再起

Hop here,pick up a pen and hop back.

跳到这里，捡起一支钢笔再跳回去。

If------ By Joseph Rudyard Kipling If you can keep your head when all about you Are losing theirs and blaming it on you; I f you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or, being lied about, don't deal in lies, Or, being hated, don't give away to hating, And yet don't look too good, nor talk too wise; If you can dream---and not make dreams your master; If you can think--- and not make thoughts your aim; I f you can meet with Triumph and Disaster And treat those two imposters just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to broken, And stoop and build 'em up with worn-out tools; If you can make one heap of all your winnings And risk it on one turn of pitch-and toss And lose, and start again at your beginnings And never breathe a word about your loss; I f you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will, which says to them: hold on!

翻译成中文就是假如——假如你能——在别人不知所措却对你横加指责的时候，保持清醒的头脑；假如你能——在所有人都怀疑你的时候仍然相信自己，并能体谅别人对你的怀疑；假如你能等待且又充满耐心，或者，从不用谎言去应付谎言，也不用仇恨去回击仇恨，既不故作正经也不夸夸其谈。假如你充满梦想——但绝不做梦想的奴仆；假如你勤于思考——却不把思想当作目标；假如你能——在遇到胜利和困难时态度同样平静；假如你能容忍你所说的真理，被无赖用作捕捉愚人的陷阱，或看着你所献身的事业轰然倒塌，你能屈身拾起残破的工具把它们重建。假如你能——把所有赢来的筹码都押在一把赌注上，输光后仍能重新再来，且对输赢只字不提。假如你能——在运气不佳身心俱疲之时，仍能全力以赴抓住机遇，在一无所有只剩意志支撑的时刻，咬牙坚持到底。

B: No problem. Hollywood's cute guy, became superstar after Titanic,earlier in his life starred inGrowing Pains as a teenager TV star and

A厄，说起jack也就是现实生活中的：里奥纳多迪卡普里奥，他可谓是一个咱们再熟悉不过的好莱坞偶像明星。

During myocardial ischaemia and reperfusion, IL-8 was produced and increased gradually. MP can inhibit the production of IL-8 and reduce the myocardial inflammatory injury, and may play a role in protecting heart.

大鼠在心肌缺血/再灌注中可以产生IL-8，并有逐渐递增的趋势，甲基强的松龙可以抑制IL-8的产生，减少心肌的炎性损害，起保护心脏的作用。

During the years after 1904, when the Chartreuse trademark belonged to Compagnie Fermiere de la Grande Chartreuse, the liqueur made by the monks was called "la Tarragone".

太多了，不翻了。再化解一个疑问就暂时为止吧，那就是为什么现在修道院做起生意来了？

To accomplish this on the industrial lock stitch machine a few stitches are sewn and then, with both the needle and presser foot in the raised position, the fabric is brought forward and restitched.

这道工序可在工业锁针缝纫机上完成。在开始处先缝纫几针，然后抬起针和压脚，面料倒放，再缝纫几针。

To accomplish this on the industrial lock stitch machine a few stitches are sew n and then, with both the needle and presser foot in the raised position, the fabric is brought forward and restitched.

这道工序可在工业锁针缝纫机上完成。在开始处先缝纫几针，然后抬起针和压脚，面料倒放，再缝纫几针。

To accomplish this on the industrial lock stitch machine a few stitches are sewn and then, with both the needle and presser foot in the raised position, the fabric is brought forward and re stitched .

这道工序可在工业锁针缝纫机上完成。在开始处先缝纫几针，然后抬起针和压脚，面料倒放，再缝纫几针。

To accomplish this on the industrial lock stitch machine a few stitch es are sewn and then, with both the needle and presser foot in the raised position, the fabric is brought forward and re stitch ed.

这道工序可在工业锁针缝纫机上完成。在开始处先缝纫几针，然后抬起针和压脚，面料倒放，再缝纫几针。

As they got away from the land, the wind increased very much, and came in strong sharp cold gusts which made it necessary first to take in the gaff-topsails, and then one reef and then another in the mainsails.

他们启航时风力迅速加大，海面上吹起了刺骨的强风，人们需要首先收起顶帆，然后收起一个缩帆部，再收起主桅帆的缩帆部。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。