具体主义者的

Here an attempt is made to briefly identify certain issues of revolutionary Marxism and the ways revisionism is manifested.

这里只试图对革命的马克思主义者的几个具体问题，和修正主义的表现方式进行简短的阐明。

The difference between the Malthusian pessimists and the cornucopian optimists," says Postel,"comes down to little more than an assumption about grain land productivity over the next several decades—specifically, whether yields will grow at closer to the 1 percent rate of the 1990s or the 2 percent rate of the previous four decades.

波斯特尔说：&在未来数十年內，持马尔萨斯人口论的悲观主义者和众多乐观主义者的争论焦点，不过是估测农田谷物的生产力而已。具体来说，谷物产量增长率是接近二十世纪九十年代的1%速率，还是接近过去四十年的2%速率？&

He also said:"Our dogmatists are lazybones.They refuse to undertake any painstaking study of concrete things, they regard general truths as emerging out of the void, they turn them into purely abstract unfathomable formulas, and thereby completely deny and reverse the normal sequence by which man comes to know truth."

&我们的教条主义者是懒汉，他们拒绝对于具体事物做任何艰苦的研究工作，他们把一般真理看成是凭空出现的东西，把它变成为人们所不能够捉摸的纯粹抽象的公式，完全否认了并且颠倒了这个人类认识真理的正常秩序。&

During the turn of the 20th century there was an important revival of Kant's theoretical philosophy, known as Marburg Neo-Kantianism, represented in the work of Hermann Cohen, Paul Natorp, Ernst Cassirer, and anti-Neo-Kantian Nicolai Hartmann.

在20世纪之交也出现过所谓的马尔堡的康德理论哲学的重要复兴，具体体现在赫尔曼？科恩、保尔？那托普、恩斯特？卡西尔以及反新康德主义者尼古拉？哈特曼的作品中。

During the turn of the 20t h century there was an important revival of Kant's theoretical philosophy, known a s Marburg Neo-Kantianism, represented in the work of Hermann Cohen, Paul Nato rp, Ernst Cassirer, and anti-Neo-Kantian Nicolai Hartmann.

在 20 世纪之交也出现过所谓的马尔堡的康德理论哲学的重要复兴，具体体现在赫尔曼科恩，保尔那托普，恩斯特卡西尔以及反新康德主义者尼古拉哈特曼的作品中。

The fury and cruelty of this battle is quite revealed in the figure's complexion and body, or we say that to create these faces and bodies, Yin retrospected the genealogy from Goya to Francis Bacon, including many expressionists, such as Van Gogh, Munck, Oskar Kokoschka. All these artists painted 'anxious people', their brush touches looked intense and sensitive, their paints gave a horrible sense of solidity. The faces and bodies they painted are distorted and twitched under the burden of mental nightmare, so the organs are deformed, or even blurred; in 'Myth', the mental nightmare is incarnated as a stone, a battle between man and stones. Therefore, the deformed and distorted bodies look more vivid, when man strives to raise up a stone, all his muscles and expression are in an intense condition.

这种搏斗的激烈与残酷也充分表露画中人的表情和肌体之中，不妨说，在对这些面孔和身躯的塑造中，尹朝阳回顾了一个从戈雅到弗朗西斯·培根的谱系，其中应该包括了众多的表现主义者们，例如凡高、蒙克、奥斯卡·科柯施卡，所有这些画家都绘制了&焦虑的人&，他们的笔触显得激烈而敏感，颜料有一种可怕的实体感，他们所绘制的人物面孔和身躯，都具有精神梦魇的重负之下引发出的扭曲和抽搐感，器官因此而变形，甚至模糊不清；在《神话》之中，精神梦魇具化成了石头，具化成了人与石头之间的搏斗，人体的扭曲和变形的理由因此来得更为具体，当人奋力地举起一块石头时，他全身的肌肉和表情都自然地处在极度紧张的状态之中。

Being Marxists, Communists are internationalists, but we can put Marxism into practice only when it is integrated with the specific characteristics of our country and acquires a definite national form.

共产党员是国际主义的马克思主义者，但是马克思主义必须和我国的具体特点相结合并通过一定的民族形式才能实现。

When the revisionists seized power in China in 1976 and moved to restore capitalism, for a certain period of time they not only continued to pose as communists in a general sense but more specifically claimed to be the continuators of Mao's revolutionary line and legacy.

1976年修正主义势力在中国攫取了政权并恢复了资本主义，一段时间以来，他们不仅继续标榜为共产主义者，而且还更具体的自称为毛泽东革命路线和革命遗产的继承者。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。