凝视的

Gaze5 by American culture. In Kinfolk, the result of being gazed is manifested in !

西方文化的凝视使得中国人在心理上承受了巨大的压力，在《同胞》中这种压力的结果表现为中国知识分子梁文华的"假爱国主义"。

After years staying at the leprosarium, she eventually lost contact with the son who went overseas.

何亚花凝视著手中的照片，这是何亚花思念儿子的方式，常年住在麻疯村堙F曾经一度与国外的儿子失去联系，还好慈济志工每月的探访，得知了何亚花思亲的苦，决定协助她找儿子。

John, but he accomplishes the result by separating him from the others by causing him to lean forward upon the table, facing his Master with implacable gaze as he clutches the moneybag and overturns the saltcellar....

达芬奇把犹大安排在两个最受到优待的耶稣的门徒彼得和约翰的中间，但他安排犹大在桌子上倾斜身体，抓拿着钱袋，打翻盐瓶，无情地凝视他的师傅，达到了跟把犹大与其他人分隔开来一样的效果。

Other times she had the dignity and luxury of a noblewoman…but the noblewoman and dancing girl's fates were all extremely unlucky, so that in the end those two eyes staring straight ahead at the mirror began to fill with tears.

有时又象是一种爵夫人的尊严，华贵……但这爵夫人，这舞女的命运都是极其不幸，所以最后在那一对张大着凝视着前方的眼里，饱饱的含满一眶泪水。

Angel, with his intense gaze and long,uncombed dark hair, struts in a bare desert landscape under a psychedelic sky, evoking the peyote scene from Oliver Stone's film "The Doors."

节目一开始就在急诊室，克里斯安吉尔便久久的凝视，蓬乱的黑发，在凄凉的沙漠景观支柱迷幻的天空下，唤起了从现实身临其境到奥利弗斯通的电影"门"中。

Living thus, he came by chance one day to a clear fountain, and lay down by it; when behold ing in the water his own image, he fell into such a study and then into such a rapturous admiration of himself, that he could not be drawn away from gazing at the shadowy picture, but remained rooted to the spot till sense left him; and at last he was changed into the flower that bears his name; a flower which appears in he early spring; and is sacred to the infernal deities ----Pluto, Proserpine, and the Furies.

就在这种生活中，有一天，他偶然来到一池清泉旁。正值炎热的中午，他便在泉边躺下。一看到池水中自己的倒影时，他便细细察看观赏，继而狂喜地恋慕自己。凝视着自己若隐若现的水中美影，他不能自拔，就像扎根于此，直到感觉消去。最后他变成以他名字命名的水仙花。水仙花于早春开放，是冥府诸神的圣花：普路托，普洛塞尔皮那，复仇三女神皆以此花作祭。

Rather her compositions direct the viewer's gaze to the cultural context of the body and its representation in physical and cultural space.

她的构图把观众的凝视牵引到身体的文化语境及其在物理和文化空间中的表现上来。

The reproducer of images lives in different historical time and cultural background from those of the producers of images, resulting in a standpoint outside the image to gaze upon others.

图像的复制者与图像的制造者处于不同的历史时期和文化背景，从而产生出外在于图像的立足点对他者的凝视。

When you go to bed and when you get up are keystones to restful, refreshing sleep.

和善的微笑，真诚的握手，礼貌的凝视都是给人留下好印象的关键。

The Templar gazed thoughtfully at the weirwood rafters while the Consul dressed in semiformal evening wear of loose black trousers, polished ship boots, a white silk blouse which ballooned at waist and elbows, topaz collar cinch, black demi-coat complete with slashes of Hegemony crimson on the epaulets, and a soft gold tricorne.

圣徒若有所思地凝视着堰木支撑椽，于是，领事开始更衣，穿上半正式的晚礼服，宽松的黑裤子，擦得光亮的舰用靴，一件腰部和肘部膨起的白色丝绸上衣，浅黄腰带，黑色马甲，肩饰上有霸主绯红的斜条，还有一顶软软的金黄三角帽。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。