内硬膜

Spikelets protogynous, strongly laterally compressed, floret 1, falling entire from pedicel; rachilla extension absent; glumes equal,± equaling and enclosing floret, broadly lanceolate to oblong, membranous to thinly leathery, prominently 3-veined, strongly keeled, keel usually ciliate, infrequently winged, lower margins almost free or connate for up to half their length, apex obtuse, acute or shortly awned; lemma broadly lanceolate to ovate, usually thinly membranous, keeled, obscurely 5-veined, smooth, glabrous, lower margins often connate, awned from lower back, apex truncate to acute; awn straight when short or geniculate when longer, column smooth, usually twisted at maturity, bristle scabrid; palea absent or very small.

雌蕊先熟的小穗，强烈侧面压扁，小花1，从花梗那里变为全缘；小穗轴扩展缺席；颖片等长，多少等长和包围小花，宽披针形的到长圆形，膜质到薄革质，显著3脉，强烈龙骨状，外稃宽披针形的到卵形，直的芒什么时候短或者膝曲长时间，顺利的柱子，通常成熟时扭曲，粗糙的硬毛；内稃缺席或者很小。

Spikelets laterally compressed, lanceolate-oblong, florets several, contiguous; rachilla scaberulous, disarticulating above glumes and between florets; glumes slightly unequal, upper nearly as long as spikelet, firmly membranous, keel scaberulous, apex abruptly acuminate, lower glume 1–3-veined, upper glume 3–5-veined; lemmas broadly lanceolate, thinly leathery, rounded on back, 5–7-veined, veins smooth, not raised, scabrid above middle, apex scarious, usually 3-denticulate, sometimes mucronate; floret callus subacute, bearded laterally with stiff hairs; palea subequal to lemma, narrow, flat, apex sharply 2-denticulate.

小穗侧面压扁，披针形长圆形，小花数个，邻接；小穗轴高于颖片微糙，脱节和在小花之间；颖片稍不等长，上面近等长小穗，坚定膜质，龙骨状，先端突然渐尖，下部颖片1-3，上面颖片3-5－脉；宽披针形的外稃，在背面上薄革质，圆形，5-7－脉，平滑的脉，不凸起，在中部以上，先端，通常3－具小齿，小花结茧稍尖，用硬的头发侧面公然反对；内稃近等长于外稃，缩小，平，顶明显2－具小齿。

Within is a cavity more or less filled with an aromatic mass of double walled, membranous sacs containing orange-colored, pulpy juice and as many as 250 small, hard, dark brown or black, pitted seeds.

内是一腔或多或少充满芳香大规模双寨，囊膜含有橙色，果肉果汁以及多达250个小，硬，黑褐色或黑色，对立的种子。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。