其声音

And widened their viewfinder even further to take in an even greater horizon of sound.

取景器，并扩大其进一步采取的声音更大的视野。

Among their earliest work together in this period, was a reworking of Placebo's track "Without You I'm Nothing", from the album of the same name, in which Visconti oversaw the additional production required when Bowie's harmonised vocal was added to the original version for a strictly limited edition single release.

62方发布在其最早在此期间的工作在一起，是一种安慰剂的轨道改造"如果没有你，我没有什么"，从同名专辑，其中孔蒂负责监督时所需的额外的生产鲍伊的协调一致的声音加入了严格的限量版单释放到原来的版本。

However, with the development of VOM model, one can also hear some criticisms and concerns in this respect.

但随着VOM模式的发展，对其批评的声音与担忧也开始出现。

Robert Hale, Wotan, presented a continuous development from his beginning monologue "Was keinem in Worten ich Künde" over the dramatic dispute with his wife, Fricka, to the moving farewell with Brünnhilde the most beloved of his Walküre-daughters "do küss ich die Gottheit von dir" which he sang with

罗伯 赫尔优异表现将指环变成「佛旦之夜」。他将剧情呈现出一连串不停的发展，从佛旦的独白开始，到挥别了其心爱的女武神女儿，他都唱的深切感人而优美，却在声音中充分赋予著暗自忧伤。

Obviously, it seems that his intention is to make another kind of voice out of the deep water, which makes it fight against traditional phalloccntrism; while also entangle on the male dcsire peering at female bodies in his narrative words, using the supposing visual center in the film picture to disguise the ubiquitous male desire peering at female bodies, all which embody the desire to close the western cultural center regardless of the picture handling and cameral lens cutting. Finally, he spends every strain to alleviate visual pressure and catering to the visual feeling of the western audience using narrative tactics, while the real intention to fight for language right with traditional phallocentrism. So it"s safe to say that this is a right fight between traditional phallocentrism and marginal counterpart. Just as the sacrifice of women in Zhang"s films, the marginal women again betrayed in Lous, and women again become the punishing and desire subject and swapping subject between men.

似乎让另外一种声音浮出水面是他的叙事意图，使它能够对抗传统中心话语权威；然而，在他影片的叙事话语中，仍然纠缠于固执的男性对于女性的窥视，利用设定影片画面中的表层观看&中心&，企图掩饰他影片中无处不在的对于女性的窥视欲，无论是在影片画面处理、影片镜头的剪辑上都显示出对西方强势文化中心的靠近，利用其中叙事策略来尽量减轻或者迎合西方观众的视觉接受，而其真正的叙事权威就是利用&边缘&来争夺西方观众的肯定，来与传统男性中心权威话语争夺话语权，这是一场传统男性中心话语权威与男性边缘群体争夺话语权的斗争，就如张艺谋的影片中以牺牲女性为代价，娄的影片中同样牺牲了边缘女性群体，女性再一次成为窥视、惩罚的对象，成为男性交换的对象。

Any of various plants of the genus Crotalaria, having inflated pods containing seeds that rattle when the stem is moved.

猪屎豆一种植物属于猪屎豆属其豆荚扁平，当茎被摇动时，里面的果实能发出咔嚓咔嚓的声音

Their outstanding sound reproduction and foldable design make them ideal for outdoor use and travelling.

它出众的声音重现和可折叠设计使其非常适合户外和旅行使用。

The voice was that of one of his precious, custom-built IG 100-series MagnaGuards: prototype self-motivating humaniform combat droids designed, programmed, and armed specifically to fight Jedi."We recovered a lightsaber from the base of the turbolift shaft before the spire tore free."

这个声音来自于他的其中一个法宝，自制的IG-100系列马戈纳卫兵：典型具有自我激活功能的人类形态战斗机器人，其设计、编程和武装皆是针对与绝地的战斗，&我们在指挥塔与船体分裂前在电梯井底找到了一把光剑。&

The musical sensibility is apparent in the recurrence of certain locations, sounds, and camera setups; in the lightning-quick shot of the collapse of a tent, effected by Norbu's accomplice in the first horse theft that we see; in a remarkable sequence devoted to Norbu's extended praying and prostrations, which hypnotically combines camera movements and superimpositions with a use of other human figures that ambiguously alters our sense of his isolation; in the slow drip of water from melting snow that Norbu catches in a jug to bring to his ailing child; in the intricately structured sequence showing the clan's westward migration, as fine a piece of epic poetry as some of the grander collective movements in Ford; and above all, in the depictions of the Buddhist ceremonies and rituals, which are themselves patterned like musical structures.

在再现某些地点、声音和摄影机设置时，音乐感是显而易见的。快如闪电地拍摄一个帐篷的倒塌，这是我们所见 Norbu 参与到第一次盗马时所弄倒的； Norbu 长时间的祈祷和不断俯卧拜倒成就了一个标志性的场景，用了其他几个人物形象恍如催眠式地将摄影机运动和叠印一起使用，就这样含糊地改变了我们对他孤立的感受；Norbu用水壶接住融化的雪缓慢滴落下来的水，这是要带回去给他生病的小孩；复杂结构的场景展现了宗族的西迁，总之，佛教庆典和仪式的描写，其本身形式就很像音乐结构。

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的&收购&的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。