内涵的

Therefore, the spirit and connotation in the design are getting more and more abundantly.

因此，产品设计中的精神和文化内涵更趋于丰富。

The result come from the amended adjudge criterion is according to the result of factual investigation.

根据实际情况具体修改指标内涵，对南岳外来入侵植物红花酢浆草危险性程度评价的结果与实际走访调查评估完全相符。

Proceed with is defined from its in article, elaborated the accused to assume basis of the connotation of quote responsibility, limits, law and reason, analysed quote time limit and its rationality, collect evidence and the accused delay to offer to accuser, witness to the accused proper motion, adminicle problem undertook detailed specification.

文中从其定义入手，阐述了被告承担举证责任的内涵、范围、法律依据和理由，分析了举证时限及其合理性，对被告自行向原告、证人收集证据和被告延期提供、补充证据新问题进行了详尽说明。

The objective of rhetorical teaching is to reflect the truth of affectional attitude, the beauty of language literature and the goodness of life intention.

而修辞教学的目的在於体现情意态度之真，语言文学之美，生命内涵之善。

The content meaning then point" the affixture is in the meaning of the concept meaning".

内涵意义则是指"附加在概念意义上的意义"。

Treating the humanism spirit as the thread, this paper concludes the intension and extension of the humanism spirit by comparing the soul of humanism spirit in the China and foreign countries, and then explains them from three parts: the true, the selflessness and the beauty. First, the content of writings expounds the essence of human nature, human rights and humanism that are the intensions of humanism spirit. Second, the purpose of writings reflects intensively the special and active method of constructing the author's morality by analyzing the connection of humanism and religion in thewritings of Bajin, and obvious religious sensibilities of Bajin. Third, from the viewpoint of artistic style, we can get the conclusion that the buskin style of Bajin's writings has close relations with humanism spirit by the method of inducing the buskin style of his writings.

全文以"人文精神"为根基和线索，首先通过梳理和比较中西人文精神传统及精髓，确定了巴金作品人文精神的内涵和外延，然后以此为统领，从真、善、美三个方面展开论述：从巴金作品的内容上看，它对人性、人权、人道作出的真理性阐释，恰恰就构成其"人文精神"的具体内涵；从创作意图看，通过分析巴金作品人文与宗教的相互关系及其流露的鲜明的宗教情感，从而突显出其特别的、积极的理想道德建构方式；最后从艺术风格看，通过归纳其作品的悲剧范式，亦得出了巴金的悲剧风格与人文精神旨向密切统一的关系。

By the introducing the concept of embodied alterity as the original experience of religion, Thomas Csordas asserts that 'outside of horizon' will be the most essential resource of religious experience, that, according the views of French post-structurism, religious feeling pour out involuntarily.

本研究采用宗教现象学的取向，借重Thomas Csordas的引介，将异己性（他者性，alterity）作为圣世界的经验溯源，而以乔治巴塔耶的宗教理论为主要的发展核心，试图从实徵与理论两个层面包抄，发展癌末处境的圣世界之内涵，其中最具关键的问题在於(1)圣世界经验的发生应先排除语言的干预，使圣世界的发生完全在真切经验自然涌出：(2)圣世界经验的源头应为「域外」，那是非领域、非知，因此，研究问题遂在於「域外何以发生」；(3)圣世界的形成，本质上被假设为「异质跳接」，所以圣世界的复合逻辑应是由常人、医疗、宿缘以及无缘他者四者的逻辑平面交叠、挤压而形成多重皱摺，本研究试图通过病房田野，以实徵资料解明复合逻辑的内涵。

Results indicated the following: When selecting sites, location or transportation time was the most important factor, followed by the organization's professional resources or personal professional interests. After entering the sites, interns needed to define their roles as the placement position could be experienced as ambiguous, conflictual, powerless, alienating, and even nonexisting. Internship experience allowed interns to better understand the substance and ecological environment of the counseling psychology profession, as well as the roles and functions of counseling psychologists. These experiences have significant impact on the career development of interns.

研究结果发现：实习心理师选择实习机构时，首要考量地点或交通时间的因素，在优先考量此项因素后，机构的专业资源或个人的专业兴趣依序为两项最重要的影响因素；实习心理师在进到实习场域时有不同角色与位置的体会，包括：虽有位置，却是一个「不容易的位置」，其内涵含括角色位置的模糊、冲突、弱势、以及疏离、以及「没有位置」的位置；驻地实习经验让实习心理师更清楚谘商辅导的内涵、环境与生态，也更了解助人工作者的样貌、角色与处境，也因为这样的看清，对他们未来的生涯产生相当关键的影响。

Abstract］This paper studies the animation industry by exploring European animation festivals panoramically from the perspective of aesthetic economy and space economy. It is found that semiotic products with great semiotic meaning are not a kind of transcendental presentation but daily reality in the aesthetic economy and space economy era. The animation industry, which is focused on cultural and creative content producing, is a rising industry in which the animation festival is not only the exhibition of traditional commodities but also a creative arena of meaning produce. The restructuring of place for European animation festivals is followed the basic requirement of aesthetic economy and space economy, since the festivals add new semiotic meaning and cultural elements to the original places.

从审美经济、空间经济的视角，以动漫节为研究对象，对欧洲动漫产业发展所形成的文化与市场景观进行一种全景式的考察后，可以发现：在审美经济的时代，以符号意义为主的符号产品不再是超验的表象，而是日常生活的实在；以文化创意内容为核心的动漫产业已经成为新兴产业；其中，作为符号生产与传统商品集中展示的动漫节，更侧重于深入开发动漫及其衍生产品的审美价值，使动漫节不仅仅流于纯粹的小商品集市，而在于创造更多的符号意义，丰富动漫节的多种内涵；动漫节举办地的地点重构适应了空间经济发展的内在要求，动漫赋予不少城镇以全新的符号内涵，创造了各种形态的地点神话，从而促进空间经济的城市发展。

In consideration of the complexity and deeper meaning of the prototype, and the main highlights of Lawrence works itself, this thesis mainly chooses the female character prototype of the Bible, the imago prototype of the Bible and the scene prototype of the Bible in his three representative novels mentioned above to analyze thoroughly, by adducing and contradistinguishing the Lawrence text from the Bible text, explores the connotative meaning of Lawrence\'s novels from the new point of view, digs religion culture connotation and history origin for inditing of Lawrence\'s novel, and unveils the inheriting of Lawrence to the Bible culture and the occidental literature history.

考虑到原型模式的复杂意义与深广内涵，以及劳伦斯作品本身的特点，本论文主要选择上述劳伦斯三部代表性小说中的《圣经》女性人物原型、《圣经》意象原型、《圣经》场景原型进行深入分析，通过对劳伦斯的小说文本和《圣经》文本的引证与对照，从而以新的角度探寻劳伦斯小说的深层意义，挖掘劳伦斯小说创作的宗教文化内涵和历史渊源，揭示劳伦斯对《圣经》文学和西方文学史的继承性。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。