凯西

Czechomor also provides an excellent opportunity for fans to trace back Celtic echoes that lie deeply rooted in the cultures of Bohemia and Moravia but which are related to the music of Brittany and Ireland in particular.

Czechomor还为歌迷们提供了一个极好的机会，可以追寻深深根植于波西米亚和摩拉维亚文化之中的凯尔特人的踪迹，同时又与布列塔尼和爱尔兰音乐有特殊的关系。

Such a life, absurd in its exaggerations and degree of self-mutilation—like Kleist's, like Kierkegaard's—was Simone Weil's.

和克莱斯特与克尔凯郭尔的命运相比，西蒙娜·薇依的一生也被荒谬地夸大了，他们的区别仅仅在于自我伤害的程度不同。

After Caesar's assassination (44 BC) a power struggle ensued, and after several battles he formed the Second Triumvirate with his chief rivals, Lepidus and Mark Antony.

西元前44年凯撒被刺杀，经过一番权力角逐后，屋大维和其他两个劲敌（雷比达〔Lepidus〕和安东尼）形成后三头同盟（参阅triumvirate）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。