写满

I pondered for a long time for the wild apricot write such a poem: in March, your hard Zhigan flashing red / bright flowers, full of festivity Yang / first ray of morning breeze in your Zuiwo Hong Hing / The first round of the Rising Sun will be your rainbow dream sublimation / At this point, you do not calm / dry thin soil slopes of the low-lying land is also very attractive / just because you have scattered red cherry / let loess experienced a glorious wedding / apricot, you have a wild wild long plant / plush velvet acid fruit revealed the life experience of your / you're just waiting for June where Tiantiandixiao the / could be your heart is still sealed so bitter / This is what you do, wild apricot / dedication of the fruit, after the dedication of the nuclear / and you are shaking like that golden leaves / quietly falling.

我思索的久了，为野杏树写下这样一首诗：三月，你坚硬的枝杆闪着红光/耀眼的花朵扬满喜气/第一缕晨风醉卧在你的香馨里/第一轮旭日将你的霓梦升华/此时，你不平静/干廋的土坡洼地也很迷人/只因你散落的红樱/也让黄土经历了一次光彩的婚礼/杏树，你着野生野长的植物/毛绒绒的酸果表露出你的身世/只等六月里你甜甜地笑了/可你密封的心仍是那样苦涩/这就是你吗，野杏树/奉献了果，奉献了核之后/你又是那般摇着金黄的叶子/不声不响地飘落。

During this time, Ross undertook occasional scoring assignments on his own, achieving modest success with titles such as "Look Who's Talking Now"(1993),"The Little Rascals"(1994),"Tin Cup"(1996),"The Evening Star"(1996) and "My Dog Skip"(2000), but really came into his own in 2002 when he wrote the score for "Tuck Everlasting", and adapted and conducted John Williams's music for the second Harry Potter film,"Harry Potter and the Chamber of Secrets".

这种情况主要应该是由於John Williams今年的档期太满，时间压力太紧迫所致。不过两部史匹伯电影（＜关键报告＞与＜神鬼交锋＞），加上两部已经写出出色根基的续集电影（星际大战二部曲与哈利波特续集），说真的，你要John Williams推掉哪一部才好？

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。