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The secondary intension is the ordinary intension, the one to which the externalist arguments apply. It is the function from worlds to extensions that are the values of the two-dimensional function.

第二内涵是日常内涵,是外在论自变量所使用的内涵,这是从诸世界到外延的函数,而外延就是二维函数的值。

What necessarily to point out in the meantime is that, the content of "righteousness" in "righteousness and benefits are balanced" in this research is the more broader senses, not only include the content of "righteousness" of Analects, but even include the content of humaneness, royalty, trustworthiness, harmony, and so on. Under certain premises, it even equals the content of spiritual civilization.

同时,有必要指出的是,本文提出的"义利均衡"中的"义"的内涵是更加广义上的义,不仅仅包括《论语》中的"义"的内涵,甚至还内在的包含仁、忠、诚、和等等范畴,在一定前提下,甚至等同于精神文明一词的内涵。

The time's expression form and its connotation in steel manufacturing route have been analyzed.Some concepts,such as time point,time sequence,time domain,time position and time rhythm have been put forward.

对时间在流程中的表现形式及其内涵进行了系统解析,提出了时间点、时间序、时间域、时间位和时间节奏等概念及其内涵。

Pugin considered that the meaning of the Gothic Style is religious symbolization. Ruskin considered that the meaning of the Gothic Style is a perfect combination of beauty and human nature. Viollet-le-Duc considered that the meaning of the Gothic Style is the rationality of construction technology.

藉由个人论述的拆解,三位理论家的观点异同顿时浮现,普金认为哥德样式的内涵在於宗教的象徵意义,罗斯金则认为哥德样式的内涵是美感与人性精神的完美结合,维奥列-勒-杜克则强调哥德样式的内涵在於构造技术的合理性。

This paper aims at applying lexicology, semantics and pragmatics to the analysis of the flexibility and indefinity and emotionality and open-ended property which lexical connotation shares to clarify the view that the connotation of a word, in E

文摘:文章运用词汇学、语义学和语用学知识分析了词的内涵意义的灵活性、不确定性、情感性和开放性,阐明了在英语教学中词的内涵意义通过语言语境、副语言语境和非语言语境来限定和理解的观点,同时说明了文化特别是非正式文化在帮助学生理解词的内涵意义中所起的重要作用以及有助于培养学生跨文化交际意识的基本途径。

The truth condition of intensional logical formulas was worked out according to the model-theoretic definition of Intensional Logic.

MG将内涵逻辑引入语义研究,语义表达式是内涵逻辑式,从句子到内涵逻辑的转变由翻译规则来完成,然后再按照内涵逻辑的模型论定义求出翻译句的内涵逻辑式的真值条件。

In what situation during young children's sociodramatic play involved young children's negotiation behavior?

中文摘要在本研究中,幼儿所进行的是以戏剧的模式为架构之自创故事的社会戏剧游戏,即是幼儿经过故事剧情的创造、角色的设定、剧情的排演与修正,道具与布景的制作的历程,并藉协商的策略来融合同侪间彼此对游戏内涵的意见,达成同侪对社会戏剧游戏的共识,才能够建构出一具有主题剧情、角色与道具的正式社会戏剧游戏,由幼儿创作社会戏剧游戏的历程可知,此研究的情境与一般幼儿自发性的社会戏剧游戏不同。

First, to take ideology as a weapon was the starting point of the revolutionary drama-"the Left Drama"while to pay attention to human and the conflict between human and the society, which led to the probation of the connotation of the conflict consciously was the core of sub-current realism. Second, the main current realism had a strong revolutionary"proletariat"aim and political sense-objective sense while the sub-current realism focused on people and setting up characters. Third the main current realism laid too much emphasis on the sense of mission of its time which led to the tendency of formulizing and generalizing while the sub-current realism paid attention to the firm objectivity and to imitate life as their aesthetic ideal, and as a result the sub-current realism produced vigorous works. CHAPTER 4 Realistic Chinese modern drama experienced a hard and winding way of development. It was even worse after the People Republic of China was established.

本章还从三个基本方面入手,论述了主流的现实主义与非主流的现实主义内质的差异与不同的发展趋向,即作为一种武器的思想是主流的革命现实主义中&左翼戏剧&的出发点,与注重人与命运、人与现实的冲突,从而自觉追求冲突内涵的挖掘是非主流现实主义的核心;主流的革命现实主义中&普罗列塔利亚式&强烈的革命目的&目的意识论&与非主流现实主义的倾心于人物、注重人物塑造的审美原则;主流的革命现实主义所强调的时代使命感而产生的公式化、概念化倾向与非主流的现实主义所注重的客观性、以摹仿生活真实为审美理想而产生的具有生命力的话剧剧作。

Then, in order to prove that this system is an open one, the five codes and the model of connotation are used. We can draw from the analysis that, in In Chancery, on the one hand, one sign might have several connotations; on the other hand, in some cases, several signs share a common connotation.

为了证明这个系统具有开放性,又对其代码和内涵模式进行分析;结果表明:一方面,该文本中的符号具有多重内涵;另一方面,在某些情况下,多个符号又具有一个共同的内涵。

Based on the horizontal and vertical combination in formal contexts, this paper defines the independent or consistent contexts and lattices in attribute field; and also defines the horizontal addition operation between contexts or concepts and the horizontal union operation between concept lattices. In addition, we prove that the concept lattice of subcontexts horizontally combined is isomorphic to the horizontal union of sublattices of these subcontexts.

本文首先从形式背景的纵向、横向合并出发,定义了内涵独立和内涵一致的形式背景和概念格;还定义了内涵一致的形式背景、概念的横向加运算和概念格的横向并运算,并证明了横向合并的子形式背景的概念格和子背景所对应的子概念格的横向并是同构的。

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