago. Sir, he is rash and very sudden in choler, and haply may strike at you: provoke him, that he may; for even out of that will I cause these of Cyprus to mutiny; whose qualification shall come into no true taste again but by the displanting of Cassio.

伊阿古 老兄，他是个性情暴躁、易於发怒的人，也许会向你动武；即使他不动武，你也要激动他和你打起架来；因为藉著这一个理由，我就可以在塞浦路斯人中间煽起一场暴动，假如要平息他们的愤怒，除了把凯西奥解职以外没有其他方法。

Kathy: Christopher, aren't you going to work on your project for school?

凯西：克里斯托弗，你不去完成你的学校项目吗？

The following are the expressions for the mean pressure set up at the detection plate and for the time of the signal to progagate from the radiator to the detector:这里是1个公式,省略） where Re is the real part of the expression appearing within the braces, 0 is the density of the medium, vo is the amplitude of the vibrational velocity, c is the speed of sound in the medium, d2 = I +(r/zcos 8, z is the distance between the emitting and receiving plates, B is the angle between the axis of the acoustic channel and the axis of the tube, r = vro/c, v is the flow speed of the fluid, d is the diameter of the pipe, m is the circular frequency, k is the wave number, where a is the radius of the plate (this is taken as the same for the emitting and receiving plates for simplicity, but there is no difficulty in discussing plates differ~mg in radii),,~ is the vibrational frequency of the emitting plate, and The triple sums in the expressions for N~ and N2 may be neglected if the flow speed is low, since the contributions for these become negligible.

以下的表情为代表的压力设置在检测板甲，手持骑枪和时间的信号 progagate从散热器排出到检测器(这里是1个公式、省略)。在什么地方才是真正的出现在背带，表现为0密度的吗当时的媒介的振幅振动速度、c是声音的速度中、d2 =我+ r / z，8、z是距离的发射和接收板、B之间的角度对声信道和轴轴管，r = vro / c，v的流体的流动速率公式，d 管直径的圆频率，m，凯西是波数公式* n，一个是半径的板(这是作为相同的发射和接收吗为了简单，但板板是毫无困难地讨论不同半径)、镁-，~的振动频率的发光，。总结了三倍的表达方式和N2 ~能忽略的流量速度低，因为这些变得微不足道的贡献。

Sequenza IXa , written in 1980 for the clarinettist Michel Arrignon, takes a melody line and subjects it to a wide range of musical transformation.

模进 III 》作于1966年，是一首女高音独唱作品，为凯西·贝贝里安（ Cathy Berberian ，作曲家的妻子，重要支持者和合作者，歌手）而作。

His coarse voicebox could manage few words in Basic -- including his crude name -- and he obeyed only Kesivo.

他低级的喉管只能发出极个别基本语词汇——包括他自己的名字。他只听从于凯西沃。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。