几何学上

These creational stories are based on patterns of geometry that repeat in cycles through the concept of TIME.

这些故事都是建立在神的几何学的格调上，透过时间的概念来重复着循环。

In accordance of dynamical analysis to asymmetric basin forming, it is restricted doubly by crust multi-layer rheological structure and regional geotectology background in the Lower Yangtze regional crust, especially in close relationship with action of C-layer (18-20km) in the Lower Yangtze region crust. After quantitative analysis of mutual relation between the basin geometrical feature and the crustal structure, a new way will be supplied to the research of Mesozoic-Cenozoic sedimentary basin evolution and the oil -gas exploration in the Lower Yangtze region.

在此基础上，对非对称盆地形成的动力学分析认为，它受下扬子地区地壳多层次流变结构及区域大地构造背景的双重制约，尤其与下扬子地区地壳C层(18-20Km)的活动密切有关，定量分析了盆地的几何学特征与地壳结构之间的相互关系，为下扬子地区中新生代沉积盆地演化的研究及其油气勘探提供了新的研究途径。

This thesis is guided by structural geometry, kinology and dynamics. Using lots of basic data, the structural form, evolution history and formation mechanism are researched. The structural feature of south terrace and north slope are analyzed stressly.

本论文以构造几何学、运动学和动力学等理论为指导，在前人研究的基础上，应用大量基础数据，对高邮凹陷的构造形态、演化历史、形成机制等进行研究，并重点剖析了南部断阶带和北部斜坡带的构造特征。

In this paper, the effects of the rigid body motions and low frequency surface errors on the image quality were analyzed. Quadratic equations were used to build the mathematical model of the Wolter type I and II X-ray telescopes and reduce the computational complexity of ray tracing. With the help of a self-developed optical surface analysis code, the effects of the perturbations of the mirrors on the image quality was analyzed and the growth of the image spot formed by deformed telescopes was calculated, this is important for giving the reasonable fabrication tolerance.

在本篇文章中，详细分析了刚体运动误差和低频表面误差对成像质量的影响；使用空间解析几何学的二次曲面方程建立Wolter I、II型X射线掠入射望远镜镜片的数学模型，降低光线追踪的计算复杂度；借助自主开发的光学仿真软件分析了国内研制的X射线成像望远镜的刚体运动误差和低频表面误差对成像质量的影响，计算出像点艾里斑半径均方根值随误差变化的增长率，对工程上提出合理的制造公差的误差容限有重要的指导意义。

Gazing at his ruined geometry book, Amalfitano fantasizes about meeting a 19th century philosopher on his deathbed and asking him for advice.

盯着那本已经被毁坏的几何学教科书，Amalfitano幻想着自己遇见了一位19世纪的哲学家，这位哲学家躺在病床上，即将死亡。

The combination with the Calculus,physics,especially variational principles and geometry is one of the features of tiffs dissertation.

本文在查阅大量原始文献和相关研究文献的基础上，利用文献分析和比较研究方法，以&为什么数学&为切入点，结合微积分学、物理学以及几何学等背景，对变分法的起源和创立进行了系统分析和研究。

The birth of this theory provided a new viewpoint and method for us to observe, to recognize and to study the natural things, broke the dominance of classical geometry Euclid in thousands of years, and helped people to understand natural things in a deeper and higher level and to find the rule of the development and change of nature.

这一理论的诞生为人们观察和认识自然事物提供了新的视角和研究方法；打破了欧几里德经典几何学几千年的统治地位，使人们能够从更深、更高层次上认识自然事物的生成规律，找到自然事物发展变化的规律。

In this paper, using the method of computer simulation, on the basis of the cone bit geometry and inematics models and the interaction model of bit and rock, the established models are solved through the MATALB programming.

利用计算机仿真方法，在已建立的牙轮钻头几何学、运动学模型和钻头与岩石互作用模型的基础上，通过MATLAB 编程，求解所建立的各模型。

With the geometry model and kinematics model of roller cone rock bit, the interaction model of rock bit and rock is established which was based on the experiment of interaction between single tooth and rock. It is a good fundament for the computer simulation on working action of rock bit drilling.

在牙轮钻头几何学、运动学基础上，利用单齿压入与刮切岩石实验建立了钻头与岩石互作用力学模型，实现了对钻头在钻井过程中工作行为的仿真计算； 2。

In his works, he largely employs disposed steel trusses, backstays and naked pipelines, arcades and metal components to emphasize openness and innervations. In addition, it integrates harmonious system to develop a kind of geometry in the whole.

在他的建筑中利用了大量毫不掩饰的钢桁架、桅杆、拉索及裸露的管道、拱廊、金属部件，他强调建筑形态的开放性、动态感，并融入协调的秩序，以发展一种总体上的几何学。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。