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Meanwhile, we hold that the national characteristics of Erhu and Erhu art are the product of the synthetical influence of several factors such as the linguistic characteristics, aesthetic conceptions and the folk music of our nation. They have the characteristics of uniqueness, transmission and integration, which are embodied in the following three aspects: the generation and the characteristics of Erhu in itself, the music language of Erhu music compositions and its performance skills.

并认为,二胡和二胡艺术的民族性特征是我国民族的语言特点、审美观念及民族民间音乐等多方面因素综合影响下的产物,具有其独特性、传承性与融合性,具体表现在:二胡的产生及其自身的特点;二胡音乐作品的音乐语言;二胡的演奏手法三方面。

For the experiments, testing data is collected from popular piano music and thirty-four people are invited to evaluate the effectiveness of the rhythm recognition of accompaniment, the extraction of significant segment, the linear arrangement of segments, and the creation of bridge.

本研究以流行音乐钢琴伴奏曲为测试资料,我们分别邀请三十四位受过音乐训练与未受音乐训练的测试者,针对本研究所提出的钢琴伴奏节奏辨识、代表段落萃取、段落顺序编排及间奏产生,评估其效果。

The Main purpose of this study were to realize the intension and the practical ways that non-music talent class string orchestra instructor showed their teaching professional competence. According to result, the researcher proposed suggestions for instructor giving themselves into non-music talent class string orchestra instructor and school establishing non-music talent class string orchestra.

中文摘要本研究之目的在於了解非音乐班弦乐团指导者教学专业能力的内涵,并探讨其各项教学专业能力之实务展现的方式,最后,依据研究结果提出指导者投入非音乐班弦乐团及学校成立非音乐班弦乐团的建议。

The increasing reliance on the interval of the third as a consonance is one of the most pronounced features of early Renaissance European art music( in the Middle Ages, third had been considered dissonances), in use since the 12th century, became increasingly elaborate with highly independent voices throughout the 14th century: the beginning of the 15th century showed simplification, with the voices often striving for smoothness.

对于被当作协和音程的三度音程越来越多的依赖,是文艺复兴早期欧洲音乐艺术最为显著的特征之一(在中世纪,三度曾被当作不协和音程)。从12世纪之后使用的复调音乐,随着整个14世纪各声部的高度独立变得越来越复杂:15世纪初期的复调音乐的各声部常常趋于平滑,因而显示出其单一性。

The process by which music acquired "renaissance" characteristics was a gradual one, and musicologists have placed its beginnings from as early as 1300 to as late as the 1470s. in addition, the Italian humanist movement, rediscovering and reinterpreting the aesthetics of ancient Greece and Rome, influenced the development of musical style during the period.

音乐具有文艺复兴的特征是一个循序渐进的过程,音乐理论家们对其起始时间的定义从1300年到1470年不等,此外,意大利的人文主义运动,重新认识和解释了古希腊和古罗马的艺术理论,这也影响了文艺复兴时期音乐的发展。

One more thing to mention: there"s also another opinion that Scriabin"s philosophical thinking is not that inseparable with his music, which is enough to stand on its own without any philosophical support; and it is musicologists self-righteousness that propelled themselves to search for extra-musical messages this opinion is mostly held by performers.

斯克利亚宾的音乐本身足以自圆其说,并不需要刻意地套用任何哲学模式。是一些音乐学家为了体现其自身的重要性,在斯氏的作品中刻意地寻找某种音乐之外的东西,或者草木皆兵,或者小题大做。--持这种观点的人多为演奏家。

This article illustrates the art characteristic of Fu Gengchen, researching on his music works in his creating career, through carrying on the systemic, concrete discussion to the music creation and representative works of various types.

本文以傅庚辰创作的音乐作品为研究对象,从探究其创作历程出发,对各种体裁的音乐创作及其代表性作品进行系统、具体的讨论后,又总结出傅庚辰音乐创作的艺术特征:从题材的广度看,抒写军队和人民的社会生活,使作品中蕴涵了革命军人的&大我&精神,同时,他以这种精神表达一种对党和军队、人民的&大爱&;从风格上看:豪情、激情随处可见,大志、壮志贯穿始终,形象、意象生动鲜明。

The third part deals with the causes of the inheritance and evolution.The paper combines the method of historical musicology and ethonomusicology,presents a comprehensive and deep contrastive study of instrument compilation and orchestra organization between Korean aak and Chinese Yayue on the basis of the historical documents of the same period between China and Korea, thus revealing the evidence and cause of history-culture through the analysis of concrete music forms.

论文采用历史音乐学与民族音乐学相结合的研究方法,以历史为主线,并以中朝双方同时代的文献史料为基础,对中朝两国的雅乐在乐器编成、乐队编制等方面进行横向对比,对朝鲜的雅乐、唐乐和乡乐进行纵向对比,试图通过具体音乐形态的分析来揭示其历史文化的轨迹及其成因。

This article illustrates the art characteristic of Fu Gengchen, researching on his music works in his creating career, through carrying on the systemic, concrete discussion to the music creation and representative works of various types. For example,in view of the extent of the subject matter , he described the army and social life of people , endowing works containing " Self " spirit of the revolutionary armyman. Meanwhile, he expressed a kind of " Great love " on the party , army and people with this kind of spirit . In view of the style: Lofty sentiments and passion are seen everywhere, high aim and lofty ideal are carried throughout, and the visualization and imageination are vivid and distinct.

本文以傅庚辰创作的音乐作品为研究对象,从探究其创作历程出发,对各种体裁的音乐创作及其代表性作品进行系统、具体的讨论后,又总结出傅庚辰音乐创作的艺术特征:从题材的广度看,抒写军队和人民的社会生活,使作品中蕴涵了革命军人的&大我&精神,同时,他以这种精神表达一种对党和军队、人民的&大爱&;从风格上看:豪情、激情随处可见,大志、壮志贯穿始终,形象、意象生动鲜明。

Li Biao has given many recitals during music Festivals such as: the Schleswig-Holstein Music Festival, Sommerkonzert zwischen Donau und Altmuehl, Festival der Nationen, Fuji Music Festival and Bela Bartok Festival, Bad Kissingen Music Festival,Music Biennale Zagreb,Night of percussion in berlin philharmonic, Music Viva.

作为优秀的职业打击乐团之一,他们的演出遍及世界的许多著名艺术节和音乐活动中,许多著名的作曲家们为乐团谱写音乐作品,其演奏的音乐风格涵盖五个大陆,古典、爵士、现代、流行,使用乐器近一百种,重量近5吨,这使得他们的音乐会色彩斑斓,耀人耳目。

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