其音乐

Vocality, as a kind of important artistic performance, its re-creation in the performance is one of the representative characteristics and the intermedium of the whole process.

作为音乐艺术表现类别之一的声乐艺术，表演的再创造是其显著特征之一，也就是其整个实践活动的中介环节。

Coupling their graceful, intuitive musicianship with a resolute outward-bound gaze, Feathers appear ready to join the elite of the avant-folk underground, and ideally this will be the first of many passages through their peaceable, separatist kingdom.

耦合其优雅，直观的音乐，以坚定的外向型方向凝视，羽毛似乎准备加入精英的前卫民间地下，最好这将是第一个通过其许多段落和平，分裂联合王国。

Crain's music works so well partly due to its total lack of pretentiousness.

Brian Crain 的音乐作品口碑如此之好的其中部份原因是由於其完全缺乏自负。

Go Gemini its your birthday, Go Sag its your birthday, making love to booty music.

去双子其您的生日，去凹陷其您的生日，使爱战利品音乐。

But it isn't simple to "Return to the acients". According to his technique of traditional music, he was actually Brahms-Lohannes's follower. Melting the semitone and harmonic in his work each quoin, he inherited Wagner's harmonic style.

对传统音乐手法的使用，使得雷格尔不折不扣地成为勃拉姆斯的追随者；将半音化的和声语言融化在其作品的每一个角落，又使其不遗余力的成为瓦格纳和声风格的继承者。

Ryan Kisor, one of the best jazz trumpeters in the world, was born April 12th, 1973 in Sioux City, Iowa. He began playing in a local dance band by the age of ten, began classical lessons at 12, met and was inspired by Clark Terry at 15 (while attending the latter's summer jazz camp) and played with various high school all-star bands. In November of 1990 he won the Thelonius Monk Institute's trumpet competition at the age of just 17, beating out the likes of Nicholas Payton and Marcus Printup. After graduating from high school in 1991, he went to the Manhattan School of Music and later studied with Lew Soloff among others. He has recorded fairly extensively both as a leader and sideman and with small and large groups. Among the highlights; the Mingus Big Band (which still plays every Thursday night at "The Fez" under Time Cafe in NYC's east village), the Michel Camilo Big Band (which although only existed for the purpose of recording the album,"One More Once," was arguably one of the best latin big bands recorded in recent memory), the Lincoln Center Jazz Orchestra, Gerry Mulligan, Wynton Marsalis, Wycliffe Gordon, Horace Silver, and Walter Blanding.

Ryan Kisor，美国著名爵士小号演奏家，1973年4月3日生于美国爱荷华州，10岁开始学习小号演奏，1990年在美国竞争最为激烈的爵士乐比赛——Monk国际爵士乐大赛（International Thelonious Monk Jazz Competition）中击败像Nicholas Payton和Marcus Printup这样的高手获得优胜，当时年仅17岁。1991年中学毕业后，被著名学府曼哈顿音乐学院录取师从Lew Soloff先生学习小号，在学期间加入Mingus大乐队，年纪轻轻便以惊人的深厚实力成为独当一面的独奏小号手。19岁时以首张专辑《One For Miles》正式出道，而后自1994年至今一直为世界著名爵士小号演奏大师Wynton Marsalis领衔的林肯中心爵士乐团的常任小号演奏家，同时Kisor先生还受聘加入卡内基音乐厅爵士乐团以及David Matthews率领的曼哈顿爵士乐团，杰出的演奏技巧及艺术水准受到世界乐坛之瞩目，曾受邀多次出访全球各国，每次均毫无保留的展现了其精湛的演奏实力，让世界各地的广大乐迷感受到其小号的魅力。

Her breakthrough disc, Svarta Ballader, or Black Ballads, sold a staggering 60,000 copies - a huge amount for her homeland - and brought her the Swedish equivalent of a Grammy.

其经典唱片Svarta Ballader 《黑色歌谣》，一发行便在瑞典本土狂销六万张，并在当年赢得了瑞典音乐大奖，其在瑞典音乐界的地位相当于美国的格莱美奖。

MP3. Here you have the choice to browse their library of music videos, film, and free Anime MP3 downloads or sing and scream along their Internet radio station selected by Epitonic.

这里你可以选择浏览其图书馆音乐录影带、电影、动漫免费下载的MP3或沿其尖叫声及网上电台epitonic选定。

Herrmann reworked some of his rejected score into Battle of Neretva -- itself a rescore of a foreign film -- and Elmer Bernstein also used some of it in his adaptation score for the remake of Cape Fear.

Bernard Herrmann在对一些曲目进行了加工后放入了《内雷特瓦战役》的乐谱，其本身不是部美国电影，其后Elmer Bernstein在评论他对其《恐怖角》配乐所作的修正时承认了期间使用了Herrmann的音乐。

Take as a single example this easily overlooked little passage from the rondo of the 23rd piano concerto; it is, in its essence, nothing more than a functional bit of connective tissue taking us from one place to another within the movement's structure. Ten brief bars—about 10 seconds—of basic scalar material, doing its job efficiently and economically. But it is at the same time so richly and amusingly characterized, so full of piping energy, with its determined but struggling piano line climbing its stutteringly inexorable way up to the note E, punctuated along its course by deadpan commentary from the winds, sneaking in the D natural that signals the change of key with almost undetectable sleight of hand—the passage almost constitutes a miniature comic universe all by itself.

请听这段在《第23钢琴协奏曲》中常常被人忽视的回旋曲( http：//img.slate.com/media/87/7_mozart488.asf )，没有哪个功能性连结段能比它更好地仅通过乐章结构就将听众带入另一个世界，长约10秒钟的概要部分(brief bars of basic scalar material)不仅经济有效地发挥其职能，同时又表现出丰富、诙谐的特色，充满木管乐器的活力，伴随着坚决但阻碍不断的钢琴的快速音群移入E大调，其行进过程不时被管乐器部加以修饰、注解，自然而然的转为D大调，转调手法之娴熟几乎无法察觉——这段音乐本身创造出一个微缩的喜剧世界。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。