写实绘画

More important, ZHOU DUO REN's sensitivity to colorful city life and innervation rhythn make him not choose nowdays popular picture drawings and paint realistically writings, but choose abstract demonstrating manner style.

值得关注的是，对都市生活缤纷的色彩和动感的节奏的敏感使周多任没有选择当下流行的图示性绘画和写实语汇，而是选择了抽象表现性的表达方式。

Wang Xingjie's entirely self-taught painting then reaches the same goal with the academism formation system.

前言通过长达十多年的绘画实践，王兴杰发展出了带有他个人特点的符合规范的写实造型体系。

Their common feature is deviating from the traditional road of painting realistically, and abandon traditional principle of"art imitating nature". They emphasize expressing own incenter feeling and rebel the traditional paintings.

它们共同的特点是开始背离写实的道路，抛弃了传统的"艺术模仿自然"这一原则，注重表达自己的内心感受，掀起了对传统绘画的反叛。

This article is closely focus on the development and inditement of the classical realistic oil painting in China, it expatiate the concept and category of the " classical realistic oil painting in China", and make a brief review of the spread and sprout of the earlier period European classical oil painting in China, it also analyze the status which realistic painting predominate the whole condition of painting for a long period, it had an impact on the inditement of classic realistic oil painting in China over a long period of time.

本文紧紧围绕中国古典写实油画的发展与创作这一中心，阐述了"中国古典写实油画"的概念与范畴，并简要回顾欧洲古典油画在中国的早期传播、早期萌芽，分析了写实性绘画长期占主导地位的状况对中国古典写实油画产生的重要作用。

The second part mainly discussed the development and status of contemporary Western and Chinese realistic painting.

第二部分前半部分主要论述了当代西方和中国写实绘画的发展形态和状况。

Tried to make each elements meaningful in the sculpts that is the key point for me to show the life in the realistic painting.

尽力使造型中的每一个因素都具有意境，这是我寄予写实绘画的生命所在。

In this paper,the formation of his view in art and creation techniques are analyzed in detail from three Avigdor Arikha's painting periods(abstraction period,turnaround period,and representation period) to understand the development of occidental representationalism.

最终，阿利卡从抽象艺术领域的成功走向了具象写实绘画领域的成功，而他的艺术观念与创作手法也使我们对具象艺术的发展与魅力有了更深层的理解，并从中体会到生命不息，探索不止的精神。

Under the influence of all these techniques and forms mentioned above, Syncretic painting depicts realistic, exquisite, complanate and flamboyant particularity.

中国绘画的装饰性色彩与西洋绘画的写实性色彩相结合，在描绘物象固有色彩的基础上，淡化了中国绘画色彩类型化的特征，效果更加丰富、浓郁。

His concept of creation of painting. In his opinion, pure painting art has to be relative to lives and unpractical. And an artist should have a respectable character as well as skillful techniques. He thought the Chinese painting was more subjective and metaphysical but the western one is more objective and realistic. Feng had great achievement on cartoons because it was the kind of painting that relied on simple brushworks, meaning, symbols, and literary which all correspond to his principles.

二、绘画创作理念：在绘画艺术方面，丰氏认为其要与生活相关联，并且不具有实际之效用，方才是纯正之绘画艺术；而艺术家除了具备巧妙的技法之外，更重要的是要具有高尚的人格；在中西绘画方面，丰氏认为中国画较主观、写意，西洋画则较客观、写实；而因为认为漫画是简笔而注重意义的一种绘画，并具有象徵性、文学性，最符合其作画原则，因此丰氏在此领域著墨最多，成就也最高。

After the Renaissance and classical art oil paintings, the ancient Greeks to the present, and a rational first time the scientific spirit with the combination experienced a revival of ancient Greek art of the Third Rome, the climax, that is, beginning in the 14th century to the realism of Renaissance painting scientific language model, the 17th century, Poussin and the cause of the birth of norms Institute, to begin in the second half of the 18th century, the third revival of classicism, construction and improvement of Western oil painting reproduction of classical rational language system.

文艺复兴及其之后的古典油画艺术，把古希腊人本主义、理性至上与时代科学精神相结合，经历了对古希腊罗马艺术复兴的三次高潮，即开始于14世纪的文艺复兴运动对写实绘画语言模式的科学化，17世纪的普桑主义导致学院规范的诞生，到开始于18世纪下半叶的第三次古典主义复兴，建构和完善了西方古典理性再现油画语言体系。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。