凝视者

Therefore the gazer would take more actions, so he/she became a follower/stalker who started to collect pieces of the loved one.

於是凝视者会采取更多行动接近所爱对象，因此他变成了一个跟踪者，并开始收集关於所爱对象的碎片。

The crystal lamp in the reality starts to burn, which was inspired by the lyric of Radiohead's "You". To show the gazer's growing obsession and as a prediction of destruction, the fire behind the girl illustrated the line "you, me and everything caught in the fire".

现实中他身边的水晶灯开始燃烧，这是从电台司令的You歌词中得到的启发，描绘凝视者心中增长的偏执和作为这情感导向的毁灭的预见，女孩身后的火焰说著那句歌词「你、我和一切被火焰捕捉」。

Based on the reality, she turned out to be a dressed up lady with makeup in the gazer's mind, the water drops became chained pearls in her hair and the towel became a white night dress.

以现实作为基础，在凝视者的妄想中，女孩转变为一个盛装打扮的女人，水滴变成了珍珠串，浴巾变成白色的晚礼服。

From the blur line of the circle, the audience will find the fact that the gazer was using a monocular telescope to spy the one he/she adored. In other words, instead of a casual this was a planned gaze and he/she was trying to know her more even though they really didn't know each other.

从周围黑圈的模糊边缘，观者可以发现事实上凝视者是使用单眼望远镜偷窥他所爱慕的对象，即这个凝视并不是偶然而是有计画性的，即使他们还不相识，凝视者希望藉著凝视多了解他所爱对象。

His works depict the ghetto hutong for those in low-class poverty, as well as the villa symbolic of the rich.

但这个"凝视"不是弗洛伊德们的性别的凝视，而是在此之外"他者"的凝视。

The first part study Maugham' s standpoint from which he looked at the other. Through analyzing the relationship between Maugham and Maugham as the "hidden author", we concluded that: on the point of racialism and colonialism, these two were equal, Maugham is a racialist and colonialist when he looks at the other . China as the other in Maugham′s works was mainly reviewed in the next part.

第一部分研究毛姆凝视"他者"的目光，通过分析作为"隐含作者"的毛姆和真实的毛姆之间的关系，认为在种族主义和殖民主义的问题上，二者是可以等同的：毛姆是一个种族主义者、殖民主义者，这是毛姆审视"他者"时的目光。

The reproducer of images lives in different historical time and cultural background from those of the producers of images, resulting in a standpoint outside the image to gaze upon others.

图像的复制者与图像的制造者处于不同的历史时期和文化背景，从而产生出外在于图像的立足点对他者的凝视。

Parthasarathy is a name of Krishna that refers to his being the charioteer of Arjuna at this time, a name that endears Krishna to Arjuna, who becomes blissful whenever he contemplates how merciful it is that Krishna has consented to become his charioteer.

Parthasarathy是奎师那的一个名字，提到了在这个时候他作为阿尔诸那的战车御者，一个奎师那使阿尔诸那喜欢的名字，只要他凝视，就成为有福的，如此地仁慈，奎师那同意成为他的战车御者。

Parthasarathy is a name of Krishna that refers to his being the charioteer of Arjuna at this time, a name that endears Krishna to Arjuna, who becomes blissful whenever he contemplates how merciful it is that Krishna has consented to become his charioteer.

Parthasarathy是奎师那的一个名字，提到了在这个时候他作为阿尔诸那的战车御者，阿尔诸那，一个奎师那喜欢的名字，只要他凝视，就成为有福的，如此地仁慈，奎师那同意成为他的战车御者。

Lead astray the gazers .

引导迷途的凝视者

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。