写作艺术的

Facing the banal situation in which the new poetry is misunderstood and controlled by the postmodern strategy of writing, this paper argues for the possibility of reconstructing the poetic "historical imagination" in order to enable the modern Chinese poetry to regain and then to preserve the vitality of historical existence and the artistic quality of avant-gardism.

面对新世纪诗歌在误解或简缩的"后现代"写作策略制导下所出现的平庸局面，本文提出重铸诗歌的"历史想象力"这一写作理念，以使现代汉语诗歌重获并保持真正的历史生存承载力和艺术上的先锋品质。

Whitman's brilliant work changed art, and changed what could be discussed in art with his bold and bawdy epic poem.

惠特曼的这部显赫的史诗著作以其大胆的写作方式改变了艺术和艺术中可被讨论的话题。

Benjamin Britten (1913 - 1976) was a famous composer, conductor and pianist in the modern United Kingdom.

本文选择英国著名作曲家、指挥家、钢琴家本杰明·布里顿(Benjamin Britten，1913.11-1976.12)早期器乐作品中一部较有影响力的作品《小提琴协奏曲》op.15为研究对象，通过对该曲产生的历史语境的考察与解读、写作技法的分析、试图做出对该曲历史地位与艺术价值的评价，并在此基础上进一步探寻作曲家早期的创作观念和创作思想的形成成因，以及早期的音乐语言和风格。

By checking the historical texts as the notes, poems, essays of the contemporary and later intelligentsia, also including the concerned local chorography, art history literature and the collectors' opinions, this paper tries to analyze why the women artistic practices were so vital and how they were recorded in such a historical context, what's their feature and position in the art history.

本文通过对当时文人的笔记、诗文集，以及画史和地方志等文本中有关晚明清初女画家的写作或记载，通过对当时文人或鉴藏家有关她们艺术作品的题跋、评论和鉴藏，来分析探讨晚明清初江浙地区女性绘画蓬勃兴起的原因，女画家及其艺术进入历史的途径，以及女性绘画的特色及其与艺术传统的关系。

This essay tries to anylize the artistic style of O.Henry's Short stories from his writing backgrounds, themes and words manship.

本文从他作品的写作背景、主题思想、创作艺术加以剖析，以达到研究欧亨利小说艺术风格的目的。

As for the writing technique, influenced by Lu Xun's realistic writing tradition and satirical way, the writers produced a large number of works to expose Japanese barbarical invasion and Kuomintang oppressive rule, making an important contribution for the Anti-Japanese War.

在作品写作手法上，国统区作家受到了鲁迅的现实主义写作传统和讽刺艺术手法的影响，创作了大量揭露日寇野蛮侵略和国民党黑暗统治的作品，为抗日战争做出了重要贡献。

As for the writing technique, influenced by Lu Xun's realistic writing tradition and satirical way, the writers produced a large number of works to expose Japanese barbarical invasion and Kuomintang oppressive rule, making an important contribution for the Anti-Japanese War.

在作品写作手法上，国统区作家受到了鲁迅的现实主义写作传统和讽刺艺术手法的影响，创作了大量揭露日寇野蛮侵略和**黑暗统治的作品，为抗日战争做出了重要贡献。

He converges narratability, emotion and intellect. He is spontaneous to conduct an investigation in Writing Theory, such as how to choose the theme, conceive an essay etc. The written language and imagoes in his production were provided with inimitable artistic style.

王鼎钧对写作和文学理论的探索及实践有着高度的自觉，对文章题材的来源及取材方法、文章如何构思等写作问题有着较为系统的研究，他的创作语言和作品意象都具有独特的艺术风格。

However, because of the ever combination of literature and market in the circumstance of market economy , they are becoming the market's dependency and becoming self-copying gradually in the aspect of the writing means and vulgarizing in art in the meanwhile .

但是在市场经济条件下，她们的写作在与市场的融合中，沦为了市场的附庸，同时在写作上滑向不断地自我复制，在艺术上走向了低俗化。

Part two: Main body, expounds the development of the new period fiction"s introduction from, reference to and fusion with western modernistic fiction, of the breakthrough of the original aesthetic norms and of conducting the "modernity" of the new research of fictional style. The development is as follows: beginning from exploring the artistic forms and skills, it self-examines the history, searches for the meaning of life, and calls for the realization of certain "personality", i.e. spiritual freedom; then, adopts the spirits of modernistic literature, searches for and sublates our national traditional culture; cares for the modern people"s specific mental states and makes inquiries for the meaning of life; then, revolutionizes the textual narration, reveals the doubt about the man"s subject exposed in the theme of works, describes directly the problems of the man"s subject itself, inquires the reality and possibility of the subject"s being, and uncovers the complexity of the modernistic central proposition: man"s anxiety and his essence.

本论部分，论述新时期中国文坛对西方现代主义借鉴、吸纳、融合，突破原有的审美规范，进行小说文体新实验的发展历程——即从艺术形式、艺术技巧的探索开始起步，反思历史、探索&人&的意义；在对民族传统文化的寻找与扬弃中，重建民族的&文化&主体，以走向现代世界；关注现代人的精神状况，揭示社会的贫乏、专横、庸俗、虚伪和窒息的一面，寻求生命的意义与价值；通过文本的叙述革命，揭示作品对人这一主体的怀疑，在小说中直接描写&人&本身所存在的问题，以及人自身本质的复杂性；对城市化、世俗化生活的窥望与期冀，对其作品中多元化的欲望进行透视，揭示当今社会中人的现代主义的虚无与后现代式的焦虑，指出其书写的局限与精神提升；论析女性作家&个人化&躯体写作的意义、特色以及女性作家个人化写作的精神困境。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。