冲

Given our gain of 34.1%, it is tempting to declare victory and move on. But last year's performance was no great triumph: Any investor can chalk up large returns when stocks soar, as they did in 1997. In a bull market, one must avoid the error of the preening duck that quacks boastfully after a torrential rainstorm, thinking that its paddling skills have caused it to rise in the world. A right-thinking duck would instead compare its position after the downpour to that of the other ducks on the pond.

看到我们高达 34.1%的超高报酬率，大家可能忍不住要高呼胜利口号，并勇往前进，不过若是考量去年股市的状况，任何一个投资人都能靠着股票的飙涨而大赚一票，面对多头的行情，大家一定要避免成为一只呱呱大叫的骄傲鸭子，以为是自己高超的泳技让他冲上了天，殊不知面对狂风巨浪，小心的鸭子反而会谨慎地看看大浪过后，其它池塘里的鸭子都到哪里去了。

On heavily used rivers, do not cut in front of a boater running a drop.

III。礼仪。在河流中，浆手准备冲下跌水时，不要插队。

Thus, then, did her feet bear the goddess to Olympus, and meanwhile the Achaeans were flying with loud cries before murderous Hector till they reached the ships and the Hellespont, and they could not draw the body of Mars's servant Patroclus out of reach of the weapons that were showered upon him, for Hector son of Priam with his host and horsemen had again caught up to him like the flame of a fiery furnace; thrice did brave Hector seize him by the feet, striving with might and main to draw him away and calling loudly on the Trojans, and thrice did the two Ajaxes, clothed in valour as with a garment, beat him from off the body; but all undaunted he would now charge into the thick of the fight, and now again he would stand still and cry aloud, but he would give no ground.

就这样，快腿把她带往俄林波斯的峰峦，与此同时，面对杀人狂赫克托耳的进攻，阿开亚人发出可怕的惨叫，撒腿奔逃，退至海船一线，漫长的赫勒斯庞特沿岸。战地上，胫甲紧固的阿开亚人无法从漫天飞舞的枪械里拖＠帕特罗克洛斯的遗体，阿基琉斯的伴从；特洛伊兵勇和车马再次骚拥到帕特罗克洛斯身边，赫克托耳，普里阿摩斯之子，凶狂得像一团火焰。一连三次，光荣的赫克托耳从后面抓起他的双脚，试图把他拖走，高声呼喊着特洛伊人，一连三次，两位骠悍狂烈的埃阿斯将他打离尸躯。但赫克托耳坚信自己的勇力，继续冲扑，时而杀人人群，时而挺腿直立，大声疾呼，一步也不退让。

They took Boggs to a little drug store, the crowd pressing around just the same, and the whole town following, and I rushed and got a good place at the window, where I was close to him and could see in.

大伙儿把博格斯抬到了一家小杂货店，四周围的群众还象原来那样围得紧紧的，全镇的人都来了。我赶紧冲上前去，在窗下占了个好位置，离他近，能看得清。

Perhaps you find yourself hunching or slouching as you talk about what you want, or having a strong desire to bolt out of the room.

可能你发现，当谈论起你所想要的时，你自己弯腰驼背、没精打采的，或者有一种想冲出房间的强烈愿望。

He bolted out of the house, saying he would never return to this home.

他一边冲出家门，一边说他再也不回这个家了。

SEFC Book 2B Unit 15 Lesson 59 Noises in the Night(2)中有一句: They broke into the uncle's bedroom and found the man lying on the floor, dead.

他们强行冲进叔父的卧室，发现那个男人躺在地板上，已经死了。

He's a "moron","idiot and creep","stupid bootlicker" and a "bootlicking moron"(Guardian, Independent and The Times) are the general themes.

书生点评：特维斯冤啊，他估计就冲着南美一小报美女记者蹦了个慰问内维尔的西班牙语词，结果被舰队街整过来之后每家媒体都在野兽原词的意思上再创作加工了一下。。。

Based on making investigation into engineering practice, design and construction method building impervious wall for cased bore-hole impact grab is epitomized and summarized .

在调查分析工程实践的基础上，对套孔冲抓填土法建造防渗墙技术的设计和施工方法进行了系统的概括和总

All the gods in Olympus were in a fury, but they could not reach you to set you free; when I caught any one of them I gripped him and hurled him from the heavenly threshold till he came fainting down to earth; yet even this did not relieve my mind from the incessant anxiety which I felt about noble Hercules whom you and Boreas had spitefully conveyed beyond the seas to Cos, after suborning the tempests; but I rescued him, and notwithstanding all his mighty labours I brought him back again to Argos.

倘若 让我逮住一个，我就会紧捏住他，把他甩出门槛，摔倒在大地上，气息奄奄。然而，即便这样，也难去我心头不可消止的愁愤，为了神一样的赫拉克勒斯。你，怀着险恶的用心，依借北风的助衬，唆使风暴，把他推过荒瘠的大海，冲操到人丁兴旺的科斯。然而，我把他从那里救出，带回到马草丰肥的阿耳戈斯，其时，他已历经磨难。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。