其主义

Secondly, it summarizes previous interpretations of Atwood's works and points out their deficiency, that is, most researches analyze her works from the angle of feminism or literary narrative strategy or creative technique. Though there are some comments from the ecological perspective, few researches into Oryx and Crake have been made.

其次综述阿特伍德其人其作，梳理总结前人对其及其作品进行的研究，并指出研究的不足，即大多数研究都从女性主义或文学叙事策略和创作技巧的角度来分析其作品，虽然也有从生态角度评述的，但对于本文将要研究的文本《羚羊与秧鸡》进行的研究却不多，尤其是从环境启示录角度研究的更少。

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

The emphasis of this thesis is to trace down evidences of American consumerism from the angle of the components which forms the main dimension of consumerism: status-pursuit by possession and consumption of commodities as automobiles, residence and fineries, which are in effect treated as the symbols of social position, for they are endowed with additional value besides the use value, that is the sign value which even surpasses the material property; and another task of the thesis is to analyze the impacts of consumerism reflected by Dreiser through his arrangement of the fate of his heroes who live in consumer culture circumstance, who inevitably are under the irresistible influence of it and who accept consumption as their only choice of self-identification; at last the attitude of the great author towards consumerism and his exploration of the significance of life will be concerned.

本文重点是探讨作品中构成消费主义的各种表现形式：通过消费华服、汽车，占有豪宅等表现社会地位的奢侈品达到身份的认同而寻求心理上的满足，因为这些物品的物质属性早已让步于其的文化属性，被赋予的符号价值取代了使用价值成为人们追求的主要因素。本文的另一个探索方向是通过把握德莱塞对作品中主要人物命运的安排，分析消费主义对存在于消费语境下的人们所产生的不可抗拒的影响以及得莱塞反映在本部作品中对消费主义的态度和对人生意义的思考。

Chapter 1 inspects the evolution history—from defensive nationalism to Pan-Slavism, and then Great Russian Nationalism—of Russian Nationalism. It also analyses the roles that geopolitical factors, religious, Thought and culture, social foundation, and national character played in the formation of Great Russian Nationalism.Chapter 2 discusses the dominant concepts, basic features and basic attributes of Great Russian Nationalism.

其中认为，沙皇专制论、救世论、俄罗斯民族&优秀&论和遗产继承论等理念构成了大俄罗斯主义的基本内容；从外在的表现形式来看，大俄罗斯主义又具有四个特征，即领土扩张化、政治上的高压化、经济上的掠夺化和文化上的俄罗斯化；大俄罗斯主义兼具防御性和扩张性两种属性，但其防御性是有限的，而扩张性是无限的。

Moreover, since many feminist ideas can be traced to Saint-Simonianism, European historians' appreciation of later feminism in France and the United States remained limited.

因此，由于忽略了其女权主义思想可追溯至圣—西门主义，因此，欧洲史学家们对在法国和美国后起的女权主义运动的欣赏显得十分有限。

Dummett's views on intuitionism logic can be divided into three levels that are proof theory, semantics, and the theory of meaning. He expounded and proved the arguments; intuitionism logical rules are self-defended, and their semantic interpretations can be avoided cyclic argument while he demonstrated the philosophical-logical intentions of the dispute between classic logic and intuitionism logic.

他对直觉主义逻辑的辩护包括证明论、模型论或语义学、意义理论三个层次，他论证了直觉主义逻辑规律是自我辩护的、其语义解释可以避免循环论证，阐明了直觉主义逻辑和经典逻辑之争的逻辑哲学内涵。

This paper proposes that the antagonistic relations between the two views parallel the debate between behaviourism and constructivism in mathematics education through the analyses of its philosophical position, and shows that philosophy of mathematics has important influences on the actual activity.

基础主义和拟经验主义是数学哲学的两个主要派别，通过对其哲学立场的分析提出这两种哲学观的对立表现在数学教育中就是行为主义和建构主义的对立，从一个侧面表明数学哲学对实际数学活动的影响。

As part of the dynamic, changing, and self-critical tradition of feminist theory and practice, transnational feminism is a further critique of Western mainstream feminism, including those women's studies programs in the States that still confine their practice within the frame of the nation, unable to critically examine their own explicit or implicit participation in colonialism and neocolonialism in a global setting.

作为富有自我批判精神并不断发展演变的西方女性主义实践的一部分，跨国女性主义对西方主流女性主义提出了更深入的批评，包括美国某些依然将实践局限在国家框架之内的女性研究项目，因为这些项目无法反省、检视其自身自觉或不自觉参与殖民主义和新殖民主义在全球霸权扩张的事实。

This thesis elaborates on the definition of Self in Communitarianism and different comprehension of communitarianism,then the excellent recognition about the Self-concept in Communitarianism emerges,that is Shared self-positioning which is interpreted in multi-dimensions,Finally this thesis postmortems the values in theory and practice.

文章围绕社群主义对自我的界定，社群主义者对自我观的不同理解进行阐述，进而对社群主义自我观形成了超越性的认识即共享式自我观的价值定位，并对其进行了多维解读，最后对社群主义自我观的理论价值与实践价值进行了检视。来源：A08e8B8eC论文网www.abclunwen.com

This paper is divided into five parts: the first part focuses on the currentsituation of research, process of his thoughts and his determination to put it to practice.Thought this part, we can understand the background of his constitutional philosophy;In the second part, We recognize his ideological foundation, describe the awarenessand understanding of his culture about East and West, research his background of thecultures about East and West; In the third part, the writer discuss the history ofevolution about Zhang Junmai constitutional philosophy, describe the process, that isfrom Eucken's philosophy to kant's philosophy. In this process, we understand therole and significance of Zhang Junmai constitutional philosophy in building ademocratic constitutional government; Part IV , in which the writer describes thecharacteristics of Zhang Junmai constitutional philosophy, is important; In the end, thewriter thinks that Zhang Junmai political appeal hadn't achieved at the ideal result thathe expected, but, there were some reasonable factors contained in his thoughts, thatwhat we shouldn't be abandoned but be utilized and developed when constructing themodern nation.

本文主要分为五个部分，在绪论中主要叙述了张君劢宪政哲学思想之研究现状以及张君劢宪政思想历程，把张君劢的宪政活动和思想认识做出了初步的概括，使我们能更加清楚的理解他的宪政哲学思想背景；第二部分主要是对其宪政哲学思想形成之基础进行归纳与总结，叙述张君劢对中西文化的认识和理解，研究其宪政哲学思想之中西文化的理论背景；第三部分则是对张君劢宪政思想之哲学演变的探讨，叙述了其宪政哲学思想从倭伊铿哲学转向康德哲学的演变过程，从其思想演变过程来理解张君劢宪政哲学在中国民主宪政建设中的作用和意义；第四部分主要是从张君劢各种宪法草案以及宪政活动中概括其宪政哲学思想之特征，从而得出其民族意识、德法合一与精神自由的宪政哲学核心内涵，并且在时代的背景下对其社会主义思想与马克思主义社会主义观进行了比较研究；第五部分则是对张君劢宪政哲学思想的一种再认识，指出了其宪政哲学思想在当代仍饱含着建设性的意义，并且赞同其复兴儒家文化的主张，认为这一主张在当代社会发展中仍有十分巨大的现实意义，在这些认识基础上，笔者认识到我们仍要保持一种批判与继承的态度去看待张君劢宪政哲学思想。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。