再现时间

The relative standard deviation in area obtained from time mode for berberine hydrochloride,antipyrine,sulfadimidine and sulfadiazine is 42.5%,44.5%,42.9%,45.0%,respectively.

在阐述了这种记录模式优点的基础上，用常用的硼砂和磷酸盐体系在不同的电压和固定电压下分离了4种药物，其迁移时间的相对标准偏差分别在41.5和1.90％以上，而相应的电通量的标准偏差都在1.05％以下，这进一步从实验角度证实了电通量域模式记录电泳谱图的优点：具有极强的抗电场强度波动和温度波动的能力，提高了再现性。

I argue in my paper that there are two states of time running through Tsai Ming Liang's movie, What Time is it There, a fluid state symbolized by the prevalence of water in the movie and a static state, symbolized by digital time, also highlighted in the movie: the clepsydra versus digital time in Taiwan is a symptom of Taiwan's particular historical experience of being a state of exception, as Giorgio Agamben would have it.

我在文中的论点为，蔡明亮电影《你那边几点？》全片由两种不同的时间状态贯穿而成，其一为流动的时间，以电影里随处可见的流水作为象徵，另一则是静止的时间状态，作为象徵的是片中亦不断强调突显的数位时间。就台湾的脉络而言，水钟与数位时间所形成的对比，症候式地再现了台湾作为阿冈本所称的「例外状态」特殊的历史经验。

Since the series first launched in 2002, it immediately became MIDO Mido one of the hallmarks of, All Dial series of complete continuity MIDO Mido brand and provide the vast number of consumers without the fear of time-tested classic watch, and show well-known world of ancient Rome, a perfect arena for sophisticated style, the use of "eternal city" of the building structure and ingenuity, whether or dial watchcase design concepts, both to reproduce the historical traces of Roman architecture, so that All Dial series wrist watch with a high degree of openness and accessibility, in the Record at the same time the passage of time to create a great visual feast.

自2002年首次推出的系列之后，立刻成为美度的标志，所有完成的连续性美度美度品牌系列，并提供拨号没有时间害怕广大消费者测试经典手表美度之一，并显示著名古罗马，一个精致的风格完美的舞台世界里，"永恒之城的建筑结构和智慧，"是否使用拨号表壳的设计理念，既再现了古罗马建筑的历史痕迹，让所有拨号系列腕表一个开放和无障碍的高度，在记录，同时随着时间的推移，创造一个伟大的视觉盛宴。

In addition, the presentation of the plot in Beloved are discontinued by many interruptions, which, to a certain extent, may engender a sense of disconnectedness and fragmentation; however, the intrinsic connection between the novel's temporal and spatial relations does ensure an artistic entity of the novel's structure, which in turn helps the events in the novel to be clearly presented and highly linked to one another.

另外，小说《宠儿》的非连续性的情景发展在一定程度上造成了小说结构的分散和不连贯，但小说中时间和空间的内在联系如蓝石路124号和发生在那里的事件，不仅确保了小说拥有明晰故事结构，促进了事件的再现，还使事件与小说中时间和空间的变化保持紧密地联系。

It works in real-time as a MIDI controller as well as with files and faithfully recreates effects such as pitch bend, vibrato, tremolo, and portamento.

它在实时的时间作为一个MIDI控制器以及与档案和忠实地再现了效果，如弯音，颤音，颤音，滑音。

The musical sensibility is apparent in the recurrence of certain locations, sounds, and camera setups; in the lightning-quick shot of the collapse of a tent, effected by Norbu's accomplice in the first horse theft that we see; in a remarkable sequence devoted to Norbu's extended praying and prostrations, which hypnotically combines camera movements and superimpositions with a use of other human figures that ambiguously alters our sense of his isolation; in the slow drip of water from melting snow that Norbu catches in a jug to bring to his ailing child; in the intricately structured sequence showing the clan's westward migration, as fine a piece of epic poetry as some of the grander collective movements in Ford; and above all, in the depictions of the Buddhist ceremonies and rituals, which are themselves patterned like musical structures.

在再现某些地点、声音和摄影机设置时，音乐感是显而易见的。快如闪电地拍摄一个帐篷的倒塌，这是我们所见 Norbu 参与到第一次盗马时所弄倒的； Norbu 长时间的祈祷和不断俯卧拜倒成就了一个标志性的场景，用了其他几个人物形象恍如催眠式地将摄影机运动和叠印一起使用，就这样含糊地改变了我们对他孤立的感受；Norbu用水壶接住融化的雪缓慢滴落下来的水，这是要带回去给他生病的小孩；复杂结构的场景展现了宗族的西迁，总之，佛教庆典和仪式的描写，其本身形式就很像音乐结构。

Current, school of vast rural area teachs equipment to return diseased circumstance to fall in report, introduce umbriferous, telerecording classroom, break through the advantage of time, space, macroscopical, microcosmic limitation with its, emersion of visual image ground is objective thing, it is one of effective education measures of " of life of " press close to.

目前，广大农村学校在电教设备还不健全的情况下，把投影、电视录像引入课堂，用其突破时间、空间、宏观、微观限制的优势，直观形象地再现客观事物，是&贴近生活&的有效教学手段之一。

In the scientific system, the perception is not entirely passive rather than a demand of "expression", as the same as in the mythical and scientific system, then gradually appear some diathesis of representation. These two diatheses are combined as the idea of the space-time of the objectives and the notion of things and their attributes.

在科学体系中，&知觉&并不全然是被动的，而且和在&神话&与&语言&中一样，首先是一种&表达&的要求，然后逐渐增加&再现&的因素，这两种因素的结合，形成作为知识对象的空间、时间以及事物和属性的观念。

The results of this study indicate that: 1 the post–surcharge secant secondary compression index decrease with the increase in surcharge ratio; 2 the amended post-surcharge secant secondary compression index also decrease with the increase in surcharge ratio; 3 time at which secondary compression reappears increases with the increase in surcharge ratio; 4 the post-surcharge secondary compression strain rate under the same final load with surcharging and without surcharging have a linear logarithm to logarithm relationship.

根据研究的结果显示：1超载比愈大，后超载割线二次压缩指数所受到的折减愈大，表示对软弱粘土的二次压缩沉陷量改良效果愈好；2修正之后超载割线二次压缩指数亦随超载比的增加而折减；3二次压缩再现时间与超载比的关系显示，增加超载比会延迟二次压缩再现的时间并可将分析结果以一均值曲线表示； 4对后超载应变速率分析发现在相同最终载重，未受超载作用与受超载作用的二次压缩应变速率呈现一双对数的线性关系。

In order to unsterdand the properties of rebound and recompression, this study carried out oedometer tests for six soft clays with three surcharge ratios to simulate surcharging. Properties analyzed in this thesis include: 1 post–surcharge secant secondary compression index; 2 amended post- surcharge secant secondary compression index in which the time starts from load application; 3 time at which secondary compression reappears; 4 post-surcharge secondary compression strain rate.

为探讨软弱粘土於超载移除后的回胀与再压缩性质，本研究利用传统单向度压密试验仪对六种土样分别进行三种超载比的超载单向度压密试验，并分析所得结果，分析方法包括：1评估后超载割线二次压缩指数；2评估修正后超载割线二次压缩指数，将后超载的时间原点改为由加载起始时起算；3评估二次压缩再现时间与超载比的关系；4评估后超载二次压缩应变速率之特性。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。