冥想的

In Li Jikai's work, we can neither see the cultural background nor historical traces of mankind. What we can see is his autobiographic imagination and formation of his own mentality. No matter in the sense of content or form, his work has been always connected to solitude and meditation.

在李继开的绘画中，我们既无法看到人的文化背景，也无法看到人的历史痕迹，而更多看到的是他的自传体式的想象和自我心理的塑造，无论是内容还是形式，李继开的绘画从个人到他者的表现过程中总是联系到孤寂和冥想。

In Li Jikai's paintings, we can neither see the cultural background nor the historical traces of mankind but rather his own autobiographic imagination and formation of his own mentality.No matter what the content or form is, his work is always connected with solitude and meditation while displaying himself or the others. He then takes us into a world that is completely remade by Li Jikai himself.

在李继开的绘画中，我们既无法看到人的文化背景，也无法看到人的历史痕迹，而更多看到的是他的自传体式的想象和自我心理的塑造，无论是内容还是形式，李继开的绘画从个人到他者的表现过程中总是联系到孤寂和冥想，进入一个自我重新编织的世界。

But after a day in which we saw the Quidditch camp, the Pensieve scene room, the underwater tank, the DADA classroom, Dumbledore's office, the Gryffindor dorm and common room (dressed this time, as opposed to last), models for to-be-built sets, a trophy room, the acres of costumes for the film, the 30-foot animatronic Horntail dragon, and more - after a day in which we met the blushing Robert Pattinson, composed Clemence Poesy and deceptively mild Stanislav Ianevski - after a day in which it became clear that Mike Newell is a mastermind at turning a flat scene into a hilarious one - we left Leavesden positively bouncing in anticipation.

但在一天后，我们参观了魁地奇营地，冥想盆场景的房间，水下装置，黑魔法防御教室邓不利多的办公室，格兰芬多的宿舍和公共休息室（与上次不同，这次都装饰一新），等待装配的模型，奖杯陈列室，戏服更换场地，30-英尺高的匈牙利树峰，那一天我们还看到了精力旺盛的Robert Pattinson，沉着冷静的Clemence Poesy，让人猜不透的温和的Stanislav Ianevski——那一天我们还了解到麦克纳威尔正策划把一个单调乏味的场景变得热闹非凡。

Truth speaks not to these perverse beings :— her voice can only be heard by generous minds accustomed to reflection, whose sensibilities make them lament the numberless calamities showered on the earth by political and religious tyranny — whose enlightened minds contemplate with honour the immensity, the ponderosity of that series of misfortunes with which errour has in all ages overwhelmed mankind...

真理并不会在那些刚愎自用的人身上显现：自然的声音只能被宽阔慷慨的心灵所听见并产生反应，他们的感性，使之悲悼地球上由政治与宗教专制而起的无尽的灾难之中ーー启蒙的心智在无限的荣耀下冥想苦思，那一连串的的灾难其沈重，那世世代代的错误，掩没了全人类。。。

Thus there are multitudes of men and women who though living in the world are not of it, who have no liking or taste for worldly display, though often compelled by their position, social or otherwise, to assume it, who avoid worldly advancement or honour not out of pusillanimity, but out of unconcern, or contempt, or knowledge of its danger; who, with opportunities for pleasure, practise penance, sometimes of the most rigorous character who would willingly, if it were possible, give up their lives to works of charity or devotion, who love the poor and dispense alms to the extent of, and even beyond, their means, who have strong attraction for prayer, and who withdraw from the world when it is possible for the meditation of divine things; who frequent the sacraments assiduously; who are the soul of every undertaking for the good of their fellow -men and the glory of God; and whose dominant preoccupation in the advancement of the interest of God and the Church.

因此有众多的男人和女人谁，虽然生活在世界上是没有的，谁不喜欢或品味为世俗显示，虽然往往强迫他们的立场，社会或否则，承担它，谁避免世俗的提高或荣誉并非出于pusillanimity ，而是出于漠不关心，或蔑视，或了解其危险；谁，有机会很高兴，实行penance ，有时最严格的性格谁会心甘情愿地，如果有可能，放弃他们的生命工程慈善或奉献，谁爱穷人和免除施舍来的程度，甚至超越，他们的手段，谁有强烈的吸引力，祈祷，以及谁退出，世界时，是有可能的冥想神圣的事情，谁频繁圣礼刻苦；谁是灵魂，每一个承诺为好，他们的同胞男子和神的荣耀，而且其优势专注在提高的利益，上帝和教会。

The actors made their entries and exits unobserved or unthought of; at certain conventional moments, the spectators would suddenly cease their conversation, or rouse themselves from their musings, to listen to some brilliant effort of Moriani's, a well-executed recitative by Coselli, or to join in loud applause at the wonderful powers of La Specchia; but that momentary excitement over, they quickly relapsed into their former state of preoccupation or interesting conversation.

在某些照例应静听或是鼓掌的时候，观众们会突然停止谈话，或从冥想中醒过来，听一段穆黎亚尼的精彩的唱词，考塞黎的音调铿锵的道白，或是一致鼓掌赞美斯必克的卖力的表演。暂时的兴奋过去以后，他们便立刻又恢复到刚才的沉思状态或继续他们有趣的谈话。

Supported by Freud"s psychological analyses and archetypal criticism of Frye and C. C. Jung, the main body of the thesis firstly analyzes the deep reason for the phantom battle. Charles"s jealousy for James and the phantom pursuit of Hartley take their initial in his transferred "Oedipus complex" towards his aunt. Secondly it presents the artistic means Murdoch employs in the novel, dealing with the language confrontation, and such archetypal images as sea serpent and seals. Lastly, the study reveals how Charles fulfills his spiritual maturity through "down-up experience","the last baptism" and "meditations on stars".

论文主体以弗洛伊德的精神分析理论，弗莱和荣格的原型批评为支点从三个方面着手，首先分析导致查尔斯虚幻之争的深层缘由，阐述查尔斯对詹姆斯的嫉妒和对哈特莉梦的追寻源自对婶婶的"俄狄浦斯"情结；进而重点分析默多克呈现兄弟虚幻之争所运用的艺术手段，其中包括言语对抗，"海怪"，"海豹"等原型意象分析；最终揭示查尔斯如何通过"坠落经历"，"最后的洗礼"，"对星星的冥想"等完成自身的精神成长。

The first part unbearable weightiness in lifeHe experiences unbearable suffering in his life because of his disability, so hemainly employs disable as topic in his early writings to excessively depicthandicapped's painfulness and gloominess which others can not understand and theirdesires to death when pursuing the light in plight, expressing the feelings of despair,haphazard and mysterious but ignore the body's ailment caused by disability.Meanwhile he also expresses that these disabled people are not self-abandoned but tryto seek the way of self-salvation.

第一部分生命之中难以承受的重躯体的残疾使他经历了生命之中难以承受的重，早期作品中多以"残疾"为主题，对由残疾引发的肉体上的病痛投入了微乎其微的关注，而浓墨重彩地描写了残疾人不为常人所理解的苦痛和难以言说的郁闷，以及他们陷入困境之中左右突围难觅光明之途时对死亡的冥想和渴望，并在思忖自身苦难的过程中对命运产生了无可奈何的荒诞感、偶然感和神秘莫测感。

The explanation of it is that it is nothing else than the outcome of the natural religious instinct of man to withdraw from the world for meditation, prayer, and spiritual improvement instances of which might be cited among the ancient Greeks and Hebrews, and among ourselves in the Brook Farm and other American experiments.

的解释是，这是没有其他比的结果，自然宗教的本能男子退出，为世界的冥想，祈祷，和精神文明改善的实例可能引之间的古希腊人和希伯来人，和我们之间在小溪农场和其他美国实验。

Mr. Ciorgio de Chirico is the creator of Italy modern painting art Pittura MetaHsica . His paintings are peace and filled with secret and dreamy, trace out a lonely space with riddle.

乔治欧·德·基里可是意大利现代绘画形而上派的创始者，他的神秘梦幻的、糅合造型思考的静寂画面，描绘出谜样的孤独空间，是冥想中的&心象风景&。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。