写实绘画

The core of this paper is the "formal language of realistic painting" which consists of seven parts.

本文所论述的核心即"写实"绘画的形式语言，共分为七个部分。

Minimalism,it derived from the nonobjective painting sculpture,which springs from an art genre in 1950s America.

而简约风格，源于上世纪60年代当代美国一个艺术流派兴起的一种非写实绘画雕塑。

The basic function of realistic painting is to change people and the way they observe.

谈到绘画本身，写实绘画最根本的作用是改造人，改造我们的观察方法。

Realistic Painting is a painting style that illustrates persons, scenes, and objects what they are in real life.

作为再现艺术的写实绘画，是以写实手法为主的绘画形式。

The aim of my efforts in painting is to endow the realistic painting of a concrete scene with strong spiritual ideal value, great respectfulness for humanity as well as most respectful review of the universal value of the human history of mankind.

我在绘画中所作的努力在于使具象写实绘画具有强烈的精神理想价值，人性的崇敬感和对人类人文历史普遍价值最具敬意的回顾。

We can apprehend Wyeth 's realistic painting from two perspectives. On the one hand, in terms of technic, his realistic painting is based on the inheriting of European tradition, especially represented in tempera.

他的写实可以从两个方面理解：首先，在技法上，他的写实绘画是建立在继承欧洲传统的基础上的，特别是在蛋彩画中表现的尤为明显。

The essay tries to probe into internal source of the appearance and development of the movement of Impressionism by analyse the artistical features of traditional painting and analysing the artistical features of Impressionism, Neo-impressionism and Post-impressionism ,to show how the impressionism has developed step by step from the traditional descriptive art whose feature is to emphasizing the natural characteristic of art and the feeling of artist, and to realize that the stage which comes from tradition to morden in history of art never be overlooked.

本文试图通过分析传统绘画的艺术特色，探寻印象主义运动产生及其发展的内在根源；通过分析印象派、新印象派和后印象派的艺术特色来展示印象主义如何从以再现客观世界为特点的传统写实绘画逐步发展到具有现代特征的注重绘画本体特性和艺术家个体主观感受的这一转变过程，从而重新认识印象主义这样一个由传统走向现代的艺术史上不可或缺的一段历史。

In his realistic portrayal of the grand scene, the painter did not stick to Western sketching, perspective and color rules.

在写实手法的描绘中，画家在透视和色彩的处理都没有严格地按西方写实绘画中的素描要求

In his realistic portrayal of the gr and scene, the painter did not stick to Western sketching, perspective and color rules.

在写实手法的描绘中，画家在透视和色彩的处理都没有严格地按西方写实绘画中的素描要求

In his realistic portrayal of the grand scene, the painter did not stick to Western sketch ing, perspective and color rules.

在写实手法的描绘中，画家在透视和色彩的处理都没有严格地按西方写实绘画中的素描要求

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。