再者

Furthermore, this thesis taking the legpull as a kind of rebellious practice analysises its types, puts forward that the legpull annotates the elite culture by making use of drama imitation and means of unbonnet, so that the public can achieve resistance.

再者，本文将&恶搞&播客看作播客的一种反抗性实践，分析了&恶搞&播客这种播客类型，提出&恶搞&播客利用戏仿与脱冕的方式，解构了精英文化，从而实现了草根大众的反抗。

And an impression is being formed in Washington of a presidency that is far too ready to hand over the direction of domestic policy to Congress; that is drifting either deliberately or lethargically leftwards; and that is more comfortable with lofty visions than details.

华盛顿的官员们渐渐产生了这么个印象：这届总统动不动就把国内决策的大方向移交给国会定；要么就有意无意地游向左派；再者，更喜欢高谈阔论，不注重实际细节。

Secondly, this paper analyzes the information managemental Platform design and the system structure.

再者，论文讨论了信息管理平台的设计，以及系统的结构。

Moreover, the split from the maned wolf appears to have occurred 6.7

再者，源自鬃狼的分支看来已经发生在六百七十万年前——在被人熟知之前，狼已经在南

The reduction of PAHs in descending order are adding Serpentine, Marmolite, Zeolite and ferment.

添加不同之矿石粉发现，减量效果依序为添加3%蛇泥，再者为3%蛇片、沸石，最差者为添加酵素。4。

These cases are even more interesting in the present context than the denervation atrohy, because here we see a relation between the highest level of the central nervous system and nonnervous structures of the periphery.

再者，在先天的生长案例中，还没被感染的也会污染，这种状况常常发生(Holt 1961)这状况比起没有脉落的萎缩现在的内容还有趣。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

From 'Pisuerga' winery the top quality of Cigales region.well drainage loam soil ,top with sand and clay underground made the vines to assimilate rainful smoothly, The vineyard sites benefit from altitudes exceeding 800m, resulting in long hot days in the ripeing season combined with cool night to 'rest' the vines.

产自Cigales最顶级的Pisuerga葡萄田，葡萄园表土覆著者沙土，下方是黏土质的土壤，因而雨水可以顺畅的被植物吸收，不会囤积在土壤里，再者，这里的昼夜温差大，充足的阳光和长日照以及土力肥沃的田地，都成为生产上等美酒的条件，望眼尽是40年以上老株，全天然生长，有机栽培，决不灌溉，每公顷产量1000升以下。

Thirdly, We are redoubling our efforts to standardize and improve the urban security system in this opportuniy.

再者，我们借助奥运时机开始深入规范和完善城市居民生活保证制度。

Third, on the base of Construction Grammar, this thesis not only uses metalanguage to interpret the vague event, but also retrieves the semantic components from the whole construction. In other words, this thesis postulates: although these three verbs are not full fledged pro-verbs in some cases, they behave like pro-verbs that they are 'super-lexical' morphemes and act differently from other predicates which just render a situation type for the event. For example, the frame-evoking verbs may change the situation type of an activity into a resultative state, or imply that the speaker takes business as an informal event in a rather pejorative tone.

再者，本文除了发现格式语法可以透过后设语言明确描述隐含的事件，并且可以透过对整个格式语意成分的提取，尽管在某些情况下尚不成熟，但可将这三个常项动词设定成整个语意框架内的「代动词」，换句话说，这三个动词的地位是在一般词汇之上，因为他们不像一般动词那样只给所带出的事件一个「动相类型」，而是可以提供整个语意框架较多的语意诠释：可能是一个事件状态的改变，例如：产生一个「结果状态」，或是使整个框架得到一个作说者对待事件的「角度」，例如：作说者用比较「贬义的角度」来看待该隐含的事件等等。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。