凯恩斯

Too often the significant episode deteriorates into sententious conversation- Kathleen ''.

过于频繁的重要的插话演变成为说教式的谈话-凯瑟琳·巴恩斯。

Too often the significant episode deteriorates into sententious conversation- Kathleen Barnes .

过于频繁的重要的插话演变成为说教式的谈话-凯瑟琳·巴恩斯。

Too often the significant episode deteriorates into sententious conversation-''.

过于频繁的重要的插话演变成为说教式的谈话-凯瑟琳·巴恩斯。

My speech must be my Sistine Chapel my Ninth Symphony,my "Citizen Kane".

我的发言要像西斯廷教堂，我的第九交响乐章，我的"公民凯恩"

When did the Golden Lion last serve populist fare such as the George Clooney thriller Michael Clayton (murder, skulduggery and Tilda Swinton glammed up as an evil corporate lawyer), the army-base thriller In the Valley of Elah (a bread-and-jam whodunit in spite of Haggis's thick spreading of Iraq war allusions) or Branagh's loop-the-loopy attempt to refashion Sleuth with a Pinter script and Michael Caine and Jude Law playing hide-and-seek amid the arty camera angles.

金狮奖上次专门为民粹主义作品设立是什么时候来着？比如乔治？克鲁尼令人毛骨悚然的影片《迈克尔？克莱顿》（谋杀、使诈，还有蒂尔达？斯文顿扮演的衣着光鲜的企业律师），根据军队拍摄的令人毛骨悚然的影片《决战以拉谷》（尽管哈吉斯散布了大量伊拉克战争的暗示，它还是一部像"面包加果酱"一样平常的推理影片），还有布莱纳兜着圈子地努力翻拍《足迹》，用平特的剧本与迈克尔？凯恩和裘德？洛，在富有艺术家气派的各种拍摄视角中玩捉迷藏的游戏。

My name's Deckard Cain and I come from Tristram.

我叫迪卡·凯恩，我来自崔斯特瑞姆。

In the late 1830s, Thomas Cain built a watermill on First Creek for John Cannan, which was then employed to power a sawmill on Cannan's property.

1919世纪30年代末期，托马斯·凯恩为约翰·坎南在第一溪上建造了水车，当时用以为坎南的锯木厂供电。

Classic noir themes developed in the pulps by Hammett, Chandleer, Goodis, Whitfield, Nebel, Woolrich, and Cain, among others, are mainfest in Blacksad's search for justice.

经典黑色电影主题的全盛时代哈麦特、坎德利尔、古蒂斯、惠特菲尔德、内贝尔、伍尔里奇和凯恩、等等，统统都能够在墨萨德身上追寻到如此熟悉且浓郁的汇聚。

McCain adviser Jim Woolsey, accusing the Post of running an "inflammatory" story.

麦凯恩的顾问吉姆·伍斯雷指责邮报传播这样具有煽动性的故事。

Principal Waynes Kettler said he's worked with many outstanding teachers in his 22 years as an educator, but Peterson is "just that one step above anybody I've ever worked with before."

校长韦恩斯·凯特勒说，作为一个教育工作者，22年来他和许多杰出的教师共过事，但是彼得森是&曾经与我一起共事的人中最为突出的一个。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。