其音乐

This paper takes MacDowell's 《Sonata Tragica》 as the topic for understanding his music style and compositional technique by analyzing his large-scale works, and hoping to percept deeply and interpret accurately. Meanwhile, this study will provide more materials to the following researchers and evoke the value of MacDowell.

本论文以麦克道尔的《悲剧奏鸣曲》为题，藉由探讨其大型钢琴作品，了解其音乐风格与创作手法，以期在演奏时对他的音乐有更深的认识和正确的诠释，并提供后续研究者更多的资料，唤醒大家对麦克道尔的重视。

The development of digital technology influences on the music industry radically on the internet time. The Phonogram and Videogram Producers have to transfer into digital modality. New competition elements penetrate, such as Online-music Operator, the Service Provider, and the Terminal Facilities Producer, go into the industry . Even the Mobile Operator would like to lead the development of the music industry by the music digital operation. There are gambling and amalgamation among groups for the increasing future of digital music.

网络时代数字技术的发展对音乐产业产生了颠覆性的影响，传统唱片公司不得不进行数字化转型，产业链加入了新的竞争力量——网络音乐运营商、增值服务提供商、终端设备制造商，甚至移动运营商以其音乐数据业务欲主导音乐产业的发展，各种力量之间的博弈、融合均为了未来数字音乐极具潜力的发展前景。

N, and some parts of thiswork become the omen of later works.The thesis has 3 parts: the composer's career, the muiscal age ofwhen he lives, the main character of his symphonies will be given a brief account in the first chapter. The creative stye, character and the specificanalysis of symphony no.4 will be given a brief account, and his musicalcharacter will be expressed from his concrete works in the secondchapter.

文章分三大部份：第一部份概述作曲家的简要生平及所处的音乐时代背景，作曲家音乐的总体特点以及做为其音乐主体的交响曲的特点；第二部份概述《第四交响曲》的创作风格、特点以及对《第四交响曲》的具体分析，从具体的作品中呈现作曲家的音乐特点；第三部份提出问题，即布鲁克纳的音乐为何。。。

An interesting contrast to these recordings from Zimbabwe is provided by the South African composer Kevin Volans, who orchestrates original Mbira patterns with the harpsichord and traditional rattle.

然而它所演绎的音乐不同凡响，西方音乐学家认为这是一种高度发展的音乐传统，其音乐特性使西方简约派音乐家为之着迷。

Ming-Ling M U, who has learned the piano from her auntie Li-Fen MU when she was 4 years old. 1997, Ming-Ling has passed the examination of Tainan University of Technology, Department of Music, majors in piano, minor course is flute, and has been taught by Zhen-Zhen LIU, Nei-Wen WANG, Li-Li ZHOU and Li-Min CHEN. During the school, Ming-Ling has been asked to be the accompanist for Tainan city Phoenix City children's choir. 2003 she has passed the examination from Conservatoire de Reuil Malmaison-senior class of piano performer with the teacher CHANTAL RIOU. In year 2006, Ming-Ling has brought herself to the senior class of piano accompanist and learned with teacher PONDEPEYRE ANGELINE, who made her graduated as the first-rate in the next year from Conservatoire de Reuil Malmaison.

穆明伶四岁开始其音乐养成教育，启蒙於姑姑穆丽芬。1997年考上台南女子技术学院音乐系，主修钢琴副修长笛，师事於刘珍珍、王乃雯、周理俐以及陈丽明老师；在学期间曾应邀加入台南凤凰城儿童合唱团担任伴奏一职。2003年考取法国玛尔梅松市立音乐院(Conservatoire de Reuil Malmaison)钢琴演奏高级班，师事 Chantal RIOU.2006 年进入同音乐院钢琴伴奏高级班，师事於Angrline PONDEPEYRE 。2007年以第一奖文凭毕业於法国玛尔梅松市立音乐院，师事Angeline PONDEPEYRE 。

In 21st century, most people regard"quyi"as crosstalk, opusculum, storytelling and acrobatics, but they neglect the more important part of"music of quyi", and the young worship black talking and singing music blindly. All of these need us to return "the mother tongue music" system, if we don't understand our national and folk music, our music accomplishment is incomprehensive.

在二十一世纪的今天，大多数人对&曲艺&的认知还仅仅停留在相声、小品、评书、杂技上，而忽略了更为重要的&曲艺音乐&这一部分，还有青年人对于黑人说唱音乐的盲目崇拜，这些都需要我们回归&母语音乐&系统，因为，不了解本国的民族民间音乐，其音乐素养是不够全面的。

In general, Miao"s folksong has inherited and maintained more ethnic characteristics vertically, thus, the development of its music is sure to be constrained, being in the state of isolation for a long time; Tujia"s folksong is active in absorbing, merging and developing the music of Han and other ethnic groups horizontally, but comparatively speaking, the ethnic characteristics of its folk song is obviously desalinized.

总的看来：苗族民歌更多地在纵向继承方面继承与保持了本民族特色，但却使其音乐长期处于封闭状态，发展受到一定限制；土家族民歌侧重在横向借鉴方面对汉族和其它兄弟民族音乐予以灵活吸收、融合与发展，但相对来说，其民歌的民族特征却明显淡化。

In his magnum opuses of on the music and a comprehensive view on music, Qing Zhu illustrates systematically his music aesthetic thought, with the idea of 'music is the language of soul' as the core.

青主在代表作《乐话》和《音乐通论》等理论专著中，以&音乐是上界的语言&为其音乐美学思想的核心，系统的阐述了他的音乐美学观点。

Discuss the main body of a book and study with regard to Russia music and Russia musician Tchaikovsky development, the characteristic has been used for creation , background , population that the nation sends happily to 19 centuries detailed introduce that, emphasizing Russia music together, from Tchaikovsky's all one's life , aspect such as creating , affecting having some nations in analysing whose music work, and combining concrete music example analysis finally in article.

本文就俄罗斯音乐和俄国音乐家柴科夫斯基展开讨论与研究，对于19世纪民族乐派的产生、背景、总体特征做了详细介绍，并以俄罗斯音乐为重点，从柴科夫斯基的生平、创作、影响等方面分析其音乐作品中带有的民族性，并在文章最后结合音乐实例具体分析。

Francois Couperin, a rococo leading exponent, left behind him a tremendous legacy, of which his four volumes of clavichord master pieces composed during the maturity stage of his music creation career, well characterize the music style upheld at the time in France, and embody his unique clavichord style.

作为洛可可时代的代表人物弗朗索瓦。库普兰，他的四卷古钢琴曲集是其音乐创作成熟阶段杰出的作品，极具代表性地反映了当时法国崇尚的音乐风格，更是其独特的古钢琴音乐风格的集中体现。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。